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160 Gramsci <strong>is</strong> Deadof philosophy as such’ (1). Th<strong>is</strong> <strong>is</strong>, of course, an extremely widespreadopinion, as indicated in a recent interview with Derrida:McKenna: What’s the most widely held m<strong>is</strong>conception about you and yourwork?Derrida: That I’m a skeptical nihil<strong>is</strong>t who doesn’t believe in anything, whothinks nothing has meaning, and text has no meaning. That’s stupid andutterly wrong, and only people who haven’t read me say th<strong>is</strong>. (Derridawith McKenna 2002)As previously mentioned, it <strong>is</strong> now quite well establ<strong>is</strong>hed thatdeconstruction <strong>is</strong> and always has been driven by powerful ethicopoliticalcommitments. Thus it has become increasingly difficult, inthe academic world at least, to avoid embarrassment while upholdingthe idea that poststructural<strong>is</strong>m equals postmodern<strong>is</strong>m equals nihil<strong>is</strong>ticrelativ<strong>is</strong>m. 9The fact that Derrida, Foucault and the rest have repeatedly declaredtheir lack of allegiance to so-called postmodern<strong>is</strong>m has not, of course,done much to convince those who w<strong>is</strong>h to d<strong>is</strong>credit their work byattaching it unfairly to the very cultural trends they themselvesdeplore. Also influential among anarch<strong>is</strong>t circles <strong>is</strong> Murray Bookchin’sSocial Anarch<strong>is</strong>m or Lifestyle Anarch<strong>is</strong>m: An Unbridgeable Chasm (1995).In th<strong>is</strong> highly polemical text Bookchin laments the r<strong>is</strong>e of what he calls‘lifestyle anarch<strong>is</strong>m’, which ‘<strong>is</strong> finding its principal expression in spraycangraffiti, postmodern<strong>is</strong>t nihil<strong>is</strong>m, antirational<strong>is</strong>m, neoprimitiv<strong>is</strong>m,anti-technolog<strong>is</strong>m, neo-Situation<strong>is</strong>t “cultural terror<strong>is</strong>m”, mystic<strong>is</strong>m,and a “practice” of staging Foucaultian “personal insurrections”’ (19).The common link between all of these tendencies <strong>is</strong> that they appearto Bookchin as individual<strong>is</strong>tic and aesthetically oriented, and aretherefore ‘antithetical to the development of serious organizations, aradical politics, a committed social movement, theoretical coherence,and programmatic relevance’ (19). Th<strong>is</strong> <strong>is</strong> a l<strong>is</strong>t of charges whichmany readers will recognize, for the same fears have been ra<strong>is</strong>edby femin<strong>is</strong>ts, critical theor<strong>is</strong>ts and liberal philosophers. Ultimately,what worries Bookchin <strong>is</strong> the withering away of belief in a ‘basicrevolutionary endeavour’ that would seek to liberate ‘humanity asa whole’ (3).One of the prime targets of Bookchin’s—and Zerzan’s—wrath <strong>is</strong>Hakim Bey (aka Peter Lamborn Wilson), whom Jason Adams creditswith starting all of the trouble with h<strong>is</strong> 1987 essay ‘Post-Anarch<strong>is</strong>mAnarchy’ (Adams n.d.). In th<strong>is</strong> essay, Bey notes that the anarch<strong>is</strong>t

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