PAGE 72FRIDAY, 18 MAYThe College and the ChapelTrinity Hall is a constituent college <strong>of</strong> the University<strong>of</strong> Cambridge, <strong>England</strong>. It is the fifth-oldest college <strong>of</strong>the university, having been founded in 1350 by WilliamBateman, Bishop <strong>of</strong> Norwich. It was originally founded, inthe words <strong>of</strong> William Bateman himself, ‘for the promotion<strong>of</strong> divine worship and <strong>of</strong> canon and civil science anddirection <strong>of</strong> the commonwealth and especially <strong>of</strong> ourchurch and diocese <strong>of</strong> Norwich’. The rationale behind thisstated purpose may well be attributed to the Black Death<strong>of</strong> 1349, a disaster which, among other things, had resultedin a shortage <strong>of</strong> clergymen and lawyers. To this day, theCollege maintains a very strong tradition in the study <strong>of</strong>Law. Altogether, Trinity Hall, with its gardens, its architectureand its riverside site, hidden between its larger neighbours,is one <strong>of</strong> the most attractive colleges in Cambridge - HenryJames remarked: “If I were called upon to mention theprettiest corner <strong>of</strong> the world, I should draw a thoughtful sigh and point the way to the gardens <strong>of</strong> Trinity Hall.” Particularly notableparts <strong>of</strong> the College are its Chapel, Library and Dining Hall. Its alumni include such notable figures as Lord Howard, RobertHerrick, F D Maurice, J B Priestley, Lord Howe, Lord Runcie - and, more recently, Sir Nicholas Hytner, Andrew Marr and Rachel Weisz.The Chapel: Though there is little to see <strong>of</strong> the original building, this is a chapel which has seen almost continuous use forChristian worship since the late 14th century. The original chapel was built by 1366. The original chapel must have been richlydecorated with the ornaments provided by the founder for the three altars. In 1729 - 30 the chapel was completely redecoratedunder the auspices <strong>of</strong> Sir Nathanael Lloyd, Master, who converted it into what Cole called ‘a neat and elegant small room, more likea Chapel <strong>of</strong> a Nobleman’s family than <strong>of</strong> a Society’. In 1864 the length <strong>of</strong> the chapel was increased by eight feet eastwards, and in1922 a room over the ante-chapel was converted into a gallery in order to house an organ and introduce music for the first time.Underneath the 18th century façade, the walls <strong>of</strong> the original medieval building remain in place. There are a few signs left <strong>of</strong> thechapel’s antiquity. The piscina can be found behind a hinged door in the <strong>of</strong>ficiant’s stall, there is a pointed arch in one corner <strong>of</strong> theante-chapel, and there are medieval buttresses on the outside south wall.
SATURDAY, 19 MAY PAGE 73St. Botolph’s Aldgate, LondonThe Organist Tom BellThe Organ:1704 Harris – 2006 Goetze & Gwynn, III/21It can be argued thatthis is <strong>England</strong>’s oldestsurviving churchorgan. Although thereare older pipes andcases, this is the oldestcollection <strong>of</strong> pipes intheir original positionson their original windchests. It looks as ifthe organ dates fromshortly before 1704-5,when Renatus Harriswas paid for the Trumpet and Echos. In 1744 the organ was stored while the newchurch by George Dance was being built, and was restored by John Byfield theElder, who replaced the Great Larigot and Tierce with a Furniture. The organ was rebuilt by Hill in 1866, Bishop in 1898 and Manderin 1966. Thanks to the Heritage Lottery Fund, which is playing a central role in restoring our classical organ heritage, it has nowbeen restored as far as possible to its original disposition. It had previously been possible to appreciate it in the Mander restoration<strong>of</strong> 1966. At that time most <strong>of</strong> the Victorian additions were removed, though more tonal additions were made which in 2006seem inappropriate, and a mechanism introduced which had started to become unreliable. The restoration project <strong>of</strong> 2005/6 wasundertaken by Goetze and Gwynn.Stop List:Great Chair Swell Pedal*Open Diapason 8’ *Stop Diapason 8’ Open Diapason 8’ Bourdon 16’*Stop Diapason 8’ *Principal 4’ *Stop Diapason 8’ Bass Flute 8’*Principal 4’ *Flute 4’ Cornet IVTwelfth 2 2/3’ *Bassoon 8’ Trumpet 8’*Fifteenth 2’ Vox Humana 8’ Hautboy 8’*Sexquialtra IVFurnitureIIICornet treble VTrumpet 8’Pedal couplers for Great and ChoirTremulantDrum (tuned to D)Great and Choir GG C AA D - d3 (52notes)Echo/Swell c1 - d3 (27 notes)Pedal C D - d1 (26 notes)* indicates pipes which are largely original
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