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Recreation in the Renaissance

Recreation in the Renaissance

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The Medical Discourse 35<br />

mend<strong>in</strong>g to keep a correct upright gait, <strong>in</strong> dance and <strong>in</strong> <strong>the</strong> o<strong>the</strong>r<br />

exercises alike. Danc<strong>in</strong>g masters warmly suggest it too, he rem<strong>in</strong>ds <strong>the</strong><br />

reader. Such posture, with its symmetry, ensures results on both aes<strong>the</strong>tic<br />

and hygienic grounds, by regularly balanc<strong>in</strong>g our movements <strong>in</strong><br />

that vertical equilibrium which dist<strong>in</strong>guishes human be<strong>in</strong>gs from o<strong>the</strong>r<br />

animals, and puts <strong>the</strong>m <strong>in</strong> agreement with <strong>the</strong> order of <strong>the</strong> universe,<br />

itself vertically oriented. Conversely, all exercises which compel <strong>the</strong><br />

body to adopt bend<strong>in</strong>g positions will alter its shape, and shorten life.<br />

From this respect, medical thought could also observe and recommend<br />

specific dances as suitable for particular bodies, and take <strong>in</strong>to account<br />

differences based on age and gender, or <strong>in</strong> social and professional background,<br />

or else <strong>in</strong> an <strong>in</strong>dividual’s temperament. Bicaise <strong>in</strong>deed blamed<br />

disordered and violent danc<strong>in</strong>g, as that practised by town and country<br />

folk, which is totally harmful, because it disharmoniously shakes <strong>the</strong><br />

body up. Fur<strong>the</strong>rmore, it is arranged without skill or measure, and <strong>the</strong>refore<br />

bears no relations to lyrics and music. That is why, to stir up <strong>the</strong><br />

spirits of people and put <strong>in</strong>to motion those massive, hard and muscular<br />

bodies, which all week grew numb by cont<strong>in</strong>uous application to<br />

manual labour<strong>in</strong>g, <strong>the</strong>re is a need to awaken <strong>the</strong>m by resort<strong>in</strong>g to extraord<strong>in</strong>ary<br />

means. In <strong>the</strong> subsequent chapter on songs, <strong>in</strong>struments and<br />

music, <strong>the</strong> author specified that which was needed to move those coarse<br />

spirits and bodies, who were <strong>in</strong>sensitive to sweet and enchant<strong>in</strong>g music:<br />

it was high-pitched notes, noisy sounds, and ridiculous and irregular<br />

songs. 30<br />

Among <strong>the</strong> o<strong>the</strong>r activities, <strong>in</strong> <strong>the</strong> follow<strong>in</strong>g chapters Bicaise judges<br />

military exercises and hunt<strong>in</strong>g to be utterly unsuitable for <strong>in</strong>dividuals<br />

of particular temperaments; comedy is exam<strong>in</strong>ed for its remarkable<br />

effect on spectators; s<strong>in</strong>g<strong>in</strong>g and play<strong>in</strong>g musical <strong>in</strong>struments (which he<br />

acknowledges as curative, as well as preservative) are considered from<br />

<strong>the</strong> po<strong>in</strong>ts of view of both <strong>the</strong> performer and <strong>the</strong> audience. Laughter<br />

can be helpful <strong>in</strong> moderation, dangerous and even deadly <strong>in</strong> excess.<br />

Walks are classified accord<strong>in</strong>g to a remarkable number of characteristics,<br />

<strong>in</strong>clud<strong>in</strong>g <strong>the</strong>ir spatial pattern. Circular movement is s<strong>in</strong>gled out as<br />

be<strong>in</strong>g <strong>the</strong> best, <strong>in</strong> an explanation that bears witness to <strong>the</strong> longue durée<br />

of astrological medic<strong>in</strong>e (a significant component of Bicaise’s Weltanschauung<br />

from <strong>the</strong> first chapter of his treatise, ‘Des astres’), as will be<br />

clear from <strong>the</strong> open<strong>in</strong>g sentence:<br />

Circular promenades are more befitt<strong>in</strong>g to us than l<strong>in</strong>ear, not only<br />

because <strong>the</strong>y are <strong>in</strong> harmony (proportionnées) with that circulation<br />

of <strong>the</strong> blood and with <strong>the</strong> three circles of fire which Hippocrates

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