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Happenings - Zanotta SpA

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<strong>Happenings</strong><br />

no.3/06 p.6<br />

FROM DESIGN TO PRODUCT<br />

Sober flowing lines distinguish<br />

Christophe Pillet’s new Yuki<br />

CHRISTOPHE PILLET<br />

He attended the Institute of<br />

Decorative arts, Nice, and<br />

graduated in industrial design at<br />

the Domus Academy of Milan.<br />

He worked with Philippe Stark in<br />

Paris till ’93. In ’94 he was<br />

acclaimed the French Createur<br />

de l’année, hence many<br />

exhibitions were dedicated to<br />

him both at the Centre<br />

Pompidou and at the Villette.<br />

Today luxury is removal of the<br />

superfluous.» Christophe Pillet, the<br />

famous French designer, adopts<br />

this paradigm to sum up his vision<br />

of the project. His idea of available “luxury”<br />

(considered as a combination of top quality<br />

furniture and items) is based on the use both<br />

of new technologies and materials, which can<br />

best apply to them. «I do not wish to sound<br />

like an elitist minimalist - he adds - but I mean<br />

to convey the need to produce elements that<br />

are both simple and refined for timeless<br />

contemporary homes.» Yuki, his armchair for<br />

Praise to<br />

simplicity<br />

<strong>Zanotta</strong>, is an example of this concept - a firm<br />

rotating varnished steel base with four legs<br />

converging onto a single central joint and a<br />

flowing hollow stiff polyurethane unitised<br />

body, which holds padded cushions<br />

upholstered with removable fabric or leather.<br />

«I designed Yuki with CAD following a line<br />

that is dear to me: a cosy rounded seat fitted<br />

to a central pin. <strong>Zanotta</strong>’s staff instantly liked<br />

the model and I refined the details with them<br />

by e-mail. It was all very easy and we soon<br />

created the prototype, which was virtually<br />

perfect. Every step was checked with the<br />

technical team and perfected without hitches<br />

as, for instance, the choice of the right density<br />

for the polyurethane sheet, which had to be<br />

both solid and flexible: <strong>Zanotta</strong> succeeded in<br />

realising this wish of mine. Yuki’s first version<br />

had a more “playful” design that was almost<br />

pop; its evolution was more classical and the<br />

last leather upholstered version achieved a<br />

highly refined result». The “elective” affinity<br />

between Pillet and <strong>Zanotta</strong> was the starting<br />

point to achieve quality production in optimal<br />

times. «I always decide to work with firms I<br />

have an instant understanding with. This<br />

occurred with <strong>Zanotta</strong> and with the firms<br />

producing accessories and complements for<br />

cars that preceded it. Yuki was the result of a<br />

study track I began with my previous chair -<br />

Y’s - to which I applied modern car seat<br />

technology for the first time (I have worked for<br />

years for Renault). I like to investigate<br />

different worlds to convey and merge technical<br />

findings. I have designed taps starting from<br />

hifi and microwave oven ignition systems,<br />

which exploit the technology used for thermal<br />

glass casseroles». Pillet’s study involves<br />

experts for every detail, ranging from the<br />

unitised body of seats to fabric seams, from<br />

electronic systems to ergonomic ones and<br />

from ophthalmology to computer science. It is<br />

the so-called “Starck system”, which the<br />

French designer learnt when he worked with<br />

his colleague and which he refined in the USA<br />

and in Japan. «My next dream? To create a<br />

design, which offers people an alternative<br />

lifestyle in terms of wellness and happiness».<br />

Portrait of the designer and CAD drawing of the<br />

armchair Yuki designed for <strong>Zanotta</strong>

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