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.Presentation of the school - Nîmes

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70<br />

E.S.B.A.N. teaching staff<br />

Clémentine MÉLOIS<br />

Born in 1980..<br />

Qualified at <strong>the</strong> École Nationale Supérieure des Beaux-arts de Parisin<br />

2004.<br />

‘I was born in a family that had always made books. Not knowing<br />

how to write, I already made some with small pots <strong>of</strong> glue and<br />

crayons. There are several reasons for this monomaniac decision<br />

to continue along this pathway. I turned what held my attention,<br />

surprised, amused or annoyed me into book form. Ideas came to<br />

me in <strong>the</strong> form <strong>of</strong> pages that turned. I don’t like it when everything<br />

is ”delivered” in one go, and books form <strong>the</strong> ideal medium for me:<br />

first because a book is multiple and can <strong>the</strong>refore be distributed to a<br />

large number <strong>of</strong> people, and second because it obeys a number <strong>of</strong><br />

rules and codes, a tradition enabling <strong>the</strong> unlimited varying <strong>of</strong> procedures,<br />

techniques and forms: none <strong>of</strong> my books is like ano<strong>the</strong>r, but<br />

<strong>the</strong>y all none<strong>the</strong>less match our image <strong>of</strong> <strong>the</strong> different categories <strong>of</strong><br />

traditional publishing.’<br />

‘Bittersweet irony, sometimes a little impertinence, deep waters<br />

that it is better not to stir up, tenderness and a bite, a whole that<br />

should be addressed slowly and left to soak in.’<br />

Michel Salsmann<br />

vachezebree.fr<br />

Second-hand bookseller’s display case<br />

presenting all <strong>the</strong> works <strong>of</strong> <strong>the</strong> ‘collections de la vache zébrée’. 2004..

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