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Fine Writing - Stylus Magazine

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Montegrappa enriches the Symphony collection with<br />

a superb dark blue that is accentuated by the unique<br />

brillance of celluloid. Available in fountain pen,<br />

ballpoint and rollerball, with finishing parts in<br />

sterling silver, the Symphony boasts an 18-karat<br />

gold nib with ebonite feeder and comes in red,<br />

pearl, turquiose, yellow and black.<br />

entire wing of the facility. by 1947,<br />

the tenacious company was producing<br />

pens in many unique styles, but<br />

it placed its focus on precious metals<br />

rather than celluloid and continued<br />

this tack until relatively recently. the<br />

company officially changed its name<br />

to montegrappa Srl. in 1947.<br />

In the latter part of the 1970s,<br />

Gianfranco Aquila purchased montegrappa.<br />

the brand was not new<br />

to Aquila; his family had had interest<br />

in the company for decades,<br />

and his father, Leopoldo, had been<br />

32 october/november 2003 s t y lu s<br />

purchasing private-label pens from<br />

elmo-montegrappa since the 1930s.<br />

Gianfranco maintained operations<br />

in the bassano building that had<br />

housed the company for decades;<br />

thus the environs spoke tradition,<br />

but the vision was entirely new. With<br />

the introduction of the reminiscence<br />

pen in 1983, a reproduction of a 1915<br />

design, montegrappa was launched<br />

into new markets and began a new<br />

chapter in its history.<br />

Aquila’s longer-range business<br />

plans included his sons, and one<br />

by one, over a period of years his<br />

dream was realized. taking on the<br />

creative, production and administrative<br />

roles necessary to a company<br />

with its sites on global distribution,<br />

Leopoldo, ciro and<br />

Giuseppe joined their father at<br />

montegrappa. “I have worked<br />

in the pen business all my life,”<br />

says the elder Aquila of his devotion<br />

to and knowledge of the product.<br />

but making pens a family affair<br />

transcended his vast experience and<br />

brought freshness to the company,<br />

as well as a series of exquisite limited<br />

editions heralded by the 80th<br />

Anniversary Pen in 1992.<br />

In 1995, montegrappa introduced<br />

the Dragon, whose striated celluloid<br />

body is covered with a three-dimensional<br />

1.5-mm precious-metal dragon<br />

overlay. the molds for the overlay<br />

were created by Italian sculptor<br />

Federico monti and took ten months<br />

to complete. the pen was introduced<br />

in both sterling silver and 18-karat<br />

gold; 1,912 pens were produced in<br />

silver, 100 in gold. Another limited<br />

edition of note is the Luxor, an<br />

egyptian-themed pen introduced in<br />

1996. these were also crafted of celluloid<br />

and were offered with either a<br />

sterling or 18-karat gold high relief<br />

overlay. In 1997, the company produced,<br />

in this writer’s opinion, its<br />

piéce de resistance of the decade—the<br />

Aphrodite. the pen has an ebonite<br />

body and a precious metal faceted<br />

overlay displaying a sensual rendition<br />

of the goddess of love designed by<br />

Federico monti. the hefty yet balanced<br />

pen is embellished with mother-of-pearl<br />

inlays, further raising the<br />

bar both in creativity and production<br />

capabilities of the company.<br />

In 2000, montegrappa was purchased<br />

by the richemont Group,<br />

naming Sergio de bon the president<br />

and ceo shortly after the company’s<br />

acquisition. De bon’s experience<br />

with other luxury brands, including<br />

his role as managing director<br />

of officine Panerai marketing and

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