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The_Holokaust_-_origins,_implementation,_aftermath

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UNDER A CRUEL STAR<br />

Three forces carved the landscape of my life. Two of them crushed half the<br />

world. <strong>The</strong> third was very small and weak and, actually, invisible. It was a shy<br />

little bird hidden in my rib cage an inch or two above my stomach. Sometimes<br />

in the most unexpected moments the bird would wake up, lift its head, and<br />

flutter its wings in rapture. <strong>The</strong>n I too would lift my head because, for that<br />

short moment, I would know for certain that love and hope are infinitely more<br />

powerful than hate and fury, and that somewhere beyond the line of my horizon<br />

there was life indestructible, always triumphant.<br />

<strong>The</strong> first force was Adolf Hitler; the second, Iosif Vissarionovich Stalin.<br />

<strong>The</strong>y made my life a microcosm in which the history of a small country in the<br />

heart of Europe was condensed. <strong>The</strong> little bird, the third force, kept me alive to<br />

tell the story.<br />

I carry the past inside me folded up like an accordion, like a book of picture<br />

postcards that people bring home as souvenirs from foreign cities, small and<br />

neat. But all it takes is to lift one corner of the top card for an endless snake to<br />

escape, zigzag joined to zigzag, the sign of the viper, and instantly all the<br />

pictures line up before my eyes. <strong>The</strong>y linger, sharpen, and a moment of that<br />

distant past gets wedged into the works of my inner time clock. It stops, skips<br />

a beat, and loses part of the irreplaceable, irretrievable present.<br />

<strong>The</strong> mass deportation of Jews from Prague began two years after the outbreak<br />

of the war, in the fall of 1941. Our transport left in October and we had no idea<br />

of our destination. <strong>The</strong> order was to report to the Exposition Hall, to bring<br />

food for several days and essential baggage. No more.<br />

When I got up that morning, my mother turned to me from the window and<br />

said, like a child, “Look, it’s almost dawn. And I thought the sun would not<br />

even want to rise today.”<br />

<strong>The</strong> inside of the Exposition Hall was like a medieval madhouse. All but<br />

the steadiest nerves were on the point of snapping. Several people who were<br />

seriously ill and had been brought there on stretchers died on the spot. A<br />

Mrs. Tausig went completely crazy, tore her false teeth out of her mouth, and<br />

threw them at our lord and master, Obersturmbannfuehrer Fiedler. <strong>The</strong>re were<br />

babies and small children who cried incessantly and, just beside my parents, a<br />

small fat bald man sat on his suitcase playing his violin as if none of the<br />

surrounding bedlam were any concern of his. He played Beethoven’s Concerto<br />

in D Major; practicing the same passages over and over again.<br />

I wandered around among those thousands of people looking for familiar<br />

faces. That was how I first happened to see him. To this day, I believe he was<br />

the most handsome man I have ever seen. He was sitting, calm and erect, on a<br />

black trunk with silver brackets, wearing a black suit, a white shirt, a gray tie,<br />

and a black overcoat topped by a black homburg. He had gray eyes and a<br />

perfectly trimmed gray moustache. His slim, delicate hands were folded on the<br />

handle of an umbrella rolled up as thin as a toothpick. In the middle of that<br />

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