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Applied Linguistics and Language Teacher Education by Nat Bartels

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XIAO 231b. Teach the students to write each of the sub-component <strong>and</strong> then assemble them together <strong>by</strong> following theconfiguration rules. In this way, the writing of the high-density characters becomes a fun block-buildinggame.c. Some of my students prepare their own flashcards. I ask them to color-code the components, because thevisual images of the parts can help them reduce the memory load <strong>and</strong> help them memorize the charactereasily.(ii) Using explicit orthographic knowledge for explanation 39 (36.79%)a. To prevent errors at the stroke level, we need to help students develop explicit concept/knowledge of strokessuch as dian, heng, shu, pie, na, wan, henggou, shugou, xiegou, hengzhe,, shuzhe.b. Explain the semantic meaning of the radical <strong>and</strong> its relationship with the corresponding character.c. For characters which has exactly the same components <strong>and</strong> finals, we need to explicitly explain theirconfigurations.d. Explain the origin of the character <strong>and</strong> show the evolution.(iii) Effectively providing new information 14 (13.20%)a. 1 would try to space out graphically/phonetically/semantically similar characters in order to avoid confusion.b. When I introduce a new character, I use a color-coded flashcard with the radical being coded with red <strong>and</strong>the phonetic with a different color to make them aware that this character consists of two components.c. When teaching yu “rain,” I draw a picture of rain dropping <strong>and</strong> tell the students that the four dots are raindrops.d. I often try to make stories, so the students can remember the character more easily. For example, ting“listen:” listen to the king, the ear of the king, ten for one heart.e. When we introduce a new character, we should contextulize it so that the students can remember itsmeaning.(iv) Reinforcing information with practice, comparison, or contrast 13 (12.27%)a. It is important to group the graphically similar characters together <strong>and</strong> then compare <strong>and</strong> contrast them.b. I will compare the graphically similar forms, point out their differences, <strong>and</strong> make semantic connections.c. To prevent such errors, comparisons must be done to show the graphic difference between the components.d. Emphasizing <strong>and</strong> reinforcing new information to the students help them with underst<strong>and</strong>ing <strong>and</strong> memory.Total 106 (100%)As shown in Table 4, out of the 106 responses for preventive strategies, there are 40(37.74%) in favor of raising learners’ orthographic awareness, 39 (36.79%) in favor ofusing explicit orthographic knowledge for explanation, 14 (13.20%) in favor ofeffectively providing new information, <strong>and</strong> 13 (12.27%) in favor of reinforcinginformation with practice, comparison, or contrast. The participants seem to put muchmore weight on raising orthographic awareness <strong>and</strong> using KAL than providing <strong>and</strong>reinforcing information.Results of Class ObservationsIn the participants’ classroom teaching, the time spent on character writing ranged from15 to 25 minutes in a lesson period (50 minutes each), depending on the objectives <strong>and</strong>time allocation of a particular class. Nonetheless, this component was seen to be carriedout in five types of activities: warm-up, introduction of new characters, communicativeactivities, review of learned characters, <strong>and</strong> evaluation of homework or review quizzes.The introduction of the new characters of a lesson was, as designated in the course

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