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Fine Writing - Stylus Magazine

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The body is crafted in titanium with<br />

hand-rubbed satin trim and blued<br />

accents. The titanium clip is guilloche<br />

engraved and selectively blued.<br />

The Twist Damascus fountain pen<br />

retails for $1,400 while the rollerball<br />

model is priced at $1,300.<br />

Also crafted in Damascus stainless<br />

steel is the extraordinary odin’s eye<br />

Damascus. As the name indicates, the<br />

barrel and cap are made of Damascus<br />

stainless steel in a bold odin’s eye<br />

pattern. Like the Twist Damascus, the<br />

body of odin’s eye is in titanium, with<br />

hand-rubbed satin trim and blued accents.<br />

The titanium clip is guilloche<br />

engraved and selectively blued.<br />

odin’s eye Damascus is priced<br />

at $1,400 for the fountain pen and<br />

$1,300 for the rollerball model.<br />

Blending bold, earthy tones with<br />

strict attention to detail is the striking<br />

mokumé-Gané model. Pronounced<br />

“moe-Koo-may GAH-nay,” this ancient<br />

Japanese metal working technique<br />

was developed in feudal Japan<br />

by master sword smiths. The name<br />

translates as “wood grain metal,” referring<br />

to one of the most popular<br />

patterns created with this laminated<br />

metals technique, which is akin to<br />

Damascus steel. In this process, layers<br />

of contrasting colored non-ferrous<br />

metals, such as copper, brass, nickel,<br />

gold and silver, are fusion welded, using<br />

very high heat and pressure, into<br />

one solid block or billet of metal.<br />

This billet is further manipulated by<br />

forging, twisting and carving to develop<br />

more and more complex patterns.<br />

The barrel and cap feature copper<br />

and German silver in a bold twist<br />

pattern while the titanium body<br />

with hand-rubbed satin trim boasts<br />

browning on the accents. The titanium<br />

clip is guilloche engraved and<br />

selectively colored.<br />

Brightly polished with the copper<br />

etched in relief and colored with a rich<br />

s t y lu s ocToBer/novemBer 2003 25

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