Recreation in the Renaissance
Recreation in the Renaissance
Recreation in the Renaissance
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The Medical Discourse 25<br />
From its second edition, <strong>the</strong> product of <strong>the</strong> publish<strong>in</strong>g firm Giunta of<br />
Venice <strong>in</strong> 1573, Mercuriale’s text was <strong>in</strong>tegrated by illustrations designed<br />
by <strong>the</strong> Neapolitan antiquarian Pirro Ligorio. Gender roles are no less<br />
evident here, if we compare <strong>the</strong> light exercise of a young woman on <strong>the</strong><br />
sw<strong>in</strong>g with <strong>the</strong> muscular figures of some male bodies (Figures 3.2 and<br />
3.3). As we mentioned before, sw<strong>in</strong>g<strong>in</strong>g was classified <strong>in</strong> medical literature<br />
as passive exercise befitt<strong>in</strong>g <strong>the</strong> human be<strong>in</strong>gs of most delicate<br />
complexions. The fact that <strong>the</strong> sw<strong>in</strong>g<strong>in</strong>g scene is a girls-only bus<strong>in</strong>ess<br />
(<strong>the</strong> two helpers hold<strong>in</strong>g chords be<strong>in</strong>g women as well) may be partly<br />
due to <strong>the</strong> artist’s <strong>in</strong>tention to reproduce a classical custom accord<strong>in</strong>g<br />
to <strong>the</strong> manner <strong>in</strong> which it was historically practised; whatever <strong>the</strong> case,<br />
it adds here an aura of purity that would be spoiled by sexual promiscuity.<br />
Ligorio was also responsible for <strong>the</strong> iconography of one of <strong>the</strong><br />
most specific cycles of games represented <strong>in</strong> <strong>Renaissance</strong> art, which presents<br />
some po<strong>in</strong>ts of contact with <strong>the</strong> visual representation of athletics<br />
<strong>in</strong> Mercuriale’s book. 16 The cycle is found <strong>in</strong> Este Castle, <strong>the</strong> pr<strong>in</strong>cipal<br />
residence of <strong>the</strong> rul<strong>in</strong>g family <strong>in</strong> Ferrara. Duke Alfonso II (ruled<br />
1559–97), <strong>the</strong> son of Renée of France, had had a remarkable education,<br />
both literary and chivalric; on <strong>the</strong> eve of <strong>in</strong>herit<strong>in</strong>g his title, he was<br />
joust<strong>in</strong>g <strong>in</strong> Henry II of France’s team on <strong>the</strong> occasion <strong>in</strong> which <strong>the</strong> k<strong>in</strong>g<br />
was <strong>the</strong> victim of a fatal accident. 17 The rooms known as <strong>the</strong> ‘Apartment<br />
of <strong>the</strong> Mirror’ (Appartamento dello Specchio) were renewed after a serious<br />
earthquake had hit <strong>the</strong> city <strong>in</strong> 1570. The apartment <strong>in</strong>cludes a ‘Salone<br />
dei giuochi’ and a ‘Saletta dei giuochi’; <strong>the</strong> vaulted ceil<strong>in</strong>gs of both<br />
rooms were frescoed by Leonardo da Brescia, Sabastiano Filippi (il Bastian<strong>in</strong>o)<br />
and Ludovico Settevecchi, and represent a generous selection<br />
of games – <strong>the</strong> Saletta ra<strong>the</strong>r concentrat<strong>in</strong>g on children’s play. The sports<br />
and pastimes portrayed <strong>in</strong> <strong>the</strong> <strong>in</strong>dividual panels of <strong>the</strong> Salone are swimm<strong>in</strong>g,<br />
<strong>the</strong> sw<strong>in</strong>g, <strong>the</strong> trigonal (a game of skill with balls), <strong>the</strong> quadriga<br />
race, <strong>the</strong> pyrrhic (ancient martial dance), throw<strong>in</strong>g <strong>the</strong> discus, <strong>the</strong> game<br />
of hoop and t<strong>in</strong>t<strong>in</strong>nabulae, <strong>the</strong> ball game with armlet, <strong>the</strong> wrestl<strong>in</strong>g<br />
match, weightlift<strong>in</strong>g and <strong>the</strong> pancratium (a mixture of wrestl<strong>in</strong>g and<br />
box<strong>in</strong>g). With <strong>the</strong> exception of <strong>the</strong> fem<strong>in</strong><strong>in</strong>e connotation of sw<strong>in</strong>g<strong>in</strong>g,<br />
<strong>the</strong> ceil<strong>in</strong>g is dom<strong>in</strong>ated by a display of male bodies, usually naked, <strong>in</strong><br />
<strong>the</strong> fashion of ancient gymnastics. In <strong>the</strong> Saletta, around a central representation<br />
of <strong>the</strong> Four Seasons (who are hold<strong>in</strong>g hands <strong>in</strong> a circle), we<br />
f<strong>in</strong>d <strong>the</strong> cestus (box<strong>in</strong>g), <strong>the</strong> game of w<strong>in</strong>esk<strong>in</strong>s, <strong>the</strong> gladiatorial contest,<br />
<strong>the</strong> telesia (armed danc<strong>in</strong>g exercise), <strong>the</strong> game of skittles, sp<strong>in</strong>n<strong>in</strong>g <strong>the</strong><br />
top, <strong>the</strong> sl<strong>in</strong>g, <strong>the</strong> wrestl<strong>in</strong>g match, fish<strong>in</strong>g, <strong>the</strong> game with ball and<br />
hoop, that with racquet, and r<strong>in</strong>g-a-roses, toge<strong>the</strong>r with music and<br />
poetry (school of read<strong>in</strong>g and writ<strong>in</strong>g). Allegories of human life domi-