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HelPeR - BYU Idaho Special Collections and Family History

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A o ph g t a<br />

m g i x l n w<br />

e w a a f i<br />

o e i y r<br />

Never store film in a non-archival container, such<br />

as, manila envelopes or common plastic bags. Nonarchival<br />

containers are constructed of acidic materials<br />

that can destroy precious heirlooms by trapping<br />

them in a polluted environment. Also avoid plastic<br />

bags because they contribute to high humidity.<br />

Archival boxes <strong>and</strong> envelopes are inexpensive <strong>and</strong><br />

provide an alkaline reserve buffer that prevents contamination<br />

by nearby items.<br />

One of the primary signs of film decomposition<br />

is the so-called “vinegar syndrome.” The syndrome<br />

occurs when the acetate in the film breaks down<br />

into acetic acid <strong>and</strong> releases a vinegary smell <strong>and</strong><br />

white powder. Afflicted home movies should be<br />

segregated from other films in their own containers<br />

because acetic acid fumes can actually accelerate the<br />

destruction of nearby items. The vinegar syndrome<br />

is an irreversible condition that will eventually destroy<br />

precious memories. Infected materials need<br />

to be refrigerated to slow the process of decomposition<br />

<strong>and</strong> transferred to a digital medium as soon as<br />

possible. Fortunately, videotapes do not suffer from<br />

the vinegar syndrome, but they do have their own<br />

unique storage rules.<br />

VHS <strong>and</strong> BETTA tapes consist of magnetically<br />

charged particles bound to a polyester backer with<br />

a polyurethane binder. The tape’s magnetic encoding<br />

necessitates that they be stored far away from<br />

any magnetic fields, including the magnetic fields<br />

produced by your television set.<br />

All tapes should be housed in archival containers<br />

at room temperature <strong>and</strong> in moderate humidity.<br />

V o e e o o i<br />

Never store tapes rewound, for rewinding imparts<br />

inconsistent tight <strong>and</strong> loose spots throughout the<br />

reels. Over time these inconsistencies contribute to<br />

breakage. Furthermore, treasured tapes should never<br />

be paused.<br />

Like rewinding, pausing stresses the polyester<br />

backer, <strong>and</strong> over time it can snap. All video recordings<br />

are ephemeral products that will not last more<br />

than a couple of decades <strong>and</strong> need to be converted to<br />

digital format, but the conversion of both video tapes<br />

<strong>and</strong> film to a modern viewable system should begin<br />

only after properly archiving the original materials.<br />

The Conversion Process<br />

The various film-to-DVD conversion houses on the<br />

Internet range from decent bargains to expensive ripoffs.<br />

Even Hollywood grade film transfer companies,<br />

like DuArt Film <strong>and</strong> Video, provide digital conversion<br />

services from Super 8 <strong>and</strong> 16mm because these<br />

film types are still used by avant-garde artists <strong>and</strong><br />

professionals. It is best to send talkies (sound films)<br />

to a professional company like DuArt because most<br />

Internet transfer houses are incapable of properly<br />

synching speech to the motion of the footage. Film<br />

owners can avoid much heartbreak <strong>and</strong> financial distress<br />

can by arming themselves with information on<br />

the process of updating to a digital format.<br />

Film owners should always apply Stanford University’s<br />

LOCKSS archiving maxim when transferring<br />

precious memories to digital. In short, LOCKSS<br />

st<strong>and</strong>s for Lots of Copies Keep Stuff Safe. Applying<br />

the LOCKSS system, it is best to have all motion pictures<br />

digitized <strong>and</strong> placed on both an external hard<br />

drive <strong>and</strong> a mini DV tape rather than just on a DVD<br />

Ja n ua ry/Fe b r u a r y 2009 Ev e r t o n’s Ge n e a l o g i c a l He l p e r © 27

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