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Matrix: Contemporary Printmaking - Museum of Fine Arts - Florida ...

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Fall 2009<br />

Different Types <strong>of</strong> <strong>Printmaking</strong><br />

and How They Work<br />

The process <strong>of</strong> creating a lithograph<br />

involves using oil crayons, water, acid and ink.<br />

An image is created on the stone or metal plate<br />

using the oily crayon. Then water is applied to<br />

the plate. The water is repelled from the oil and<br />

when ink is added to the plate, the oil based ink<br />

is repelled from the areas that are wet from the<br />

water, allowing only the drawn lines to soak up<br />

ink and produce a print. In more<br />

advanced forms <strong>of</strong> lithography<br />

acid is used to prevent the ink<br />

from moving to other parts <strong>of</strong> the<br />

plate, by creating a stronger<br />

barrier then water.<br />

When attempting to create<br />

a lithograph with color, the<br />

process is very similar to that <strong>of</strong><br />

color wood block prints, or relief<br />

printing. Multiple plates are<br />

produced, each one<br />

for a color intended<br />

to be added to the<br />

print. They are<br />

layered onto the<br />

paper.<br />

This form <strong>of</strong><br />

printmaking allows<br />

for a large amount<br />

<strong>of</strong> prints to be<br />

pulled, making it the<br />

more popular<br />

choice for modern<br />

artists, like Eugene<br />

Delacroix, Henri de<br />

Toulouse-Lautrec,<br />

and Edouard Manet.<br />

Lautrec<br />

1895<br />

Henri de Toulouse-<br />

May Milton<br />

color lithograph,<br />

Producing a lithograph without much<br />

expensive equipment is difficult. It is possible<br />

however to demonstrate the basic principles <strong>of</strong><br />

lithography with ease. The main principle is the<br />

basic chemistry <strong>of</strong> oil and water. Using a sturdy<br />

piece <strong>of</strong> metal, an image can be produced with<br />

an oil crayon; a Crayola crayon will do the trick.<br />

Once the image is drawn, the metal can be<br />

held at an angle, and water poured from the<br />

top down. This will show how the water is<br />

repelled from the waxy image. Using this<br />

method to create a print may take more steps,<br />

but it is possible with the correct ink and<br />

printing paper.<br />

Serigraphy:<br />

Most well known as stenciling, this<br />

method is the most used among students and<br />

non-artists. Stencils can be made from paper,<br />

plastic, fabric, metal, or almost any material.<br />

The design is<br />

removed from the<br />

material, and then<br />

ink is rolled over the<br />

opening to make a<br />

print.<br />

Andy Warhol<br />

Campbell’s Soup Cans<br />

silk screening on<br />

canvas, 1962<br />

This method <strong>of</strong> printmaking has<br />

existed for many years. Stencils are<br />

used in the fine<br />

arts but also in the commercial arts.<br />

Stenciling has also developed into an<br />

art form that is utilitarian, proving to be<br />

an asset in anything from decorating<br />

walls, to creating unique designs for<br />

T-shirts, known as silk screens.<br />

Andy Warhol is known for having<br />

used stencils and silk screens to complete<br />

his famous representations <strong>of</strong> Campbell’s<br />

soup cans. Many famous artists used<br />

stencils to help them plan their works, for<br />

example Michelangelo, who used a<br />

stencil to outline his plans for the Sistine<br />

Chapel in Rome. Although these examples<br />

don’t result in prints in the technical sense <strong>of</strong><br />

the word, they do assist the artist in making<br />

multiple copies <strong>of</strong> one image, which is the<br />

essence <strong>of</strong> the idea <strong>of</strong> printmaking.<br />

Creating stencil prints is one <strong>of</strong> the<br />

easiest forms <strong>of</strong> printmaking to do without a<br />

large amount <strong>of</strong> equipment. Simply begin with a<br />

material that will block the ink, and not allow it<br />

to permeate onto the print except in the desired<br />

places. This can include cardboard or poster<br />

board, and non-cotton fabrics. Then remove<br />

the image from the material to create the<br />

stencil. At this point the medium in which the<br />

print can be created is very open. Paint, ink, or<br />

a simple pencil can be used.<br />

8

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