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Boxoffice-September.04.1978

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'<br />

ce<br />

lifetime' Debut Wins<br />

Applause, Laughter<br />

SAN AMOMO—A thundering standing<br />

ovation greeted "Only Once in a Lifetime"<br />

as the film received its world premier.- here<br />

Friday evening. August 25. it was reported<br />

hy Ben K.ing jr., entertainment editor of<br />

the Express-News.<br />

The o\ation was given by slightly more<br />

than 2.000 people who attended the film,<br />

which has been billed as the first Hollywood<br />

production directed and produced by Mexican-Americans.<br />

The premiere, co-sponsored by the Express-News,<br />

was considered the highlight of<br />

the third annual Chicano Film Festival.<br />

The film, which centers on the trials and<br />

tribulations of an elderly Mexican-American<br />

artist in East Los Angeles, won laughter<br />

as the artist, played by Miguel Robelo. ran<br />

into Anglo social workers who insisted on<br />

speaking their broken Spanish to him. His<br />

other problems entailed Mexican-American<br />

fathers who were "dead set" on their daughters<br />

getting married.<br />

Hero's Faith Renewed<br />

The crux of the situation faced by the<br />

film's hero is that he begins to feel his life<br />

is worthless because of the restrictions put<br />

upon him by various local laws and the fact<br />

that an art dealer no longer will display his<br />

paintings. For a while, the artist considers<br />

suicide, but in the end decides against it<br />

after his faith in life is renewed as he meets<br />

various people while he tries to find a home<br />

for his alcoholic dog.<br />

The main point of the film, aecording to<br />

its co-producers Alcjadro Grattan and Moctcuma<br />

Esparza, is to present a story about<br />

contemporary Mexican-American life, but<br />

to avoid the stereotypes usually associated<br />

with the minority group in films.<br />

Outside the Theatre for the Performing<br />

Arts, where the film was premiered, the film<br />

festival's organizers added a touch of Hollywood<br />

in honor of the world premiere.<br />

Several national and local dignitaries arrived<br />

at the theatre as they were announced<br />

over a public address system, with a squad<br />

'I photographers snapping their pictures.<br />

Among those attending were Jack Valenli.<br />

president of the Motion Picture Ass'n of<br />

America, Mayor Lila Cockrell and city<br />

councilmen Hernardo Eureste and Rudy Ortiz.<br />

Following the premiere, a reception and<br />

dance honoring the co-producers and stars<br />

of "Only Once in a Lifetime" was held at<br />

the Hilton Palacio del Rio Hotel. Guests<br />

were serenaded by strumming mariachis and<br />

..veral other dunce ant! musical perlorm-<br />

The two-day festival is sponsored by<br />

Centro Video of the Oblate College of the<br />

Southwest.<br />

Jack Valenti Encourages<br />

Chicano Film Creators<br />

.San .\nlunlu—C'hieaiio filniniakers<br />

look promising but, like all filmmakers,<br />

they face rou);h going, says the president<br />

of the .Motion Picture A.vs'n of<br />

.America, according to Lamont Uood<br />

of the Light.<br />

"I was *er\ much impressed today<br />

hy the intensity of the dedication and<br />

comniitnient of these >oung filmmakers,"<br />

commented Jack Valenti after<br />

meeting with Hispanic motion picture<br />

makers at the Chicano Film Festival<br />

here.<br />

"But my only honest advice to them<br />

and all young filmmakers is to he prepared<br />

for disappointment." noted the<br />

MI'AA thief. "Out of e\ery hundred<br />

young filmmakers, only a handful<br />

make it to the big lime. Talent and<br />

dedication doesn't mean you will succeed,<br />

but without it you cannot succeed."<br />

Valenti noted that making a successful<br />

motion picture is difficult, requiring<br />

the talents of an artist and a field<br />

commander.<br />

Tour of Farms, Drive-In<br />

Part of Britons' Agenda<br />

From Cenlnl<br />

Ed:lron<br />

NESS CITY, KAS.—A recent<br />

Bo.xoffice<br />

article concerning two British youths on<br />

their first visit to an American drive-in<br />

caught the attention of Paul Ricketts, Ricketts<br />

Theatres, who says he also took some<br />

English visitors on their first trip to an outdoor<br />

theatre.<br />

The Britons, who hail from the lake<br />

coimtry of Northern England, stayed with<br />

Ricketts while he showed them around local<br />

farming and terracing operations.<br />

The entourage saw "The Betsy" at the<br />

Star Drive-In on a night during which,<br />

Ricketts says, "Mother Nature gave us perfect<br />

weather—but 'The Betsy' gave us less<br />

than perfect business."<br />

SUBSCRIPTION<br />

Symposia Treat Financial<br />

End of Chicano Filmmaking<br />

(Continued from preceding page)<br />

"The best way to get money from the Corporation<br />

for Public Broadcasting is through<br />

a tie-in to a television station or having a<br />

big name like Bill Moyers who gels funded<br />

year after year." As alternatives. Penichci<br />

suggested that filmmakers seek private<br />

sources such as banks or find a TV station<br />

or film company to co-produce a movie.<br />

Luis Terrazas. Corporation for Public<br />

Broadcasting board member, told some 50<br />

spectators that the corporation at times has<br />

been "insensitive" to fund-seekers. But he<br />

blamed independent filmmakers for some<br />

of the problems. "A lot of independents<br />

have not come through and rattled the<br />

cage. he said. Terrazas, formerly of San<br />

"<br />

Antonio, said the corporation already has<br />

begun to study ways of improving communications<br />

with minority filmmakers.<br />

Another independent film producer from<br />

Los Angeles said the biggest problem encountered<br />

by Mexican-American filmmakers<br />

is knowing how to look for funding. "It is<br />

a very difficult thing." he said. "We have a<br />

lot of very creative Chicano and Latino<br />

filmmakers, but they just don't know how<br />

to get through the front door."<br />

'Swarm' Hyped in Canada<br />

With $500,000 Campaign<br />

TORONTO— Promotion campaigns for<br />

the Warner Bros, release "The Swarni"<br />

added an estimated S500.000 to the Canadian<br />

economy, according to the publication<br />

Marketing.<br />

Al Dubin, advertising and publicity director<br />

for Warners in Canada, who supervised<br />

the entire publicity drive and personally<br />

created many elements of it, related:<br />

"We took 104 billboards in the Toronto<br />

area and put posters on both sides of 84<br />

subway stations."<br />

Attracting much response was the radio<br />

ballyhoo, which continued for a month and<br />

involved nine stations in cities across Canada.<br />

The on-lhe-air publicity involved a<br />

"I'd like to escape from the swarm with<br />

" contest, in which the name of<br />

the favorite local deejay was written on an<br />

entry blank and sent to the radio station.<br />

ORDER<br />

BOXOFFICE: 825 Van Brunt Blvd., Kansas City, Mo.<br />

Pleose enter my subscription to BOXOFFICE<br />

In past years, the Chicaiu) Film Festiv.d<br />

ii.is been held in the Sunken Garden Ihci-<br />

•<br />

in Brackcnridge Park. However, this<br />

i'. premiere and festival marks a new<br />

for Ihc event which gamers<br />

le<br />

publicity.<br />

/ear wc were under the stars, hui<br />

w '.; have come inside to stay," Furesic<br />

!'l the cheering audience at the premiere.

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