72 CHAPTER 4. SOUND ABSORPTIONafter reflection I 1 = I 0 (1 − a). After n reflections <strong>the</strong> sound intensity willbe :I n = I 0 (1−a) n (4.19)In order to determine <strong>the</strong> number <strong>of</strong> reflections n, we define :n =ct = total path length in time tmean free path(4.20)One can prove that <strong>the</strong> mean free path in a space with volume V and wallsurface S is given by 4V (without pro<strong>of</strong>). Therefore we can write :SI n= (1−a) cSt cSt4V = exp ln(1−a) (4.21)I 0 4Vbecause we know x = exp(blnq) with x given by x = q b .Bydefinition<strong>of</strong><strong>the</strong>reverberationtimeweknowthatatt = T is InI 0= 10 −6and so :10 −6 = exp cSt ln(1−a) (4.22)4VIf we take <strong>the</strong> natural logarithm <strong>of</strong> both members <strong>of</strong> this equation, we find :T = −6.3×4×VcSln(1−a)(4.23)For air, we can obtain :T =−V6Sln(1−a)(4.24)The different walls S i <strong>of</strong> <strong>the</strong> room shall have, in practice, different absorptioncoefficients a i . We define a mean value ā <strong>of</strong> <strong>the</strong> acoustic absorptioncoefficients as : ∑ā = ∑ ia iS i(4.25)According to <strong>the</strong> model <strong>of</strong> Eyring-Norris [14], Equation 4.24 will be :i S iT =−V6 ∑ i S iln(1−ā)(4.26)We note that this model is basically valid for both small as well as largevalues <strong>of</strong> ā, but it is assumed that <strong>the</strong> absorbing materials are spatially,fairly homogeneously distributed over <strong>the</strong> walls (if not, <strong>the</strong> mean value ā hasno physically sense).
4.3. MEASURING THE ACOUSTIC ABSORPTION 73If <strong>the</strong> absorption coefficient a is small (a < 0.25) than a ≈ −ln(1 − a)and equation 4.24 :T = V6SA with A = ∑ ia i S i <strong>the</strong> total absorption (4.27)This last equation is called <strong>the</strong> model <strong>of</strong> Sabine (W.C. Sabine has found thisexpression experimentally [22]).Remark : Above <strong>the</strong>ory belongs to what is called <strong>the</strong> statistical roomacoustics. It gives a certain global image <strong>of</strong> <strong>the</strong> reverberation <strong>of</strong> sound, andis based on many hypo<strong>the</strong>sis and neglects many phenomena, so it does notdeliver full satisfaction to many <strong>the</strong>orists. The result is however useful andpractically well applicable.If <strong>the</strong> volume V and <strong>the</strong> reverberation time T <strong>of</strong> a space is measured, <strong>the</strong>total absorption can be determined with use <strong>of</strong> <strong>the</strong> law <strong>of</strong> Sabine : A = V . 6TFrom this one can determine ā SAB , <strong>the</strong> experimentally determined, averageabsorption coefficient <strong>of</strong> Sabine : ā SAB = A ∑i S i. One may thus assume, thatā SAB is a practically acceptable correct value (keeping in mind that it is aspatial and experimental average, defined by <strong>the</strong> model <strong>of</strong> Sabine). Thusin practice, <strong>the</strong> absorption coefficient shall be experimentally determined forvarious absorbing materials, making use <strong>of</strong> <strong>the</strong> model <strong>of</strong> Sabine. Would we<strong>the</strong>n estimate <strong>the</strong> reverberation time <strong>of</strong> a certain space in which absorbingmaterials are used, it can be done with <strong>the</strong> following practical model:T =V6 ∑ i S ia SAB,i(4.28)wherein <strong>the</strong> values <strong>of</strong> a SAB,i be used which can be found in tables <strong>of</strong> measurementresults. In what follows in this course, we will simplify <strong>the</strong> notationby omitting SAB, in which we however remember that each absorption coefficienta that we encounter, was determined experimentally in <strong>the</strong> mannerdescribed above.Favorablereverberationtimesdependon<strong>the</strong>typeandusage<strong>of</strong><strong>the</strong>rooms:for a furnished living room : 0.5 sec, for a cinema and lecture hall : 0.7-1sec, <strong>the</strong>ater : 0.9-1.3 sec, music hall : 1.7-2.3 sec.In principle, one should not interpret <strong>the</strong>se numbers in a too ’ma<strong>the</strong>matical’manner, as having an absolute value for <strong>the</strong> acoustics <strong>of</strong> a given space.One notes, however, that <strong>the</strong> rooms which have good acoustics, have a Tthat is about within <strong>the</strong> above range. Short reverberation time gives rise to’dry sound’ i.e. sound that does not reverberate because it is immediatelyabsorbed. Several sound (e.g. music) need reverberation for <strong>the</strong>ir subjective