Prof. Tala VaziriAssistant Professor of Architecture and Interior DesignPublications1. Architectural research on susta<strong>in</strong>ability. Tehran, Iran for Karma Tarh & Tadv<strong>in</strong>, Project Neynava forthe Municipality of Tehran (December 2006-‐ March 2007)2. Research and design on build<strong>in</strong>gs of the Parisian Ceramic Period published <strong>in</strong> ’Paris, La3. Couleur de la Ville’ edited by Annick Desmier (2002)4. Architectural Workshop ‘Build<strong>in</strong>g <strong>in</strong> the South’ <strong>in</strong> Tunis with Francoise Jourda. Jerba,Tunis (February2001)5. “Urban Movement’ Workshop with the Institut of Willaim Alsop. Vienna, Austria (November 2000)6. ‘Reconsider<strong>in</strong>g the Empty Space’ Workshop with Rudi Riciotti. Vienna, Austria (April 2000)Special project1. Short films on movement and issues of spatial experience, Paris and Vienna (2000-‐2005)2. Landscape Art <strong>in</strong>stallation <strong>in</strong> Sable d’Olonnes, France (2001)Department of Visual CommunicationsProf. Roberto LopardoChair of Visual Communication and Assistant Professor of PhotographyProf. D<strong>in</strong>a FaourAssistant Professor of Graphic DesignProfessional Skills• Excellent teamwork skills (ga<strong>in</strong>ed while work<strong>in</strong>g with<strong>in</strong> the advertis<strong>in</strong>g agencysett<strong>in</strong>g and <strong>in</strong>teract<strong>in</strong>geffectively with other departments, team members andsupervisors to accomplish tasks)• Strong oral communication skills (as a result of regular participation <strong>in</strong>presentations, reviews and clientmeet<strong>in</strong>gs throughout my career)• Effective written communication skills (demonstrated by writ<strong>in</strong>g approved creativerationales, scripts,<strong>in</strong>ternal correspondence and reports at FP7 and Hakuhodo)• Excellent time management skills (perfected while meet<strong>in</strong>g tight, daily deadl<strong>in</strong>es, atthe DailyStarnewsroom)• Immaculate attention to details (mastered while produc<strong>in</strong>g, supervis<strong>in</strong>g and proofcheck<strong>in</strong>g f<strong>in</strong>al artworkat Hakuhodo)• Ability to plan projects, delegate tasks, coord<strong>in</strong>ate with team members and achievegoals (asdemonstrated by direct<strong>in</strong>g w<strong>in</strong>n<strong>in</strong>g pitch campaigns at FP7)• Ability to work <strong>in</strong>dependently (after manag<strong>in</strong>g projects from concept to f<strong>in</strong>al artworkstage at bothagencies)Achievements• Feb.02 Employee of the year Award Fortune Promo Seven, ad agency, <strong>Dubai</strong>• Aug.97 output:<strong>in</strong>put Design Competition German Design council and “:Output” (Graphic designmagaz<strong>in</strong>e) work, Interactive CD “Wheels”, published (Mar 1998 issue)• Jul.97 Student Thesis Show Department of Architecture and Design <strong>American</strong> <strong>University</strong> of Beirutwork, “Broadcast News: The Graphic Package”, displayed
Prof. Elizabeth MonoianAssistant Professor of Graphic DesignProfessional Activity dur<strong>in</strong>g the 2008-2009 Academic Year1. Land Art Generator Initiative, Pr<strong>in</strong>cipal Investigator The UAE Land Art Generator Initiative (LAGI) is alandmark <strong>in</strong>itiative to br<strong>in</strong>g together artists, architects, scientists, and eng<strong>in</strong>eers <strong>in</strong> a first of its k<strong>in</strong>dcollaboration. The goal of the Land Art Generator Initiative is to design and construct a series of landart <strong>in</strong>stallations across the UAE that uniquely comb<strong>in</strong>e aesthetic <strong>in</strong>trigue with clean energy generation.The LAG view<strong>in</strong>g platforms will be tourist dest<strong>in</strong>ations that draw people from around the world toexperience the beauty of the collaborative art creations here <strong>in</strong> the United Arab Emirates. At the sametime, the art itself will cont<strong>in</strong>uously distribute clean energy <strong>in</strong>to the electrical grid with each land artsculpture hav<strong>in</strong>g the potential to provide power to up to 50,000 homes <strong>in</strong> the UAE.2. HOT SPOTS: What Comes After Oil?, Pr<strong>in</strong>cipal Investigator Before change can occur, it must beimag<strong>in</strong>ed. Thus we have chosen the image and physical site of the petrol station —perhaps an iconicrelic of future generations. Ow<strong>in</strong>g to their abandonment and often to their architecture, these placeshave a particular aura and are <strong>in</strong>dicative of this worldwide politically charged question: _What ComesAfter Oil? Tak<strong>in</strong>g as po<strong>in</strong>ts of departure are HOT SPOTS (petrol stations) <strong>in</strong> Munich, Germany;Pittsburgh, USA; and <strong>Dubai</strong>, United Arab Emirates. We have chosen these cities, local to where welive, as “case studies” for <strong>in</strong>itiat<strong>in</strong>g a multi-national dialogue and exploration of the past, present andfuture of oil. Extend<strong>in</strong>g out from these HOT SPOTS <strong>in</strong> a radius of 200miles/322 kilometers, we willreclaim abandoned gas stations as platforms for public art. In addition to these primary sites, there areabandoned petrol stations all over the world. Independent of the central project, these SATELLITESwill be dealt with separately by artists and artist groups. However, they will be l<strong>in</strong>ked with theplatform HOT SPOTS. In an attempt to reduce (and therefore re-imag<strong>in</strong>e) our carbon footpr<strong>in</strong>t,virtual communications will be paramount. Live stream<strong>in</strong>g, onl<strong>in</strong>e papers, virtual classrooms andgalleries, and the like will preserve physical resources and result <strong>in</strong> an <strong>in</strong>ternational cacophony.Information, maps, and project programm<strong>in</strong>g will be disbursed through HOTSPOT offices <strong>in</strong> Munich,Pittsburgh, and <strong>Dubai</strong> and virtually on the web.3. Curator, Student Poster Exchange between Pittsburgh, Munich, <strong>Dubai</strong> (AUD, Zayed)4. Spr<strong>in</strong>g/Summer 2009, with exhibitions at Jam Jar <strong>in</strong> <strong>Dubai</strong>, Climate Change Symposium <strong>in</strong> Munich5. Panel Moderator, Art <strong>Dubai</strong>, Th<strong>in</strong>k<strong>in</strong>g Cloud, Feb 20096. Co-Curator, Art Oasis 2009: “A Green Vision”, Role: Co-Curator, Artist <strong>in</strong> Residence, PanelPresenter7. Presenter, Pecha Kucha, May 20097. Under my guidance student awarded IAA regional w<strong>in</strong>ner forposter on Climate Change 20098. Under my guidance student made it to the f<strong>in</strong>als for IBDAA 2008Exhibitions1. 2010 HotSpots: What Comes After Oil?, Platform3, Munich, Germany2. 2009 A Green Vision, Wafi Mall, <strong>Dubai</strong>, United Arab Emirates3. 2009 Klimaherbst München, Glockenbachwerkstatt, Munich, Germany4. 2009 HotSpots: What Comes After Oil?, Platform3 Munich, Germany5. 2009 That Fleet<strong>in</strong>g Moment, The <strong>Dubai</strong> Community Theatre & Arts Centre, <strong>Dubai</strong>,United ArabEmirates6. 2009 GradWanderung, Kunsthaus, Kaufbeuren, Germany2008In Situ, The Jam Jar, <strong>Dubai</strong>, United ArabEmiratesProf. Julia TownsendAssistant Professor of Visual CommunicationCollections1. Burj <strong>Dubai</strong> (<strong>in</strong> progress- pa<strong>in</strong>t<strong>in</strong>gs commissioned for the 100th floor), Koç <strong>University</strong>;2. Deira Tower Estates LLC, J.W.Thomson (Istanbul office),3. Thomas Kle<strong>in</strong> International (<strong>Dubai</strong> office), Private collections <strong>in</strong> Spa<strong>in</strong>, Germany, Turkey, Sweden,Denmark, United Arab Emirates, and the United States
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