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Listen<strong>in</strong>g<br />

to Trees<br />

BY ARLENE RAVEN<br />

Nancy Azara's<br />

wall assemblages<br />

and freestand<strong>in</strong>g sculptures<br />

of the past 25 years<br />

are made mostly<br />

of the trunks and limbs<br />

of trees.<br />

<strong>The</strong> artist,<br />

follow<strong>in</strong>g Drudish forebears<br />

occupied by the hallowed nature<br />

of the arboreal,<br />

f<strong>in</strong>ds her spirit<br />

with the magicians, sorcerers,<br />

and soothsayers<br />

of old,<br />

<strong>in</strong> the oldest of perennial passions—<br />

for radix, sapl<strong>in</strong>g, pod, and hull.<br />

Azara's catholic childhood<br />

conjured meditations<br />

on the Sa<strong>in</strong>ts and their Father<br />

which, contrarily, brought her to<br />

the Goddess and her Progeny.<br />

In function and placement,<br />

the walls of the freestand<strong>in</strong>g<br />

Spirit House<br />

shelter a carved floor of<br />

nascent spirals<br />

you can walk around.<br />

Inside,<br />

three pearlescent panels<br />

are engraved with signs of the<br />

honeycomb.<br />

<strong>The</strong>se vivid aural surround<strong>in</strong>gs<br />

call up the golden spiral<br />

beneath the shell<br />

of the shrouded diety.<br />

NANCV AZARA EXHIBITIONS:<br />

November 17-January 7,<br />

E.M. Donahue Gallery, New York<br />

City; November 15-December 3,<br />

A.I.R Gallery, New York City; January<br />

22-March 19, Tweed Museum of<br />

Art <strong>in</strong> Duluth, M<strong>in</strong>nesota.<br />

ON THE ISSUES WINTER 1995

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