2 Finnish Short Films 2011
2 Finnish Short Films 2011
2 Finnish Short Films 2011
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Kari Juusonen<br />
Milla von Konow<br />
A rope extending to the heavens controls the Creatures<br />
Kari Juusonen’s animation “Ö” is an evolution story whose characters are protozoans from our planet’s ancient past.<br />
Considered one of Finland’s<br />
leading animators, Kari<br />
Juusonen (born 1967) has<br />
switched techniques from clay animation<br />
to computer animation.<br />
Juusonen’s new 12-minute solo<br />
work is called Ö. Before this Juusonen<br />
had created the short clay animations<br />
Pizza Passionata (2001) and The Birthday<br />
(2004), with the former winning him<br />
the Prix du Jury award at the Cannes<br />
film festival.<br />
He has had a long break since his<br />
last work but he has a good reason for<br />
this. Juusonen has built a house and<br />
worked as a co-director in the feature-length<br />
computer animation Niko<br />
– The Way to the Stars (2008), by the<br />
Anima Vitae animation studio. The<br />
film’s other director was the Danish<br />
Michael Hegner. Distributed to over<br />
one hundred countries, the speedy and<br />
Christmas-themed Niko is one of the<br />
most internationally successful <strong>Finnish</strong><br />
films of all time.<br />
“Ö is a kind of reflective work”, says<br />
Juusonen.<br />
“It’s probably the fact that I’m middle-aged<br />
that creates a slightly introverted<br />
atmosphere sometimes. You can<br />
understand the passage of time in another<br />
way – I’ve tried to make time visible<br />
in the film using ropes that extend<br />
upwards out to the characters.”<br />
As described, the film’s protozoan<br />
creepy-crawly characters are attached<br />
to wire-like ropes that lead up, as if<br />
umbilical cords to the heavens.<br />
One of the creatures rises from the<br />
water onto an island, begins to explore<br />
the world with its limited senses and<br />
tries to fortify the island, but eventually<br />
realises it wants to make contact<br />
and spend time with others. This very<br />
original film seems like a metaphor<br />
for humans trying to find their way.<br />
When you watch Ö, you are reminded<br />
of the way the story is carried and the<br />
infinite savouring of existence that<br />
Pixar boldly displayed in the computer<br />
animation Wall-E.<br />
The imagery of Ö, however, is<br />
the work of one man, created in the<br />
boiler room of the new house built by<br />
Kari Juusonen. At the time of his first<br />
award-winning animation, Juusonen<br />
saw himself very much as a “manual<br />
labourer”, but tools change.<br />
“Initially I made a one-minute clay<br />
animation demo of Ö, but putting the<br />
ropes in proved too difficult. With<br />
computer animation you can make<br />
movement look the way you want it.<br />
The feel here had to be immaterial.”<br />
“The film as a whole, though, is<br />
carefully constructed. I don’t get ideas<br />
for films in my dreams. What is interesting<br />
is the rope, a force that draws<br />
the characters in a certain direction. I<br />
was intrigued by the thought of following<br />
this with the logic of a nature film<br />
that is as pure as possible.”<br />
During the working stage, Juusonen<br />
called the main character ‘Hemppa’<br />
and the other members of his species<br />
‘Creatures’. The film’s creatures, of<br />
course, cannot speak any clearly formed<br />
language. In the preliminary production<br />
information, the central character<br />
was called ‘Adam’.<br />
“After Niko, this short film feels like<br />
it’s a form of self expression. Although<br />
in the best cases, when working on a<br />
feature film, the filmmaker can share<br />
his ideas and even make confessions.”<br />
“I have a long-term plan for my own<br />
film that would be half live, half computer<br />
animation. I think I might make<br />
some kind of a live short film before<br />
that, though”, Juusonen promises.<br />
Niko the Reindeer’s stepfamily<br />
“There are lots of really interesting<br />
<strong>Finnish</strong> short animation makers”, Juusonen<br />
says. Animation training and<br />
the opportunities offered by the industry<br />
are quite a new thing in Finland.<br />
When Juusonen was working on his<br />
debut film, Pizza Passionata, which is a<br />
love mystery taking place in a concrete<br />
suburb, he considered making the animations<br />
in Estonia. But within a dec-<br />
ade, an entire animation industry has<br />
been born in Finland, whose influencers<br />
include Petteri Pasanen, the untiring<br />
ambassador for the Niko project<br />
and the producer of Pizza Passionata.<br />
Now that Ö is finished, Juusonen<br />
has taken on a new job with Anima<br />
Vitae, which is creating a sequel for<br />
the story of Niko the little reindeer.<br />
The sequel is to be released for Christmas<br />
2012 and currently has the working<br />
title ‘N2’. “I’m responsible for<br />
image design and animation again.<br />
My co-director, the Danish charmer<br />
Jørgen Lerdam, will be responsible<br />
for character design.”<br />
“Niko’s story of growing up will<br />
continue quite naturally. He has to rediscover<br />
himself in relation to others –<br />
within a stepfamily. Niko’s mother has<br />
found a new husband and Niko gets a<br />
new stepbrother. Even though the film<br />
is a fantasy, it talks about issues that<br />
touch children here and now.”<br />
Jussi Karjalainen<br />
Ö, page 17<br />
Niko – The Way to the Stars<br />
4 <strong>Finnish</strong> <strong>Short</strong> <strong>Films</strong> <strong>2011</strong>