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Netherlands Production Platform - Nederlands Film Festival

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The Bear<br />

(Ursul)<br />

Libra <strong>Film</strong><br />

Romania<br />

Writer/director Dan Chisu<br />

Producer Tudor Giurgiu<br />

4 • NPP 2008<br />

Synopsis<br />

Late June 1990, Bucharest State Circus.<br />

The general manager of the circus has been<br />

replaced after the Romanian Revolution of<br />

1989. The thirtysomething newcomer, Panduru,<br />

a former participant in the revolution,<br />

is determined to prove himself capable of<br />

turning things round. Just a few days before<br />

the premiere of the first post-Revolution<br />

show, Panduru has to solve the circus’<br />

biggest financial problem: the artists haven’t<br />

been paid for months.<br />

One day, the manager interrupts<br />

rehearsals and calls a general meeting with<br />

all the circus artists in the ring to share his<br />

brilliant idea: Martin, the old, dying circus<br />

bear, will be sold as a trophy for a German<br />

amateur hunter who is willing to pay good<br />

money to achieve his heart’s desire.<br />

Instead of being taken in by the tempting<br />

prospect of easy money, the artists decide<br />

against sacrificing the bear, which has been<br />

their companion for the last 20 years. As the<br />

sale was a done deal long before he<br />

announced it as an idea, this leaves Panduru<br />

with no option but to steal the bear and<br />

deliver it with the help of a professional<br />

hunter and a wannabe gypsy gamekeeper.<br />

When the circus people discover the disappearance<br />

of the bear the following day,<br />

they waste no time in following in the<br />

thieves’ tracks, not even pausing to take off<br />

their extravagant make-up and outfits.<br />

From this moment on, the chase is<br />

underway. The circus people split into three<br />

groups, the better to track down the truck<br />

with the stolen bear. Meanwhile, the gypsy<br />

and the German hunter take a detour and<br />

stop to party at the wedding of the gypsy’s<br />

daughter. Panduru and the other man drive<br />

to a hunting tower in the mountains - where<br />

the bear is to give his final ‘performance’.<br />

After a wild time at the wedding, the German<br />

and the gypsy sing their way to the<br />

hunting location where they encounter the<br />

now free bear, mistake his friendly attempts<br />

to come closer for an attack and run away,<br />

the gypsy abandoning his bicycle.<br />

Down the hill, they encounter the circus<br />

people coming to the bear’s rescue and,<br />

together with their other two partners in<br />

crime, witness the most unlikely of scenes:<br />

Martin the bear is now riding the bicycle<br />

round the hunting tower. It is, after all, what<br />

he had spent his entire life doing.<br />

However, Martin’s freedom proves<br />

short-lived: attracted by a familiar scent, the<br />

bear goes back to the spot where another<br />

German hunter, Wilhelm, is waiting for his<br />

expensive hunting trophy. Bang, bang...<br />

Director’s statement<br />

This is a road movie, and also a film about<br />

our honesty and sincerity - about that stage<br />

in our lives, right after the Revolution of<br />

December 1989, when we were unaware of<br />

our true priorities, and were still ruled by<br />

sentiment. Today, it would be a cheap<br />

notion; back then, it was pure. All decisions<br />

were dictated by the heart. This is a common<br />

story about a common situation.<br />

A man is politically appointed as the head<br />

of an institution. He knows nothing of management<br />

and attempts to solve problems to<br />

the best of his ability: this was how he did it<br />

during the Revolution. However, the institution<br />

where he is appointed is the Bucharest<br />

State Circus, which makes his entire story a<br />

tragicomedy. Had he been appointed head of<br />

a machine-building plant, in charge of selling<br />

lathes, no one would have stood up to him.<br />

But artists are different and live things differently<br />

- which is why things slip out of control.<br />

The circus employees are past their<br />

prime; they have lived most of their adult<br />

lives under the communist regime. Freedom<br />

feels awkward to them, and the uncertainty<br />

of tomorrow makes them regret the past.<br />

However, at a time of crisis, they are willing<br />

to give everything up without hesitating. Had<br />

the same story happened today, who knows<br />

how many would react like this<br />

The comedy comes from their Fellini-like<br />

outfits combined with their leftist newspeak<br />

language. A meeting of the circus staff<br />

resembles old party meetings, except the<br />

participants are now clowns, acrobats and<br />

magicians. Everything is comic. The comic<br />

climax is when the bear rides a bicycle<br />

around the hunting tower. But that is also the

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