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2 Finnish Short Films 2011

2 Finnish Short Films 2011

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Burungo<br />

Could You Love<br />

Burungo<br />

Burungo has two meanings in the Sheng slang used in the slums of Kenya: girl and<br />

merchandise. This is a fictional story of a family with a mother, father, and six<br />

children. The family’s two teenaged daughters try to raise money so they can buy<br />

a new dress for their mother. But raising money in a Nairobi slum is not only difficult<br />

but also dangerous.<br />

Fiction | 2010 | 1920x1080p, Canon 5D Mark II | 16:9 |<br />

Dolby Stereo 2.0 24bit 48 kHz | 13’30’’<br />

Director: Dome Karukoski and Pamela Tola Script: Pamela Tola and Dome Karukoski<br />

Cinematography: Pini Hellstedt Editing: Tuuli Hirvonen, Kati Pukarinen and Harri Ylönen<br />

Sound design: Micke Nyström Music: Panu Aaltio Set design: Jussi Halonen Costumes:<br />

Paula Konttinen Cast: Mwende Musau, Ruguru Munio, Jazz Moll, Magdalene Muchoki, Joel<br />

Kennedy, Geoffrey Jefferson Producer: Aleksi Bardy and Annika Sucksdorff Production<br />

company: Helsinki-filmi Oy Production support: The <strong>Finnish</strong> Film Foundation, Ministry for<br />

Foreign Affairs of Finland Financing TV companies: Yle Co-Productions<br />

Dome Karukoski<br />

Could You Love<br />

Voitko rakastaa<br />

Dome Karukoski Selected filmography<br />

2010 Lapland Odyssey | 2009 Forbidden Fruit | 2008 The Home<br />

of Dark Butterflies | 2008 Brothers (TV mini-serie) | 2005 Beauty<br />

and the Bastard<br />

Pamela Tola Selected filmography<br />

2010 Lapland Odyssey (actor) | 2006 Soap (actor) | 2005 Beauty<br />

and the Bastard (actor) | 2005 Frozen Land (actor) | 2003 Pearls<br />

and Pigs (actor)<br />

Could You Love is a documentary film about memories and oblivion. Mother and<br />

daughter are looking for moments they could share over a telephone conversation<br />

after twenty-four years of absence in each other’s lives. In this subjective documentary<br />

the moment of remembering is created by combining a phone call with 8 mm<br />

films and footage from the present day.<br />

The film creates remembering by demonstrating the subjectivity of memories: images<br />

are deleted, paused and fast-forwarded according to the person’s needs. A private<br />

story expands to a more general level and emphasizes the importance of remembering.<br />

Director Johanna Vanhala<br />

I am interested in memories and remembering because the topics<br />

are so closely related to identity. What we remember and<br />

what we have forgotten affect our decisions every day and thus<br />

also determine the direction of our lives. The topic is relevant to<br />

everyone and is entwined closely to humanity and to the ways<br />

we experience the world. For this reason I feel it is important to<br />

reflect on this phenomenon.<br />

The Death of an Insect<br />

Erään hyönteisen tuho<br />

In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is<br />

commencing and a newly hatched butterfly is about to die.<br />

This tragic story was constructed using dead insects gathered from forgotten<br />

attics and tool sheds, between window panels and cobwebs. It combines a number<br />

of animation techniques from classic stop-motion animation to animated 3D<br />

models of x-ray CT-scanned insects.<br />

Documentary | 2010 | 35 mm | 1:1,85 | Dolby Digital | 7’<br />

Directors, script, cinematography, editing, animation: Hannes Vartiainen and Pekka Veikkolainen<br />

Mixing consultant: Olli Huhtanen Music: Joonatan Portaankorva Producers:<br />

Hannes Vartiainen and Pekka Veikkolainen Production company: Pohjankonna Oy<br />

Production support: The <strong>Finnish</strong> Film Foundation, AVEK Financing TV company: YLE<br />

International sales: Pohjankonna Oy<br />

Hannes Vartiainen and Pekka Veikkolainen<br />

Hannes Vartiainen (born 1980) has a background<br />

in film. Pekka Veikkolainen (born 1982) has been<br />

working with animation and illustration since 2000.<br />

In 2008 the two started their own production<br />

company. Their first film together was Hanasaari A<br />

(2009, 15 min, 35 mm, experimental documentary)<br />

Hannes Vartiainen and<br />

Pekka Veikkolainen<br />

Johanna Vanhala<br />

Pohjankonna Oy<br />

Documentary | 2010 | HDCAM, DigiBeta | 16:9 | Stereo | 15’<br />

Director, script, cinematography: Johanna Vanhala Editing: Tommi Lind Sound design,<br />

music: Iiro Hokkanen Producer: Ulla Simonen Production company: Elokuvayhtiö Aamu Ltd.<br />

Production support: AVEK, The <strong>Finnish</strong> Film Foundation Financing TV company: YLE International<br />

sales: Elokuvayhtiö Aamu Ltd.<br />

Johanna Vanhala<br />

Johanna Vanhala has studied in the Media and Arts school of Tampere in Finland. Her documentary<br />

film Nimeni on Alma was awarded at several festivals. Could You Love is her first<br />

documentary film after graduating and it was awarded as the best documentary film at<br />

the Kettupäivät short film festival in November 2010. Vanhala also does new media art and<br />

interactive installations.<br />

Selected filmography:<br />

2010 Could You Love | 2007 Katiska | 2006 My Name is Alma | 2004 Viima<br />

The Death of an Insect<br />

<strong>Finnish</strong> <strong>Short</strong> <strong>Films</strong> <strong>2011</strong> 9

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