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ANCIENT MYSTERIES<br />

• BY ROBERT BAUVAL<br />

One of the mysteries of<br />

Fractal<br />

Patterns Giza is the missing<br />

pyramidion or capstone<br />

of the Great<br />

Pyramid of Khufu. In modern recorded<br />

history the Great Pyramid<br />

has been topless, with several meters<br />

of its apex missing. Egyptologists<br />

have long assumed that the<br />

pyramid was originally capped by<br />

a small pyramid called a pyramidion.<br />

If that is true, then what<br />

happened to it, and what could it<br />

have looked like?<br />

In October 1900 the guards of<br />

the Egyptian Antiquities Organization<br />

(EAO) in the area of Dashur,<br />

a site on the western desert some<br />

20 kilometers south of modern<br />

Cairo, were attacked by a group of<br />

armed brigands. A few days later,<br />

Gaston Maspero, head of EAO,<br />

went to inspect the site. He was<br />

then taken to see an amazing and<br />

rather unique artifact embedded in<br />

the sand near a pyramid of the<br />

twelfth dynasty belonging to pharaoh<br />

Amenemhet III. It was a magnificent<br />

pyramidion made of black<br />

granite. Maspero could hardly believe<br />

the amazing preservation of<br />

the 4000-year-old artifact which, in<br />

his excitement, he described as<br />

“polished like a mirror.” The pyramid,<br />

measuring 1.85 meters at the<br />

base, had a height of 1.40 meters,<br />

and was decorated with wonderful<br />

inscriptions. On one face was a<br />

winged solar disk flanked by two<br />

ureus (sacred cobras), and under<br />

the solar-disk were two large eyes.<br />

Under the eyes were three lutes<br />

above a large sun disk. On each<br />

side of the sun disk were the royal<br />

cartouches bearing the names of<br />

Amenemhet III, and at the base of<br />

the triangular face were two lines<br />

of hieroglyphs. In an article published<br />

in the Annales Du Services<br />

Des Antiquités in 1902, Maspero<br />

gave this translation:<br />

“May the face of the king be<br />

opened so that he may see the<br />

Lord of the Horizon when he<br />

crosses the sky; may he cause the<br />

king to rise as a god, lord of eternity<br />

and indestructible... Horakhti<br />

has said I have given to the king<br />

of Upper and Lower Egypt the<br />

beautiful horizon who takes the inheritance<br />

of the two lands...so that<br />

See Our Great 8-page Catalog Beginning on Page 74<br />

you may unite with the horizon...the<br />

horizon has said that<br />

you rest upon it, which pleases<br />

me.”<br />

In view of the mention of Horakhti<br />

(Horus of the Horizon),<br />

who was regarded as the symbol of<br />

the rising sun in the east, Maspero<br />

concluded that this particular face<br />

with the winged sun disk was the<br />

East face of the pyramidion. Maspero<br />

did not give a full translation<br />

of the other three faces which also<br />

bore two lines of inscriptions each,<br />

but he nonetheless adds that “the<br />

invocation is similarly addressed<br />

on the South face to Anubis; on<br />

the <strong>We</strong>st face to Ptah-Sokar-Osiris;<br />

on the North face to Sah-Orion.”<br />

The same view was later expressed<br />

by the American Egyptologist<br />

James Henry Breasted in 1912.<br />

Breasted wrote: “On the side<br />

which undoubtedly faced the east<br />

appears a winged sun disk, surmounted<br />

by a pair of eyes, beneath<br />

which are the words ‘Beauty<br />

of the Sun,’ the eyes of course indicate<br />

the idea of beholding which<br />

is to be understood with the<br />

words, ‘beauty of the sun.’ ”<br />

Today Egyptologists agree that<br />

the pyramids of ancient Egypt represented<br />

the dead kings. Indeed,<br />

the pyramid was regarded as an ac-<br />

tual personification of the dead<br />

king. Moreover, the name given to<br />

the pyramids show clearly that<br />

these monuments were considered<br />

to be the afterlife form of the king<br />

himself.<br />

Yet Egyptologists also agree<br />

that in the Pyramid Texts, the afterlife<br />

form of the king is said to<br />

THE THE GREAT<br />

GREAT<br />

PYRAMID’S<br />

PYRAMID’S<br />

MISSING<br />

MISSING<br />

CAPSTONE<br />

CAPSTONE<br />

Everybody Everybody Everybody Everybody Agrees Agrees Agrees Agrees It It It It Was Was Was Was<br />

Probably Probably Probably Probably There There There There Once, Once, Once, Once,<br />

but but but but Where Where Where Where Did Did Did Did It It It It Go?<br />

Go? Go? Go?<br />

Pyramidion of the Pyramid of<br />

Amenemhet III at Dashur,<br />

in the Cairo Museum<br />

be a ‘star’ in the sky. This, then,<br />

may explain why in the case of at<br />

least three pyramids, the monuments<br />

were given stellar names<br />

while also personifying the dead<br />

king.<br />

But two questions now must<br />

also be considered. For if indeed<br />

the pyramidion represented the<br />

The view from atop<br />

the Great Pyramid<br />

form of the king as a star, then<br />

what could possibly have given the<br />

ancient Egyptians the idea that a<br />

star had the physical shape of a<br />

‘pyramid’ and, furthermore, that it<br />

was <strong>com</strong>posed of very hard “black<br />

stone” such as black granite?<br />

Most Egyptologists agree that<br />

the shape of pyramids was inspired<br />

by the Benben Stone that was venerated<br />

in the ‘Mansion of the<br />

Phoenix’ at the city of Heliopolis.<br />

Many scholars claim that the<br />

Benben was symbolic of the sun.<br />

In 1912 Breasted noted the similarity<br />

of the word ‘Benben’ with<br />

the word ‘Benbenet’—the pyramidshaped<br />

apex of an obelisk—and<br />

concluded that “an obelisk is<br />

simply a pyramid upon a lofty base<br />

Continued on Page 71<br />

Number 95 • ATLANTIS ATLANTIS RISING RISING 45

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