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Applied Linguistics and Language Teacher Education by Nat Bartels

Applied Linguistics and Language Teacher Education by Nat Bartels

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88 CONSTRUCTING THEORETICAL NOTIONSgo back <strong>and</strong> then continue the travel. But the most important lesson I learned is thatevery student is riding in a different ‘train caboose’ (writing phase).In this reflection, the participant has changed her view of writing as an inflexible,straightforward movement directed <strong>by</strong> the teacher to recursive, multiple-stop movementdirected <strong>by</strong> the own learner.The act of reflecting on metaphors throughout the course <strong>and</strong>, in particular, the socialprocess of sharing <strong>and</strong> considering classmates’ metaphors was critical for the students toprogress within their ZPDs. As they wrote <strong>and</strong> shared their metaphors <strong>and</strong> reflections,the participants “learned from each other” (Samuel). For Myrna, the metaphor exerciserepresented a personal growing experience. In Entry 5, she voiced her realization thatshe had always viewed writing as “a complicated process that can cause headaches <strong>and</strong>frustration.” She had always been “afraid to write.” This view was expressed in her firstentrymetaphor of the writer as solver of a 500 piece puzzle <strong>and</strong> of the teacher as anexpert puzzle maker who knows <strong>and</strong> can fix everything. Her new metaphors (writer asartist <strong>and</strong> teacher as art teacher) offer a “totally different” view: “Writing is not cold . . .difficult or frustrating anymore. Writing is creation now. Writing metaphors [in theclass] was very important. Metaphors created <strong>by</strong> the students allow them to realize howthey view things.”Pat renders an eloquent account of her progress throughout the course <strong>and</strong> the impactof metaphor in her reconceptualization process:My concept about the writing process has evolved through this semester. I used to see itas a way students had to produce texts that evidenced their skills in the language. I usedto focus on the final product. I wanted perfection <strong>and</strong> accuracy from the very beginning .. . . I never even thought of asking my students for more than the final, polished versionof their writing . . . . As I participated in class discussions about the chapters in the book Irealized how much I had to change as a teacher. There were moments when I felt badabout the harshness with which I had graded my students. As the semester progressed sodid my concepts of teaching writing . . . . The thing that helped me most in this growingprocess was the exercise on metaphors. By looking at [my classmates’] list of metaphorsI could venture an analysis of each participant’s style of teaching. Those metaphorsreflect who we are as teachers <strong>and</strong> what we think about our students. The metaphors [Iadopted] reflect the way I see myself now as a writing teacher.CONCLUSIONSThe 15-week long exercise on metaphorical conceptualization resulted in a variety ofrealizations that helped the teacher trainees underst<strong>and</strong>, clarify, reconsider, exp<strong>and</strong>,<strong>and</strong>/or change their own concepts of learning <strong>and</strong> teaching writing. Through metaphor,participants were able to link different conceptual domains to arrive at a betterunderst<strong>and</strong>ing of the ESL writer <strong>and</strong> teacher. Metaphors helped connect prevailingconcepts of writing <strong>and</strong> pedagogical approaches as participants imagined themselvesteaching from a particular metaphor or tried to identify with correspondingstances/paradigms. Through metaphor, they were able to recognize their classmates’style of teaching or their perspectives of writing <strong>and</strong> teaching writing <strong>and</strong> exp<strong>and</strong>ed their

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