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fOR THE<br />
RECORD<br />
M^c-pi.-.MjciiI ... ouMiic.vs allairs lor<br />
United Artists. Since January. 1978, Stolber<br />
had been vice-president of UA's business<br />
affairs. He joined the company's legal department<br />
in 1969 and in 1973 was appointed<br />
executive assistant to the senior vicepresident<br />
of business affairs. In 1977 Stolber<br />
became director of business affairs.<br />
Daniel R. Fellman has been promoted to<br />
vice-president and assistant general sales<br />
manager of Warner Bros. He joined the<br />
company in April. 1978 as Eastern sales<br />
manager, and formerly was vice-president<br />
and director of CinemaNational Theatres.<br />
Molber<br />
Fellman<br />
Jean-Louis Rabin, 20th Century-Fox vicepresident<br />
of international sales for the past<br />
two years, has been promoted to the newly<br />
created post of vice-president, international<br />
marketing.<br />
Francisco "Paco" Rodriguez, 20th Century-Fox's<br />
managing director for Italy for<br />
almost four years, will be transferred to the<br />
home office where he will assume the post<br />
of vice-president of international operations.<br />
Robert Dingilian has been named worldwide<br />
vice-president of publicity and promotion<br />
at 20th Century-Fox. In his post he will<br />
oversee the publicity and promotional campaigns<br />
on all Fox feature films throughout<br />
the world, reporting to Asley Boone Jr.,<br />
senior vice-president of domestic marketing<br />
and distribution. Dingilian was executive<br />
publicity director with the Association of<br />
Motion Picture and Television Producers<br />
and later formed his own independent firm<br />
with David Gershenson.<br />
Carl Molica has been appointed national<br />
sales manager of Cinema Shares International<br />
Distribution Corp. He has been with<br />
Cinema Shares almost from its inception in<br />
1975, most recently as Eastern district manager,<br />
having worked previously for Embassy<br />
Pictures, Cinemation, 20th Century-Fox<br />
and Allied Artists.<br />
John B. Tarnoff was named executive in<br />
charge of creative affairs for the motion<br />
picture division of MOM, For the past four<br />
years he was associated with the agencies<br />
of Mike I^>vy and Paul Kohner, heading<br />
their TV department as well as serving as<br />
literary agent in motion piclurcs and television.<br />
Kevin P. Donnelly became head of<br />
MGM's production department, succeeding<br />
Dale Hutchinson. Donnelly began his career<br />
with MGM in 1965 as an assistant<br />
director, and has just completed a stint as<br />
unit production manager of Joe Hamilton's<br />
"Tenth Month."<br />
Jerry Grice has been named director of<br />
administration for 20th Century-Fox International.<br />
Since 1972 Grice had been Fox's<br />
manager of participation and he will continue<br />
to make his headquarters in the Los<br />
Angeles home office.<br />
Penny Costigan joins the field marketing<br />
department of Paramount Pictures motion<br />
picture division as a senior publicist. Ms.<br />
Costigan, who has been at work for some<br />
months, is involved with regional magazine<br />
publicity outlets. She joined Paramount's<br />
staff in 1973.<br />
Sam Weinstein succeeded Sid Newman<br />
as worldwide director of nontheatrical sales<br />
for 20th Century-Fox. Weinstein started in<br />
Fox's New York office as a messenger boy<br />
in 1946 and was operations manager of the<br />
company's data processing center until named<br />
branch manager accounting manager in<br />
1972.<br />
Jerome Sandy has been promoted from<br />
Washington branch manager to Atlantic division<br />
manager of American International,<br />
covering Philadelphia, Pittsburgh, Boston<br />
and New Haven. Sandy has been with AI<br />
for 24 years.<br />
Ed Harridsleff has been appointed associate<br />
executive art director of Diener/Hauser/<br />
Bates Co. He has been with DHB for<br />
ten years, serving in various art and creative<br />
positions.<br />
Sandy<br />
Harridsleff<br />
Fred Skidmore, formerly publicity director,<br />
moves into the post of vice-president of<br />
advertising and publicity, formerly held by<br />
Farrell. They will be responsible for advertising<br />
activities of all Lorimar divisions<br />
film, TV, syndication, international distribution<br />
and merchandising/licensing.<br />
Stephen Bankler-Jukes was named director<br />
of publicity and advertising for United<br />
Artists in the United Kingdom. He comes<br />
to UA from a varied career in the entertainment<br />
industry, having been a journalist for<br />
the Financial Times in London and a staffer<br />
with several record companies. He was put<br />
in charge of publicity for BBC-TVs feature<br />
programs in 1973.<br />
Richard Parks was chosen executive assistant<br />
to Steven Bach, United Artists senior<br />
vice-president for East Coast and European<br />
production. Parks has worked in all areas<br />
of creative development and production and<br />
for the past eight years was associated with<br />
the literary agency Curtis Brown Ltd.<br />
Titles & Takes<br />
Jnvasion of the Body Snatchers" continues<br />
its pace, earning $9,648,645 in 444<br />
theatres in three weeks across the United<br />
States and Canada.<br />
In Switzerland, "Odds and Evens" (WB-<br />
Col) racked up $188,858 during its first<br />
week in multi-lingual theatres. Fourteen out<br />
of 16 German-language houses reported record<br />
grosses, and the total was $91,393. Two<br />
Italian-language cinemas earned $10,132,<br />
while $87,333 was reported from seven theatres<br />
in<br />
the French-speaking region.<br />
"Force 10 From Navarone" (Col<br />
foreign<br />
distribution) had a 32 percent increase in its<br />
second-week gross in Paris, bringing the<br />
two-week total to $503,745 from 17 theatres.<br />
The film has pulled in $82,124 in 16<br />
days in two Stockholm theatres, $47,824<br />
from one Amsterdam theatre in 12 days and<br />
$41,706 in ten days from one Helsinki theatre.<br />
The first week in Copenhagen grossed<br />
$33,658 from one theatre, while three theatres<br />
in Brussels have brought in $49,868 in<br />
12 days. Other action: Santiago, three theatres,<br />
eight days, $29,135; Bogota, three theatres,<br />
$12,251; Singapore, one theatre, 12<br />
days, $53,495; Hong Kong, six theatres, 18<br />
days, $434,157.<br />
The Neil Simon comedy "California<br />
Suite" scored $2,543,077 in 17 days of<br />
business at 60 theatres in New York. One<br />
weekend's total was $509,522.<br />
Four foreign territories report high totals<br />
for Warner Bros.' "Superman." which earned<br />
$6,211,881 in the first few weeks. The<br />
breakdown: United Kingdom. 145 theatres,<br />
three weeks, $2,875,810: Australia, 51 theatres,<br />
17 days, $2,265,759 (including 28<br />
house records for a week's business); South<br />
Africa, 28 theatres, three weeks, $738,320<br />
(18 weekly house records); New Zealand,<br />
16 theatres, 16 days, $331,992.<br />
"Movie, Movie" (WB) has seen its<br />
grosses<br />
rise each weekend in an exclusive engagement<br />
at the 400-seat Avco Center Cinema.<br />
Warners' "Every Which Way But Loose"<br />
in its third week reports $8,849,878 from<br />
1,275 theatres, bringing its total to $33,-<br />
012,463. Billings are expected to exceed the<br />
$22,922,892 billed during the entire run of<br />
"The Enforcer," previous record Clint Eastwood<br />
starrer.<br />
Nine cities in Brazil, including Rio de<br />
Janeiro, have reported a gross of $301,414<br />
for Warner Bros.' "The Wild Geese," four<br />
days, 23 theatres.<br />
"Ice Castles" (Col) gi'ossed over $53,000<br />
in 12 days in Omaha, Portland and St. Paul,<br />
t<br />
A French-Italian co-production, "La Cage<br />
|<br />
Aux Folles," earned $5,117,000 in France,<br />
42 days, 134 theatres. Most engagements<br />
established records in either boxoffice performance<br />
or length of run. Other action:<br />
Italy, $2,863,500, 55 days, 80 theatres<br />
(house records in Rome, Turin, Palermo,<br />
Bari and Florence); Geneva, $187,592, five<br />
weeks, one theatre; Lausanne, $54,496, one<br />
theatre, two weeks; Belgium, $795,785, 44<br />
days,<br />
nine theatres.<br />
BOXOFFICE :: January 22, 1979