11.07.2015 Views

innovate 6 - Helen Hamlyn Centre - Royal College of Art

innovate 6 - Helen Hamlyn Centre - Royal College of Art

innovate 6 - Helen Hamlyn Centre - Royal College of Art

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Tony Howard, Roundel‘When we started we thought we were just goingto design a typeface that would display reallywell on digital screens and improve thedecipherability <strong>of</strong> information for everybody.When we looked into it, we found out thatthe problem was much, much bigger than wethought, but the user group convinced us that itreally was worth looking at.’Recommendations> Maximum angle for reading overheadsigns should be 30º from the horizontal> Screens should be angled downwards toreduce glare with reflections from floorsand walls taken into consideration> Non-reflective glass to be used and angle<strong>of</strong> adjustment variable for each screen> Sign should be positioned to avoid directlight from windows, glazed ro<strong>of</strong>s andoverhead lighting> Consistency in graphic presentation,language and physical presentation> Humanist sans serif typeface preferableto Grotesque> Spacing <strong>of</strong> words kept loose tocompensate for larger viewing distances> DMR (Dalton Maag Roundel) typefacedeveloped as example <strong>of</strong> best practice> Few but consistent colour changes withtest pages converted to greyscale tocheck for contrast and tested in actualenvironment> Scrolling should be vertical not horizontal,with transitional fade in/fade outpreferred.21

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