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Boxoffice-September.04.1978

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64124<br />

Opinions on Current Productions ^EATURi RiVIEWS<br />

while (bSw). For eIo<br />

A DREAM OF PASSIOIS<br />

Greek<br />

English<br />

Drama;<br />

Tillcs<br />

Avco Embassy<br />

110 Minutes<br />

Rel. Sept. '78<br />

"Medea" serves both main story and background<br />

for a liighly-charged drama with some of the best acting<br />

in an import this year. Melina Mercouri and Ellen Burstyn<br />

share honors, although the latter has a much smaller<br />

role as the living embodiment of the ancient legend in<br />

modern Greece. Producer-director-writer Jules Dassin<br />

based his screenplay on two actual cases of women who<br />

mui-dered their children, one an Italian and one an American<br />

living in Greece, and on the personalities of his two<br />

stars. Mercom-i, long associated with Dassin, performs<br />

hor stage character and the role of the actress in English<br />

and Greek, which are used interchangeably. Burstyn<br />

proves again what a fine actress she is, despite the brevity<br />

of her scenes. Her mixture of madness and cunning, innocence<br />

and vengefulness is quite a feat. Andreas Voutsinas<br />

as the director and Despo Diamantidou in a noncomic<br />

part are also extremely impressive. Filmed on location<br />

in Piraeus, the Bren Film/ Melina Film/ Aries Enterprises<br />

offering has English titles and color by CFI. It<br />

should be much discussed. The ending is deliberately less<br />

of an emotional impact than expected, audiences being<br />

left to sort out the meaning for themselves. The R-rating<br />

is<br />

for profanity.<br />

Melina Mercouri, EUen Burstyn, Andreas Voutsinas,<br />

Despo Diamantidou, Dimitris Papamichael.<br />

THE NORSEMAN PG<br />

Action-Advenlu<br />

American Int'l (7810) 90 Minutes Rel. June '78<br />

Lee Majors, of TVs "Six Million Dollar Man," makes<br />

his starring film debut in this swashbuckling adventm-e.<br />

It recounts the saga of a group of Vikings, who landed<br />

on North American shores five hundred years before Columbus,<br />

and their battle with hostile Indians. Charles B.<br />

Pierce, who wrote, directed and produced this action film,<br />

is known for such features as "Tlie Legend of Boggy<br />

Creek," "The Town That Dreaded Sundown," "Winterhawk,"<br />

"The Winds of Autimin" and "Grayeagle." Costar<br />

Cornel Wilde is no stranger to the swashbuckling<br />

genre, having appeared in "Bandit of Sherwood Forest,"<br />

"At Sword's Point" and "Sword of Lancelot." Mel Ferrer<br />

and Jack Elam round out the cast. Newcomer Susie Coelho<br />

plays the female lead, an Indian girl who helps<br />

Majors. Film buffs will spot Kathleen Freeman as the<br />

older Indian woman. The story is partly told through<br />

the eyes of a young boy, played by Chuck Pierce jr. Jess<br />

Pearson narrates the action, and Jaime Mendoza-Nava's<br />

musical score enhances the story. While "The Norseman"<br />

does not achieve the epic statui-e it may have strived for.<br />

it is a straightforward story, told simply. The Charles B.<br />

Pierce Film Pi-oductions. Inc./Fawcett-Majors Productions,<br />

Inc. presentation was filmed in Movielab Color.<br />

Lee Majors, Cornel Wilde, Mel Ferrer, Jack Elam, Susie<br />

Coelho, Christopher Connelly, Kathleen Freeman.<br />

A SLAVE OF LOVE<br />

Cinema 5 94 Minutes Rel. Aug. '78<br />

One of the finest films to emerge from Russia in years<br />

is this tender and touching comedy-drama of the early<br />

days of moviemaking amidst the tm-moil of the Revolution<br />

of 1917. Coming from a talented family of artists,<br />

poets and filmmakers, young director Nikita Mikhalkov<br />

emerges as an important figure on his own. The comedy<br />

is funny, the brutality is never stressed and the love<br />

story, though remaining on a platonic level, is quite<br />

touching. Elena Solovey and Rodion Nakhapetov. as the<br />

lovers who take too long to declare their mutual devotion,<br />

are both charming. As a director in the mold of James<br />

Coco, Alexander Kalyagin is most amusing. The abrupt<br />

change in moods from comedy to tragedy are never jarring,<br />

as the pace is established at the opening with a takeoff<br />

on silent melodrama and a vicious attack on a revolutionary<br />

in rapid sequence. Black and white is used for<br />

all the film-within-a-film scenes and to stress the di'amatic<br />

reaction to actual shots of peasants being executed.<br />

Friednch Gorenstein and Andrie Mikhalkov-Konchalovsky<br />

did the deft screenplay and Eduard Ai-temiev contributed<br />

a wistful and appropriate score. The Sovexport<br />

Films presentation of a Mosfilm production is in color<br />

v/ith English titles.<br />

Elena Solovey, Rodion Nakhapetov, Alexander Kalyagin,<br />

0\eg BasilashiviU, Konstantin Grigoryev.<br />

TINTORERA<br />

u ^''"f„,^;ii:\\^'r'-<br />

United Film 91 Minutes Rel. May '78<br />

From the makers of the surprise hit "Survive!," this<br />

actioner which resembles the "Jaws" features contains<br />

more sex than shark. For most of the film, male leads<br />

Hugo Stiglitz and Andres Garcia

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