PAGE 76SATURDAY, 19 MAYSt. John the Evangelist,Islington, LondonThe Organist: Tom BellThe Organ: 1963 Walker, III/45At the opening <strong>of</strong> the church in 1843 an organ was hired,which became a great financial burden on the parish. So itwas decided to purchase an instrument built by J C Bishop& Son, and subsequently enlarged by Bishop, Starr andRichardson in late 19th century. By the late 1950’s the choirhad expanded a great deal and it was decided that a new,much more modern organ should be installed in the churchto accompany the choir, congregation, and perform organ recitals. This J.W. Walker and Sons instrument was built in 1963 andthe opening recital performed in February 1963. The new organ was completely up to date for the time, and conceived in a stylethat had hardly been heard in this country, but found in Northern Europe, principally North Germany and the Netherlands. It differsfrom conventional British instruments in its tonal make-up and appearance. The Ruckpositive division, which hangs over thegallery and can be seen above as you enter the church, was unique for this country in 1963. This section <strong>of</strong> the organ was not foraccompanying the congregation, but for soloing lines <strong>of</strong> music and chorale melodies found in the 17th century music <strong>of</strong> Bach,Bruhns and Buxtehude etc., and to some extent in French Classical music from the 17th and 18th centuries. What in fact was producedwas an eclectic sounding organ, which could adapt to many areas <strong>of</strong> the organ repertoire – although not to the late EnglishRomantic style. The rest <strong>of</strong> the organ was conceived with balanced choruses which, when coupled, produce a magnificent bright,translucent, and breathy sound quality. Having ‘continental’ voicing with French reed stops, the St. John’s organ was the ‘talk <strong>of</strong>the town’ in the 1960’s, and many people came to hear it and play it. Because <strong>of</strong> the organ’s unique musical voice and thrillingTutti, it has been in constant demand for recordings. Like all things with moving parts, renovation and repairs have to take place.Stop List:Swell Great Ruckpositive PedalOpen Diapason 8’ Quintaton 16’ Stopped Diapason 8’ Open Wood 16Chimney Flute 8’ Principal 8’ Principal 4’ Subbass 16Viola da Gamba 8’ Nachthorn 8’ Koppel Flute 4’ Quintaton (Gt) 16Celeste 8’ Spitzflute 8’ Quint 2 2/3’ Octave 8Principal 4’ Octave 4’ Block Flute 2’ Bass Flute 8Wald Flute 4’ Nason Flute 4’ Tierce 1 3/5’ Fifteenth 4Nazard 2 2/3’ Twelfth 2 2/3’ Scharf 29-33-36 III Nachthorn (Gt) 4Octave 2’ Fifteenth 2’ Crumhorn 8’ Mixture 22-26-29 IIIMixture 22-26-29-33 IV Tertian 19-24 II Tremulant Oliphant 32Bassoon 16’ Furniture 19-22-26-29 IV Swell to Positive Bombarde 16Trumpet 8’ Trumpet 8’ Zimbelstern Bassoon (Sw) 16Vox Humana 8’ Great Sub Octave Posaune 8Zink 4’ Swell to Great Schalmei 4TremulantPositive to GreatGt & Ped combs coupledPositive to PedalSwell to PedalGreat to PeadalAccessoriesMechanical Swell Pedal. Reversible pistons for Sw to Gt, Pos to Gt & Gt to Ped.Reversible foot pistons for Gt to Ped, Zimbelstern, Gt Sub Octave and Tutti(with indicators). Four thumb pistons to Sw, Gt & Pos. Four toe pistons to Ped.Eight generals and eight general toe pistons. General cancel. All the departmentalpistons are adjustable on a setter board while the Generals are adjustableby means <strong>of</strong> an eight-channel capture system. Electropneumatic action.Wind pressures 3 to 3½”. Manuals 61 notes & Pedal 32 notes.
SATURDAY, 19 MAY PAGE 77The ChurchThe mission <strong>of</strong> St. John the Evangelist was established in 1839 only tenyears after the act <strong>of</strong> Parliament <strong>of</strong> 1829 had granted a decree <strong>of</strong> “CatholicEmancipation”. The architect J. J. Scoles was asked to design a newbuilding on some land acquired by Dr. Griffiths, the Vicar Apostolic <strong>of</strong> theLondon District. Even before the church was opened it was involved incontroversy when the famous architect A. W. N. Pugin attacked the design<strong>of</strong> the church. He believed in building churches with pointed, “Christian”,arches and Scoles’ design was with rounded arches in the “Anglo-Norman”style. At the time <strong>of</strong> opening the two towers planned were not built. In1850, a convert clergyman, Frederick Oakeley, was appointed to the parish.Oakeley was noted for his interest in music and the liturgy, and heestablished a reputation for the parish in these areas, which would last forover 100 years. His concern for people in prison and the poor <strong>of</strong> the parishwould also cause <strong>of</strong>ficials to alter policies and change public attitudes.When Oakeley eventually had the towers completed he changed Scoles’original plans and had them smaller and not matching, something <strong>of</strong>which Pugin would have greatly approved.
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