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Kanthaugen Freestyle Arena

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The following companies were established:<br />

f Hamar Olympiske Anlegg AS:<br />

Hamar Olympic Hall<br />

Hamar Olympic Amphitheatre<br />

f Gjøvik Olympiske Anlegg AS:<br />

Gjøvik Olympic Cavern Hall<br />

f Olympiaparken AS:<br />

Birkebeineren Ski Stadium<br />

Lysgårdsbakkene Ski Jumping <strong>Arena</strong><br />

<strong>Kanthaugen</strong> <strong>Freestyle</strong> <strong>Arena</strong><br />

f Håkons Hall AS:<br />

Håkon Hall<br />

f Hunderfossen Bob- og Akebane AS:<br />

Lillehammer Olympic Bobsleigh and Luge Track<br />

f Kvitfjell Alpinanlegg AS:<br />

Lillehammer Olympic Alpine Centre, Kvitfjell<br />

f Sameiet Hafjell Riksanlegg:<br />

Lillehammer Olympic Alpine Centre, Hafjell<br />

All of these companies entered into contracts with LOOC<br />

Construction (previously LOA) concerning the managerial<br />

responsibility for planning and constructing the arenas.<br />

Based on the various “premises” that were specified by<br />

LOOC and approved in January 1990, the planning, estimating<br />

and budgeting work began.<br />

In some areas, however, significant additional premises<br />

were added. This applied to the following areas:<br />

f Architecture<br />

f Environment<br />

f AOM (Administration, Operations, Maintenance)<br />

A r c h i t e c t u r e<br />

A separate consultancy group was established for developing<br />

and following up on the premises laid down for “surroundings<br />

and architecture”. The group consisted of an architect, an<br />

industrial designer, a landscape architect and a specialist in<br />

environmental protection.<br />

These persons developed a set of general premises, as well<br />

as a set of specific premises for each Olympic arena. In the<br />

general premises, emphasis was put on the following:<br />

f Norwegian distinctiveness<br />

f Environmental protection<br />

f Unified design<br />

f Aesthetic quality<br />

In the specific premises for each arena, the general premises<br />

were concretised based on the site’s geography, topography,<br />

surroundings, need for functionality and type of sport. A<br />

number of specific arenas or buildings were also pointed out<br />

as structures that one wanted to signal out as “attentiongetters”.<br />

The premises could be found in the following document:<br />

Olympics ‘94 Visual profile: Surroundings and architecture.<br />

The above-mentioned document was the starting point for<br />

all architects who were hired for planning the arenas. As the<br />

planning progressed, quality control was conducted by a<br />

separate LOOC committee.

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