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fOR THE<br />

RECORD<br />

M^c-pi.-.MjciiI ... ouMiic.vs allairs lor<br />

United Artists. Since January. 1978, Stolber<br />

had been vice-president of UA's business<br />

affairs. He joined the company's legal department<br />

in 1969 and in 1973 was appointed<br />

executive assistant to the senior vicepresident<br />

of business affairs. In 1977 Stolber<br />

became director of business affairs.<br />

Daniel R. Fellman has been promoted to<br />

vice-president and assistant general sales<br />

manager of Warner Bros. He joined the<br />

company in April. 1978 as Eastern sales<br />

manager, and formerly was vice-president<br />

and director of CinemaNational Theatres.<br />

Molber<br />

Fellman<br />

Jean-Louis Rabin, 20th Century-Fox vicepresident<br />

of international sales for the past<br />

two years, has been promoted to the newly<br />

created post of vice-president, international<br />

marketing.<br />

Francisco "Paco" Rodriguez, 20th Century-Fox's<br />

managing director for Italy for<br />

almost four years, will be transferred to the<br />

home office where he will assume the post<br />

of vice-president of international operations.<br />

Robert Dingilian has been named worldwide<br />

vice-president of publicity and promotion<br />

at 20th Century-Fox. In his post he will<br />

oversee the publicity and promotional campaigns<br />

on all Fox feature films throughout<br />

the world, reporting to Asley Boone Jr.,<br />

senior vice-president of domestic marketing<br />

and distribution. Dingilian was executive<br />

publicity director with the Association of<br />

Motion Picture and Television Producers<br />

and later formed his own independent firm<br />

with David Gershenson.<br />

Carl Molica has been appointed national<br />

sales manager of Cinema Shares International<br />

Distribution Corp. He has been with<br />

Cinema Shares almost from its inception in<br />

1975, most recently as Eastern district manager,<br />

having worked previously for Embassy<br />

Pictures, Cinemation, 20th Century-Fox<br />

and Allied Artists.<br />

John B. Tarnoff was named executive in<br />

charge of creative affairs for the motion<br />

picture division of MOM, For the past four<br />

years he was associated with the agencies<br />

of Mike I^>vy and Paul Kohner, heading<br />

their TV department as well as serving as<br />

literary agent in motion piclurcs and television.<br />

Kevin P. Donnelly became head of<br />

MGM's production department, succeeding<br />

Dale Hutchinson. Donnelly began his career<br />

with MGM in 1965 as an assistant<br />

director, and has just completed a stint as<br />

unit production manager of Joe Hamilton's<br />

"Tenth Month."<br />

Jerry Grice has been named director of<br />

administration for 20th Century-Fox International.<br />

Since 1972 Grice had been Fox's<br />

manager of participation and he will continue<br />

to make his headquarters in the Los<br />

Angeles home office.<br />

Penny Costigan joins the field marketing<br />

department of Paramount Pictures motion<br />

picture division as a senior publicist. Ms.<br />

Costigan, who has been at work for some<br />

months, is involved with regional magazine<br />

publicity outlets. She joined Paramount's<br />

staff in 1973.<br />

Sam Weinstein succeeded Sid Newman<br />

as worldwide director of nontheatrical sales<br />

for 20th Century-Fox. Weinstein started in<br />

Fox's New York office as a messenger boy<br />

in 1946 and was operations manager of the<br />

company's data processing center until named<br />

branch manager accounting manager in<br />

1972.<br />

Jerome Sandy has been promoted from<br />

Washington branch manager to Atlantic division<br />

manager of American International,<br />

covering Philadelphia, Pittsburgh, Boston<br />

and New Haven. Sandy has been with AI<br />

for 24 years.<br />

Ed Harridsleff has been appointed associate<br />

executive art director of Diener/Hauser/<br />

Bates Co. He has been with DHB for<br />

ten years, serving in various art and creative<br />

positions.<br />

Sandy<br />

Harridsleff<br />

Fred Skidmore, formerly publicity director,<br />

moves into the post of vice-president of<br />

advertising and publicity, formerly held by<br />

Farrell. They will be responsible for advertising<br />

activities of all Lorimar divisions<br />

film, TV, syndication, international distribution<br />

and merchandising/licensing.<br />

Stephen Bankler-Jukes was named director<br />

of publicity and advertising for United<br />

Artists in the United Kingdom. He comes<br />

to UA from a varied career in the entertainment<br />

industry, having been a journalist for<br />

the Financial Times in London and a staffer<br />

with several record companies. He was put<br />

in charge of publicity for BBC-TVs feature<br />

programs in 1973.<br />

Richard Parks was chosen executive assistant<br />

to Steven Bach, United Artists senior<br />

vice-president for East Coast and European<br />

production. Parks has worked in all areas<br />

of creative development and production and<br />

for the past eight years was associated with<br />

the literary agency Curtis Brown Ltd.<br />

Titles & Takes<br />

Jnvasion of the Body Snatchers" continues<br />

its pace, earning $9,648,645 in 444<br />

theatres in three weeks across the United<br />

States and Canada.<br />

In Switzerland, "Odds and Evens" (WB-<br />

Col) racked up $188,858 during its first<br />

week in multi-lingual theatres. Fourteen out<br />

of 16 German-language houses reported record<br />

grosses, and the total was $91,393. Two<br />

Italian-language cinemas earned $10,132,<br />

while $87,333 was reported from seven theatres<br />

in<br />

the French-speaking region.<br />

"Force 10 From Navarone" (Col<br />

foreign<br />

distribution) had a 32 percent increase in its<br />

second-week gross in Paris, bringing the<br />

two-week total to $503,745 from 17 theatres.<br />

The film has pulled in $82,124 in 16<br />

days in two Stockholm theatres, $47,824<br />

from one Amsterdam theatre in 12 days and<br />

$41,706 in ten days from one Helsinki theatre.<br />

The first week in Copenhagen grossed<br />

$33,658 from one theatre, while three theatres<br />

in Brussels have brought in $49,868 in<br />

12 days. Other action: Santiago, three theatres,<br />

eight days, $29,135; Bogota, three theatres,<br />

$12,251; Singapore, one theatre, 12<br />

days, $53,495; Hong Kong, six theatres, 18<br />

days, $434,157.<br />

The Neil Simon comedy "California<br />

Suite" scored $2,543,077 in 17 days of<br />

business at 60 theatres in New York. One<br />

weekend's total was $509,522.<br />

Four foreign territories report high totals<br />

for Warner Bros.' "Superman." which earned<br />

$6,211,881 in the first few weeks. The<br />

breakdown: United Kingdom. 145 theatres,<br />

three weeks, $2,875,810: Australia, 51 theatres,<br />

17 days, $2,265,759 (including 28<br />

house records for a week's business); South<br />

Africa, 28 theatres, three weeks, $738,320<br />

(18 weekly house records); New Zealand,<br />

16 theatres, 16 days, $331,992.<br />

"Movie, Movie" (WB) has seen its<br />

grosses<br />

rise each weekend in an exclusive engagement<br />

at the 400-seat Avco Center Cinema.<br />

Warners' "Every Which Way But Loose"<br />

in its third week reports $8,849,878 from<br />

1,275 theatres, bringing its total to $33,-<br />

012,463. Billings are expected to exceed the<br />

$22,922,892 billed during the entire run of<br />

"The Enforcer," previous record Clint Eastwood<br />

starrer.<br />

Nine cities in Brazil, including Rio de<br />

Janeiro, have reported a gross of $301,414<br />

for Warner Bros.' "The Wild Geese," four<br />

days, 23 theatres.<br />

"Ice Castles" (Col) gi'ossed over $53,000<br />

in 12 days in Omaha, Portland and St. Paul,<br />

t<br />

A French-Italian co-production, "La Cage<br />

|<br />

Aux Folles," earned $5,117,000 in France,<br />

42 days, 134 theatres. Most engagements<br />

established records in either boxoffice performance<br />

or length of run. Other action:<br />

Italy, $2,863,500, 55 days, 80 theatres<br />

(house records in Rome, Turin, Palermo,<br />

Bari and Florence); Geneva, $187,592, five<br />

weeks, one theatre; Lausanne, $54,496, one<br />

theatre, two weeks; Belgium, $795,785, 44<br />

days,<br />

nine theatres.<br />

BOXOFFICE :: January 22, 1979

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