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Recreation in the Renaissance

Recreation in the Renaissance

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108 <strong>Recreation</strong> <strong>in</strong> <strong>the</strong> <strong>Renaissance</strong><br />

Ra<strong>the</strong>r than pil<strong>in</strong>g up <strong>in</strong>dividual social practices, though, <strong>in</strong> <strong>the</strong><br />

rema<strong>in</strong><strong>in</strong>g part of this chapter we will look at <strong>the</strong> way <strong>in</strong> which <strong>the</strong>y<br />

were <strong>in</strong>terpreted and arranged. Dur<strong>in</strong>g <strong>the</strong> <strong>Renaissance</strong> period, <strong>the</strong>re was<br />

never such a th<strong>in</strong>g as a universally shared paradigm, a s<strong>in</strong>gle <strong>in</strong>tellectual<br />

or ideological scheme aga<strong>in</strong>st which pastimes were conceived, organized<br />

and valued. The next section will <strong>in</strong>troduce a series of different<br />

sets of categories, each with its own chronology and discipl<strong>in</strong>ary roots,<br />

but all simultaneously present, overlapp<strong>in</strong>g and partly compet<strong>in</strong>g <strong>in</strong><br />

shap<strong>in</strong>g people’s ideas on <strong>the</strong> matter.<br />

Medieval and <strong>Renaissance</strong> taxonomies<br />

In 1580 Samuel Bird, a pastor at Ipswich, published A friendlie communication<br />

or Dialogue betweene Paule and Demas, where<strong>in</strong> is disputed how we<br />

are to use <strong>the</strong> pleasures of this life – a tract representative of Elizabethan<br />

Puritanism. It shows obvious relation to contemporary literature<br />

aga<strong>in</strong>st <strong>the</strong>atre and <strong>the</strong> break<strong>in</strong>g of <strong>the</strong> observation of <strong>the</strong> Sabbath<br />

(which could fill a bibliography on its own), but deals more specifically<br />

than o<strong>the</strong>r pamphlets with topics with which I am concerned <strong>in</strong> this<br />

book. The open<strong>in</strong>g passage offers <strong>the</strong> author’s own classification of <strong>the</strong><br />

world of pleasures. ‘The pleasures of this life maie verie well bee divided<br />

<strong>in</strong>to such as are common to all men, as meate, dr<strong>in</strong>ke, and such like;<br />

or else <strong>in</strong>to such as are used but of some men, of this k<strong>in</strong>d are games,<br />

for all men you knowe, are not gamesters.’ The former category –<br />

which is discussed <strong>in</strong> <strong>the</strong> first chapter of <strong>the</strong> dialogue – is fairly<br />

unproblematic, s<strong>in</strong>ce it ma<strong>in</strong>ly consists <strong>in</strong> <strong>the</strong> right use of nature,<br />

God’s gift to mank<strong>in</strong>d. The latter is def<strong>in</strong>ed as <strong>the</strong> sort of exercise which<br />

is taken to delight (as opposed to cont<strong>in</strong>uous exercise for profit, that is,<br />

a man’s call<strong>in</strong>g, ‘labour of <strong>the</strong> m<strong>in</strong>de’ or ‘travell of <strong>the</strong> bodie’). Games<br />

are fur<strong>the</strong>r dist<strong>in</strong>guished ‘<strong>in</strong>to such, <strong>the</strong> chiefe sport whereof consisteth<br />

<strong>in</strong> look<strong>in</strong>g on, of which k<strong>in</strong>de, are hunt<strong>in</strong>g, hawk<strong>in</strong>g, stage plaies, and<br />

such like. And <strong>in</strong>to such where<strong>in</strong> men are <strong>the</strong> chiefe dooers, of which<br />

k<strong>in</strong>de are dauns<strong>in</strong>g, dic<strong>in</strong>g, tenes<strong>in</strong>g, and such like.’ 48 While <strong>the</strong> dist<strong>in</strong>ction<br />

is rem<strong>in</strong>iscent of <strong>the</strong> role of such a category as <strong>the</strong>atrics (see<br />

above, Chapter 4), some of its nuances are not obvious and are worth<br />

register<strong>in</strong>g (significantly, hunt<strong>in</strong>g appears to have been redef<strong>in</strong>ed as a<br />

spectator sport).<br />

<strong>Renaissance</strong> writers were well aware of <strong>the</strong> problems concern<strong>in</strong>g <strong>the</strong><br />

nature of leisure activities and <strong>the</strong>ir classification. Some of <strong>the</strong> categories<br />

that feature <strong>in</strong> Caillois’s modern taxonomy can be easily traced <strong>in</strong><br />

sixteenth-century texts. Torquato Tasso’s Il Gonzaga secondo overo del

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