REVELATIONS
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H&G DECORATING<br />
‘ WHAT THE MIRABEL<br />
FOUNDATION IS DOING<br />
TO SUPPORT CHILDREN<br />
ABANDONED OR<br />
ORPHANED BY DRUG<br />
USE IS SOMETHING WE<br />
REALLY WANTED TO BE<br />
INVOLVED IN. WE HOPE<br />
WE HAVE CONTRIBUTED<br />
TO MAKING A LITTLE<br />
PERSON SMILE.’ ANNA SPIRO<br />
Charlotte Coote,<br />
Coote&Co<br />
Entrance hall<br />
“My entrance hall was inspired by my<br />
childhood, growing up in a Georgian<br />
Palladian villa in Ireland. Classic pieces<br />
such as our console table as well as the<br />
period mouldings help create this feeling.<br />
Of course, the design was also influenced<br />
by the generous donations received from<br />
our fabulous suppliers.<br />
“One thing that really stood out for me<br />
while working on Design for Mirabel was<br />
the camaraderie between the designers.<br />
We were all working towards something<br />
really special – the children supported by<br />
the Mirabel Foundation – and with that<br />
common goal, the kindness, support and<br />
generosity we experienced throughout<br />
the event was wonderful.”<br />
Anna Spiro (right,<br />
with Olivia Catterall),<br />
Black & Spiro<br />
Sitting room<br />
“Our room evolved from our love of<br />
comfortable, colourful and collected<br />
rooms. Our appreciation for pretty<br />
English decorating is reflected in the use<br />
of traditional furniture, custom-made<br />
soft furnishings and an eclectic mix<br />
of patterned decorative fabrics. Our<br />
starting point was the beautiful GP+J<br />
Baker floral fabric we used to upholster<br />
the vintage armchair; fabrics, paint,<br />
artworks and accessories were all chosen<br />
based on the jewel tones in that fabric.<br />
We are so grateful to our suppliers and<br />
manufacturers for their extremely kind<br />
and generous donations, without which<br />
we would never have been able to create<br />
such a beautiful space.” ><br />
Artwork by Robert Doble & Simon Strong (this page), Wayne Pate (line drawings, opposite), Tom Favell (unframed still life, opposite).<br />
52 Australian House & Garden