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Annual Report 2008-2009 - National Gallery of Canada

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The <strong>Gallery</strong>’s family<br />

<strong>of</strong> websites continues<br />

to surprise<br />

New sites, new channels,<br />

and accolades<br />

Sound artist Janet Cardiff explains how her work The Paradise<br />

Institute, a surreal cinema installation, got its name. Aboriginal<br />

artist Kent Monkman explains the appearance <strong>of</strong> his alter ego,<br />

in drag, in the work Portrait <strong>of</strong> the Artist as Hunter. Vancouver<br />

photographer Ken Lum describes his transition from scientist<br />

to artist.<br />

For a decade, the <strong>Gallery</strong> has recorded interviews with<br />

artists when they visit to install their work. Now those videos<br />

collectively make up one <strong>of</strong> four “channels” on a new<br />

CyberMuse page. On <strong>Gallery</strong> Channels, viewers can browse<br />

through curator talks, “Meet the Artist” interviews, art technique<br />

demos and research, and sift easily through multimedia<br />

content that was previously spread about on the <strong>Gallery</strong>’s<br />

websites and not always easy to find. All these materials are<br />

<strong>of</strong>fered in English and French. They can also be found on a new<br />

YouTube site branded for the <strong>Gallery</strong>.<br />

Two other significant changes were made to CyberMuse this year. Under the “youth” banner, the extremely popular careers<br />

section was redesigned. And a new researchers’ sub-site was added for those who wish to delve more deeply into technical or<br />

historical aspects <strong>of</strong> art. Funded by the NGC Foundation’s Distinguished Patrons and created in partnership with the Restoration<br />

and Conservation Laboratory, a new project on the research site deconstructs the recent ambitious restoration <strong>of</strong> a work by the<br />

Italian Renaissance painter Veronese.<br />

These improvements were part <strong>of</strong> an extensive slate <strong>of</strong> initiatives this year across all <strong>Gallery</strong> websites. Infomuse, an intranet<br />

site modelled on the <strong>Gallery</strong>’s five other sites – which include the <strong>Gallery</strong>’s main portal, Shop NGC, the Foundation,<br />

CyberMuse and CMCP – was created, providing staff with a web gateway containing a newsletter, a staff directory, a calendar,<br />

orientation materials and so forth. The Canadian Museum <strong>of</strong> Contemporary Photography website was redesigned top to bottom. A<br />

landmark new school sub-site was launched on the <strong>Gallery</strong> main site, which allows teachers to plan and book school visits online.<br />

With its impressive roster <strong>of</strong> engaging, attractive, information-rich,<br />

interactive websites, the <strong>Gallery</strong> stands at the<br />

vanguard <strong>of</strong> museum Internet content. The <strong>Gallery</strong> received<br />

some accolades this year to underscore this fact. Eye Spies, an<br />

artworks exploration game for kids on CyberMuse, received a<br />

Web’Art de Bronze Award, and the luminous online exhibition<br />

Drawing with Light won the Grand Prix Web’Art <strong>of</strong> Virtual<br />

Exhibition Award, at consecutive meetings <strong>of</strong> the Festival<br />

international de l’audiovisuel et du multimédia sur le patrimoine,<br />

presented by the International Council <strong>of</strong> Museums.<br />

“We are not just expecting people to<br />

come to us. We are venturing further online<br />

to bring what we have to users”<br />

16 Highlights and Achievements

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