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Michael Mocho Demonstration 2009 Symposium of the AAW The ...

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Using two OpposedBowl Steadies as aCenter Steadyby Joel Rakower and Don LindsleyWhen doing deep hollowing itis <strong>of</strong>ten helpful to use a center steadyto keep <strong>the</strong> workpiece centered andto minimize vibration. But centersteadies tend to be expensive, andmany have an arm at “12 o’clock”that prevents using a laser guideduring <strong>the</strong> hollowing process.We suggest using two Onewaybowl steadies to proxy for a centersteady. As <strong>the</strong> name suggests, <strong>the</strong>bowl steady is designed to support<strong>the</strong> walls <strong>of</strong> a bowl as it is shapedand brought to final wall thickness.Typically it is mounted to <strong>the</strong> left<strong>of</strong> <strong>the</strong> bowl (as you face <strong>the</strong> headstock).Figure 1. Two Oneway bowlsteadies stacked so as to serveas a center steady for a hollowform.When hollowing, we simplyadd a second steady on <strong>the</strong> righthandside. Depending on <strong>the</strong> shape<strong>of</strong> <strong>the</strong> piece being hollowed, it maywork to mount <strong>the</strong> steadies side byside. You can also stack <strong>the</strong> steadiesas shown in Figure 1. To stack <strong>the</strong>m,you may have to use a bolt about ½”longer than <strong>the</strong> ones provided byOneway. <strong>The</strong> bolt is a U.S. standard½” x 13.An advantage <strong>of</strong> stacking isthat it is easier to align <strong>the</strong> steadieson ei<strong>the</strong>r side <strong>of</strong> <strong>the</strong> workpiece.Note that in Photo 1, <strong>the</strong>steadies are about as close toge<strong>the</strong>ras <strong>the</strong>y can get: <strong>the</strong> end <strong>of</strong> <strong>the</strong> upperbase butts up against <strong>the</strong> base for<strong>the</strong> post <strong>of</strong> <strong>the</strong> lower one. You canovercome this limitation by “scissoring”<strong>the</strong> two bases, such that <strong>the</strong>upper base can extend past <strong>the</strong> post<strong>of</strong> <strong>the</strong> lower one (Figure 2).Figure 2. <strong>The</strong> bowl steadieswith <strong>the</strong> bases “scissored” topermit moving <strong>the</strong> wheels closertoge<strong>the</strong>r. <strong>The</strong> laser spot from <strong>the</strong>hollowing system is visible on<strong>the</strong> left side <strong>of</strong> <strong>the</strong> photo.If you do this, you’ll also haveto pivot <strong>the</strong> arms on each post sothat wheels contact <strong>the</strong> workpiece atapproximately right angles. Figure2 shows <strong>the</strong> laser spot (but not <strong>the</strong>laser arm itself) <strong>of</strong> <strong>the</strong> hollowingsystem, illustrating how <strong>the</strong> pairedsteadies are compatible with thatsystem.<strong>The</strong> authors are members <strong>of</strong><strong>the</strong> Long Island Woodturners’ Association.Tip for using aSpindle Tapby Don LindsleyA spindle tap, such as <strong>the</strong> onemade by Beale, is used to cut threadsinto blocks <strong>of</strong> wood so that <strong>the</strong>ymay be mounted directly on <strong>the</strong>headstock <strong>of</strong> a la<strong>the</strong> without use <strong>of</strong>a faceplate. I have found it useful formaking jam chucks and home-madescrew chucks, among o<strong>the</strong>r items.To use <strong>the</strong> tap, you pre-bore ahole that is just larger than <strong>the</strong> rootdiameter <strong>of</strong> <strong>the</strong> tap, <strong>the</strong>n use <strong>the</strong> tapto thread <strong>the</strong> wood. As with any tap,you need to keep it coaxial with <strong>the</strong>hole in order to make clean, properlyaligned threads. Instructions suppliedwith <strong>the</strong> tap suggest mounting<strong>the</strong> wood block to <strong>the</strong> headstock <strong>of</strong>your la<strong>the</strong> using a 4-jawed chuck,and using a point center in <strong>the</strong>tailstock to keep <strong>the</strong> tap properlyaligned. Lock <strong>the</strong> headstock anduse a wrench to advance <strong>the</strong> tap into<strong>the</strong> pre-bored hole. To keep <strong>the</strong> tapaligned, you must simultaneouslyadvance <strong>the</strong> tailstock to keep <strong>the</strong>[Continued on Page 38]Q&A Continued from Page34first, apply <strong>the</strong> thin CA and take onefinal light sheer scrape again, andput more glue on <strong>the</strong> outside edge <strong>of</strong><strong>the</strong> bark again. Now on <strong>the</strong> insideas I sneak up on <strong>the</strong> wall thickness,repeat <strong>the</strong> process <strong>of</strong> double glue.This seems to stabilize <strong>the</strong> bark andhold it on. Finish sanding as youwould any o<strong>the</strong>r natural edge. Youcan put <strong>the</strong> same finish on <strong>the</strong> barkas you do for <strong>the</strong> rest <strong>of</strong> <strong>the</strong> bowl.Lyle JamiesonMore Woodturning August <strong>2009</strong> Page 35

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