.Presentation of the school - Nîmes
.Presentation of the school - Nîmes
.Presentation of the school - Nîmes
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70<br />
E.S.B.A.N. teaching staff<br />
Clémentine MÉLOIS<br />
Born in 1980..<br />
Qualified at <strong>the</strong> École Nationale Supérieure des Beaux-arts de Parisin<br />
2004.<br />
‘I was born in a family that had always made books. Not knowing<br />
how to write, I already made some with small pots <strong>of</strong> glue and<br />
crayons. There are several reasons for this monomaniac decision<br />
to continue along this pathway. I turned what held my attention,<br />
surprised, amused or annoyed me into book form. Ideas came to<br />
me in <strong>the</strong> form <strong>of</strong> pages that turned. I don’t like it when everything<br />
is ”delivered” in one go, and books form <strong>the</strong> ideal medium for me:<br />
first because a book is multiple and can <strong>the</strong>refore be distributed to a<br />
large number <strong>of</strong> people, and second because it obeys a number <strong>of</strong><br />
rules and codes, a tradition enabling <strong>the</strong> unlimited varying <strong>of</strong> procedures,<br />
techniques and forms: none <strong>of</strong> my books is like ano<strong>the</strong>r, but<br />
<strong>the</strong>y all none<strong>the</strong>less match our image <strong>of</strong> <strong>the</strong> different categories <strong>of</strong><br />
traditional publishing.’<br />
‘Bittersweet irony, sometimes a little impertinence, deep waters<br />
that it is better not to stir up, tenderness and a bite, a whole that<br />
should be addressed slowly and left to soak in.’<br />
Michel Salsmann<br />
vachezebree.fr<br />
Second-hand bookseller’s display case<br />
presenting all <strong>the</strong> works <strong>of</strong> <strong>the</strong> ‘collections de la vache zébrée’. 2004..