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Dutch Mountains - Francine Houben from Mecanoo

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176 177<br />

people have a job, the children must attend school and come<br />

by at least two factors: the bombing during the war and the final<br />

home at the end of the day - how is it there? Do they have a nice<br />

decline of industry in the early seventies. It is the second largest<br />

living room? Where can children play? She tries to imagine such a<br />

city, in many ways a reminder of the days when England ruled the<br />

life and to find an answer to the question of how life can be made<br />

waves: All ethnicities of the Commonwealth are represented.<br />

more pleasurable.<br />

’The library should without doubt become the palace of the<br />

She also analyses rationally, but loves to follow her intuition which<br />

people’ says Whitby. Always with a loud, cheerful voice.<br />

is an important part of her work. People often think that intui-<br />

’The library must become a people’s palace’, agrees Francine<br />

tion is something feminine. She thinks it’s nonsense. Intuition has<br />

Houben.<br />

nothing to do with the female. Intuition is based on experience.<br />

Whitby is the client for the largest library in Europe, with nearly<br />

景 觀 設<br />

計 與 都 市 計<br />

劃 工 作 室 。<br />

The ‘landscape<br />

and urban<br />

planning studio’.<br />

The major scientific breakthroughs began with intuition. Whoever<br />

has lots of experience, has a well-developed intuition.<br />

She designed a chapel in Rotterdam, in a cemetery. She calls<br />

the chapel her most intuitive building. The Roman Catholic faith<br />

pervaded her childhood. She does not need to read great volumes<br />

about the Catholic faith. She needs only to bring to mind the smell<br />

of incense. And the sight of light filtered through leaded glass.<br />

It’s funny to think she was educated at the Technical University in<br />

Delft - all science disciplines. She and her fellow students of architecture<br />

were always seen as people who were just tinkering.<br />

This belittling seems to have worked. Many architecture schools<br />

are rationalising the profession. Attempting to make it more<br />

academic.<br />

She says: ‘So I never was. I used to say that a project should be a<br />

pie or a palace. I always spoke about work in sensory terms. That is<br />

not the tradition in my profession.<br />

Not the brief, but beauty gives me something to hold on to. There<br />

are buildings and cities that can handle unpredictable changes<br />

over time. Why? Because they themselves are beautiful. Beauty<br />

is my guide. I try to create memorable spaces in public buildings<br />

with their own identity. I want to make sure that people are proud<br />

of it, enjoy it, or better still, see it as a gift and keep it well.’<br />

*<br />

Projectvergadering<br />

over de Library of<br />

Birmingham<br />

Project meeting<br />

about the Library of<br />

Birmingham.<br />

伯 明 罕 圖 書<br />

館 設 計 會 議 。<br />

200 million pounds earmarked for the project. Mecanoo has designed<br />

the building.<br />

Francine Houben is at the top of her field. ‘Pretty cool,’ she says.<br />

She had never won a competition in England. ‘You learn a lot.’ In<br />

Birmingham, she won. ‘I think they sensed that I wanted to make<br />

the Library for them.’<br />

She left behind names like Foster and Koolhaas. On the fence<br />

around the huge site in the centre of town she is depicted as a pop<br />

star. ‘You have to be pretty special to be allowed to build this,’ she<br />

says. ‘I do not care, but it is a prerequisite.’ It comes out without<br />

fuss.<br />

She did not know Birmingham. Whether it’s the theatre and<br />

conference centre of Lleida or the huge library next to the famous<br />

Repertory Theatre in Birmingham or the cultural landmark of<br />

Kaohsiung in Taiwan, she always gets to know the area in the same<br />

way: on foot. In Birmingham, she walked for three days through the<br />

city. What she saw was the jumble of architectural styles, sandstone,<br />

blue bricks, red bricks, the period of wealth and its decline.<br />

A city built of incidents. ‘I want to create unity,’ she told Whitby,<br />

‘among the ethnic diversity and<br />

the relics of the industrial past.’<br />

Whitby speaks in similar terms.<br />

‘The power of the city is that we<br />

understand the unpredictability<br />

of people,’ he says. He sees<br />

Birmingham as ‘a temple of<br />

INTERVIEW ENGLISH JAN TROMP<br />

De ‘landschap- en<br />

stedenbouwkamer’.<br />

Mike Whitby is for Birmingham what Thatcher was once for the UK:<br />

a healthy politician with common sense with great attraction to<br />

the ordinary man/woman. Whitby on Thatcher: ‘She turned against<br />

the establishment, though everyone thinks exactly the opposite.’<br />

He is the mayor, The Leader of Birmingham. Birmingham is marked<br />

Christians, Jews, Sikhs, Muslims<br />

and many other groups’. In the<br />

centrally located library, the<br />

feeling of community will find<br />

its destination.

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