Netherlands Production Platform - Nederlands Film Festival
Netherlands Production Platform - Nederlands Film Festival
Netherlands Production Platform - Nederlands Film Festival
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The Bear<br />
(Ursul)<br />
Libra <strong>Film</strong><br />
Romania<br />
Writer/director Dan Chisu<br />
Producer Tudor Giurgiu<br />
4 • NPP 2008<br />
Synopsis<br />
Late June 1990, Bucharest State Circus.<br />
The general manager of the circus has been<br />
replaced after the Romanian Revolution of<br />
1989. The thirtysomething newcomer, Panduru,<br />
a former participant in the revolution,<br />
is determined to prove himself capable of<br />
turning things round. Just a few days before<br />
the premiere of the first post-Revolution<br />
show, Panduru has to solve the circus’<br />
biggest financial problem: the artists haven’t<br />
been paid for months.<br />
One day, the manager interrupts<br />
rehearsals and calls a general meeting with<br />
all the circus artists in the ring to share his<br />
brilliant idea: Martin, the old, dying circus<br />
bear, will be sold as a trophy for a German<br />
amateur hunter who is willing to pay good<br />
money to achieve his heart’s desire.<br />
Instead of being taken in by the tempting<br />
prospect of easy money, the artists decide<br />
against sacrificing the bear, which has been<br />
their companion for the last 20 years. As the<br />
sale was a done deal long before he<br />
announced it as an idea, this leaves Panduru<br />
with no option but to steal the bear and<br />
deliver it with the help of a professional<br />
hunter and a wannabe gypsy gamekeeper.<br />
When the circus people discover the disappearance<br />
of the bear the following day,<br />
they waste no time in following in the<br />
thieves’ tracks, not even pausing to take off<br />
their extravagant make-up and outfits.<br />
From this moment on, the chase is<br />
underway. The circus people split into three<br />
groups, the better to track down the truck<br />
with the stolen bear. Meanwhile, the gypsy<br />
and the German hunter take a detour and<br />
stop to party at the wedding of the gypsy’s<br />
daughter. Panduru and the other man drive<br />
to a hunting tower in the mountains - where<br />
the bear is to give his final ‘performance’.<br />
After a wild time at the wedding, the German<br />
and the gypsy sing their way to the<br />
hunting location where they encounter the<br />
now free bear, mistake his friendly attempts<br />
to come closer for an attack and run away,<br />
the gypsy abandoning his bicycle.<br />
Down the hill, they encounter the circus<br />
people coming to the bear’s rescue and,<br />
together with their other two partners in<br />
crime, witness the most unlikely of scenes:<br />
Martin the bear is now riding the bicycle<br />
round the hunting tower. It is, after all, what<br />
he had spent his entire life doing.<br />
However, Martin’s freedom proves<br />
short-lived: attracted by a familiar scent, the<br />
bear goes back to the spot where another<br />
German hunter, Wilhelm, is waiting for his<br />
expensive hunting trophy. Bang, bang...<br />
Director’s statement<br />
This is a road movie, and also a film about<br />
our honesty and sincerity - about that stage<br />
in our lives, right after the Revolution of<br />
December 1989, when we were unaware of<br />
our true priorities, and were still ruled by<br />
sentiment. Today, it would be a cheap<br />
notion; back then, it was pure. All decisions<br />
were dictated by the heart. This is a common<br />
story about a common situation.<br />
A man is politically appointed as the head<br />
of an institution. He knows nothing of management<br />
and attempts to solve problems to<br />
the best of his ability: this was how he did it<br />
during the Revolution. However, the institution<br />
where he is appointed is the Bucharest<br />
State Circus, which makes his entire story a<br />
tragicomedy. Had he been appointed head of<br />
a machine-building plant, in charge of selling<br />
lathes, no one would have stood up to him.<br />
But artists are different and live things differently<br />
- which is why things slip out of control.<br />
The circus employees are past their<br />
prime; they have lived most of their adult<br />
lives under the communist regime. Freedom<br />
feels awkward to them, and the uncertainty<br />
of tomorrow makes them regret the past.<br />
However, at a time of crisis, they are willing<br />
to give everything up without hesitating. Had<br />
the same story happened today, who knows<br />
how many would react like this<br />
The comedy comes from their Fellini-like<br />
outfits combined with their leftist newspeak<br />
language. A meeting of the circus staff<br />
resembles old party meetings, except the<br />
participants are now clowns, acrobats and<br />
magicians. Everything is comic. The comic<br />
climax is when the bear rides a bicycle<br />
around the hunting tower. But that is also the