Guide to the ARCHIVES of The Norwegian-American Historical ...
Guide to the ARCHIVES of The Norwegian-American Historical ...
Guide to the ARCHIVES of The Norwegian-American Historical ...
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<strong>American</strong> Centennial celebration in 1925, <strong>the</strong> Norse <strong>American</strong> Centennial<br />
Daughters <strong>of</strong> St. Paul, and <strong>the</strong> Minnesota Leif Erikson Monument Association. She<br />
was also an <strong>of</strong>ficer in <strong>the</strong> group which administered Lyngblomsten Home for <strong>the</strong><br />
Aged in St. Paul. <strong>The</strong> papers include some <strong>of</strong> <strong>the</strong>se records.<br />
149. BRAGER CHEESE COMPANY. RECORDS. 3 Items. P 1035.<br />
Records <strong>of</strong> a Blanchardville, Wisconsin, cheese fac<strong>to</strong>ry from its founding in 1887<br />
until it discontinued operations in 1961. A 1961 newspaper clipping provides a<br />
sketch <strong>of</strong> <strong>the</strong> company.<br />
150. BRANDT, NILS (1824-1921). MEMOIRS. 1 folder. P 739.<br />
Memoirs (1851-1855) <strong>of</strong> a <strong>Norwegian</strong>-born Lu<strong>the</strong>ran clergyman who emigrated in<br />
1851 <strong>to</strong> a parish at Oconomowoc, Wisconsin. <strong>The</strong> memoirs deal largely with his<br />
travels as a home missionary in Iowa, Minnesota, and Wisconsin. Brandt was <strong>the</strong><br />
first <strong>Norwegian</strong> minister <strong>to</strong> preach west <strong>of</strong> <strong>the</strong> Mississippi River. <strong>The</strong> memoirs<br />
were transcribed by Adolf Bredesen in 1923 and first published in Symra (1907).<br />
<strong>The</strong>y were republished in Decorah Posten in 1923, and in an English translation in<br />
Decorah Journal in 1970. <strong>The</strong>se articles are included, as are a number <strong>of</strong> clippings<br />
(1910-1923) and articles published in 1914 and 1933 about Brandt’s 1869 missionary<br />
visit <strong>to</strong> central Minnesota. Also included is his son Realf’s “Ungdomsminder fra<br />
Decorah” (Decorah Posten, 1924); and Inga Bredesen Nors<strong>to</strong>g’s “Til Diderikke<br />
Brandts minne” (Jul i Vesterheim, 1950).<br />
151. BREDESEN, ADOLF (1850-1913). ARTICLES, 1920-1923. 1 folder. P 46.<br />
Articles <strong>of</strong> a <strong>Norwegian</strong>-born clergyman. “Mod Bennett-Loven, vidnesbyrd og<br />
grunde,” 8 pages, no date. <strong>The</strong> Bennett-Law, passed in 1889, required school<br />
attendence <strong>of</strong> children from 7 <strong>to</strong> 14 years <strong>of</strong> age in Wisconsin. <strong>The</strong> stipulation that<br />
instruction be in English was opposed by supporters <strong>of</strong> <strong>the</strong> parochial schools.<br />
“Slaveristriden i ny belysning” (<strong>of</strong>fprint from Teologisk tidsskrift, January 1905), 34<br />
pages. Article on Herman Amberg Preus (Decorah Posten, March 20, 1920; reprint <strong>of</strong><br />
an article which appeared in Symra, volume 6, 1910, pages 114-125).<br />
152. BREISCH, AMY R. PAMPHLET (1993). 8 pages. P 1506.<br />
I am <strong>the</strong> Good Shepherd tells <strong>of</strong> <strong>the</strong> <strong>Norwegian</strong>-<strong>American</strong> artist, Sara Kirkeberg<br />
Raugland (1862-1960). <strong>The</strong> account emphasizes her altar painting “I am <strong>the</strong> Good<br />
Shepherd,” originally in <strong>the</strong> York Lu<strong>the</strong>ran Church, Blanchardville, Wisconsin, but<br />
now located in its successor, Shepherd <strong>of</strong> <strong>the</strong> Hills Lu<strong>the</strong>ran Church, New Glarus,<br />
Wisconsin.<br />
Raugland was born near Gunder, Clay<strong>to</strong>n County, Iowa, <strong>to</strong> parents who emigrated<br />
from Valdres. She studied art in Minneapolis and in 1891 married Carl Raugland<br />
who ran a music s<strong>to</strong>re and composed and published music. Sara Raugland is<br />
reputed <strong>to</strong> have made between 200 and 300 altar pieces. She ceased painting after<br />
<strong>the</strong> death <strong>of</strong> her husband in 1918. <strong>The</strong> painting under special treatment is a copy <strong>of</strong><br />
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