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Listen<strong>in</strong>g<br />
to Trees<br />
BY ARLENE RAVEN<br />
Nancy Azara's<br />
wall assemblages<br />
and freestand<strong>in</strong>g sculptures<br />
of the past 25 years<br />
are made mostly<br />
of the trunks and limbs<br />
of trees.<br />
<strong>The</strong> artist,<br />
follow<strong>in</strong>g Drudish forebears<br />
occupied by the hallowed nature<br />
of the arboreal,<br />
f<strong>in</strong>ds her spirit<br />
with the magicians, sorcerers,<br />
and soothsayers<br />
of old,<br />
<strong>in</strong> the oldest of perennial passions—<br />
for radix, sapl<strong>in</strong>g, pod, and hull.<br />
Azara's catholic childhood<br />
conjured meditations<br />
on the Sa<strong>in</strong>ts and their Father<br />
which, contrarily, brought her to<br />
the Goddess and her Progeny.<br />
In function and placement,<br />
the walls of the freestand<strong>in</strong>g<br />
Spirit House<br />
shelter a carved floor of<br />
nascent spirals<br />
you can walk around.<br />
Inside,<br />
three pearlescent panels<br />
are engraved with signs of the<br />
honeycomb.<br />
<strong>The</strong>se vivid aural surround<strong>in</strong>gs<br />
call up the golden spiral<br />
beneath the shell<br />
of the shrouded diety.<br />
NANCV AZARA EXHIBITIONS:<br />
November 17-January 7,<br />
E.M. Donahue Gallery, New York<br />
City; November 15-December 3,<br />
A.I.R Gallery, New York City; January<br />
22-March 19, Tweed Museum of<br />
Art <strong>in</strong> Duluth, M<strong>in</strong>nesota.<br />
ON THE ISSUES WINTER 1995