ethnically diver<strong>se</strong> society together. An important function <strong>of</strong> bringing private or domestic ritual into the public sphere was to “calibrate the concerns <strong>of</strong> the community as a whole onto tho<strong>se</strong> <strong>of</strong> the family and vice-versa” (Beard, North and Price 1998: 51). Witnessing and being witnes<strong>se</strong>d in return was a way <strong>of</strong> participating in communal identity while at the same time, through acts <strong>of</strong> pietas, contributing to the stability <strong>of</strong> the community it<strong>se</strong>lf. References BEARD, M., NORTH, J. AND PRICE, S. 1998. Religions <strong>of</strong> Rome, Cambridge: Cambridge University Press. BERGMANN, B. 1999. Introduction: <strong>The</strong> Art <strong>of</strong> Ancient Spectacle, <strong>The</strong> Art <strong>of</strong> Ancient Spectacle, Bettina Bergman & Christine Kondoleon (eds.), Washington D.C., National Gallery <strong>of</strong> Art, pp. 9-35. BODEL, J. 1997. Monumental Villas and Villa Monuments, Journal <strong>of</strong> Roman Archaeology, 10, 5-35. DAVIES, P. J.E.1997. <strong>The</strong> politics <strong>of</strong> perpetuation: Trajan’s column and the art <strong>of</strong> commemoration, American Journal <strong>of</strong> Archaeology, 3:101 pp. 41- 65. HERMANSEN, G. 1981.Ostia: Aspects <strong>of</strong> City Life. Edmonton: University <strong>of</strong> Alberta Press. KONDOLEON, C. 1997. Timing Spectacles: Roman Domestic Art and Performance, <strong>The</strong> Art <strong>of</strong> Ancient Spectacle, Bettina Bergman & Christine Kondoleon (eds.), Washington D.C., National Gallery <strong>of</strong> Art, pp. 321-342. KOORTBOJIAN, M. 1996. In commemorationem mortuorum: text and image along the ‘street <strong>of</strong> tombs’, Art and Text in Roman Culture, Jas Elsner (ed.), Cambridge: Cambridge University Press, pp. 210-234. KLAUSER, T. 1927. Die Cathedra im Totenkult der heidnischen und christlichen Antike, Münster in Westfalen: Aschendorff. PURCELL, N. 1987. Tomb and Suburb, Römische Gräberstras<strong>se</strong>: Selbstdarstellung, Status, Standard. Henner von Hesberg & Paul Zanker (eds.), Munich: Verlag der Bayerischen Akademie der Wis<strong>se</strong>nschaften, pp. 27-41. QUASTEN, J. 1983. Music and Worship in Pagan and Christian Antiquity. Washington D.C.: National Association <strong>of</strong> Pastoral Musicians. RUSHFORTH, G. 1915. Funeral Lights in Roman Sepulchral Monuments, Journal <strong>of</strong> Roman Studies 5, 149-164. SCULLARD, H. 1981. Festivals and Ceremonies <strong>of</strong> the Roman Republic. New York: Cornell University Press. TORELLI, M. 1989. Banchetto e simposio nel’Italia arcaiaca, Milan: Diapress. Regina Gee (Ass. Pr<strong>of</strong>.), College <strong>of</strong> Art and Architecture, Montana State University, USA. Email: rgee@montana.edu 68
69 Burials
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The Materiality of Death Bodies, bu
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Contents Chapter 1. The Materiality
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Fig. 1. Pieter Bruegel, The Triumph
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ather one has to emphasise the mate
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dead are often regarded as unfriend
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Fig 3. The old man Tei Tetuna by hi
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The Materiality of Social Change: H
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The Materiality of Eternity - The A
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FAHLANDER, F. & OESTIGAARD, T. 2004
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Susanne Kuechler-Fogden, Webb Keane
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- Page 100 and 101: References ARTELIUS, TORE 2004. Min
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- Page 105 and 106: Fig. 5.1. Cremation necropolis at P
- Page 107 and 108: place. These burials were very simp
- Page 109 and 110: Chapter 10 Norwegian Face-Urns: Loc
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Fig. 5. Zvejnieki burial ground. Th
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grave has been dated to 5690±45 BP
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Khanty of northern Siberia, the col
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125 Beliefs
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Chapter 12 ”Death Myths”: Perfo
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Variation within the same cist Bø,
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Variation within the same mound Lyd
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Figures 6 and 7. Modvo, Luster muni
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To what extent there have been corr
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when they die, a probable explanati
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fragmented spindles, iron weaving s
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Chapter 13 Reproduction and Relocat
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may be questioned, and analysed mor
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References Andersson, G. 1997: A st
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Chapter 14 A Road for the Viking’
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Figure 2. The Jarlabanke Bridge tha
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Chapter 15 A Road to the Other Side
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Fig. 4. Clearing the bridge on an e
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Chapter 16 Stones and Bones: The My
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Fig. 4. An Iron Age scene at Sylta
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Fig. 7. The resemblance between cru