21. Welcome to Dubrovnik - TuristiÄka zajednica grada Dubrovnika
21. Welcome to Dubrovnik - TuristiÄka zajednica grada Dubrovnika
21. Welcome to Dubrovnik - TuristiÄka zajednica grada Dubrovnika
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he pho<strong>to</strong>graphic eye» perhaps«T sees the reality more clearly,precisely and profoundly than we can dowith a naked eye immersed in everydaylife. We thus re-examine the presentmoment of <strong>Dubrovnik</strong>’s reality seeingit through a pho<strong>to</strong>grapher’s lens, eye,thought and heart in order <strong>to</strong> get aclearer picture of ourselves, and in order<strong>to</strong> see better the face which we show <strong>to</strong>other people.In this issue we present the prestigiouspho<strong>to</strong>grapher of Zagreb, DamilKalogjera, who has served as theofficial pho<strong>to</strong>grapher of the <strong>Dubrovnik</strong>Summer Festival for several years now.Born in 1962, Damil Kalogjera began<strong>to</strong> publish his pho<strong>to</strong>graphs already atthe age of seventeen. Soon after that hisname began <strong>to</strong> appear in the renownedCroatian magazines. Kalogjera residesin Zagreb, but – according <strong>to</strong> thatwhich one can learn about him withoutmeeting him in person – he is a citizenof the world. His interests includearchitecture, theatre and dance, aswell as studio, fashion, applied, traveland documentary pho<strong>to</strong>graphy. Hecollaborates with various visual artists,portrays musicians and composers on aregular basis, and takes pho<strong>to</strong>graphs ofsailing regattas. Kalogjera’s connectionwith <strong>Dubrovnik</strong> - which began in hischildhood - continued with his acceptingthe post of the <strong>Dubrovnik</strong> SummerFestival’s official pho<strong>to</strong>grapher, andwith his exhibitions of pho<strong>to</strong>graphs thattestify <strong>to</strong> the time and circumstances inwhich the festival’s artistic programmeis performed.- One could say that you are not a guestin the City. Do you think that the onewho comes <strong>to</strong> <strong>Dubrovnik</strong> for the firsttime as a guest always remains its guest,because – as someone mentioned – thes<strong>to</strong>ne heart of the City is reluctant <strong>to</strong>open up? Or, that an artist feels at homewherever spiritual realms open up forhim? Do you feel <strong>Dubrovnik</strong> <strong>to</strong> be sucha place for you?It is difficult <strong>to</strong> define this never-endingconnecon between the City and me. Mygrandpa hails from the village of Čilipi, sothat the City has never been a geographicconcept for me, as long as I canremember. <strong>Dubrovnik</strong> and I are good pals.And one should look for the s<strong>to</strong>ne heartkey in his own heart. My collaboraonwith the <strong>Dubrovnik</strong> Summer Fesvalis, of course, an addional value in thisrelaonship, an entrance cket for thespace of interwoven values of that whichit is, and of that which each of us can – ifhe manages <strong>to</strong> <strong>to</strong>uch it – create.- Human faces seem <strong>to</strong> be one ofyour favourite themes. Which faceof <strong>Dubrovnik</strong> would you choose <strong>to</strong>pho<strong>to</strong>graph in order <strong>to</strong> share yourexperience of the City with a visi<strong>to</strong>r,traveller and <strong>to</strong>urist?48 DOBRODOŠLI U DUBROVNIK LJETO 2011.