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collections. Perhaps the credit and<br />

the $90,000 should go to the man<br />

whose appearance and lifestyle,<br />

while completely marginalized,<br />

are aesthetically considered a hot<br />

commodity.<br />

Interestingly, Graham is not<br />

the first white male artist to come<br />

into conflict with Prince over the<br />

use of the black male Jamaican<br />

body. Prince recently won a fiveyear-long<br />

legal battle with Patrick<br />

Carou over his use of Carou’s<br />

photography in his self-described<br />

“meaningless” collection of work<br />

Canal Zone. In Canal Zone, Prince<br />

cut out and defaced pictures from<br />

Carou’s book Yes, Rasta, an anthropological<br />

photo essay on Rastafarian<br />

culture in Jamaica. While many<br />

who sided with Carou pointed out<br />

that these photos were taken after<br />

extensive community<br />

engagement and research<br />

in order to gain<br />

the trust of people in<br />

the culture, it’s hard to<br />

not view the squabble<br />

as two white men arguing<br />

over the use of<br />

a black man’s body.<br />

This is not to defend<br />

Prince, whose treatment<br />

of the photographs could<br />

easily be read as racist (for example,<br />

when he enlarged the subjects’<br />

mouths and erased their eyes). At<br />

the time, he wrote,<br />

I don’t want to talk about where<br />

the Rastas came from. Like most<br />

images I work with, they weren’t<br />

mine. I didn’t know anything about<br />

Rastas. I didn’t know anything<br />

about their culture or how they<br />

lived. I had plenty of time to find<br />

out. What I went with was the attraction.<br />

I liked their dreads. The<br />

way they were dressed […] gym<br />

shorts and flip-flops. Their look<br />

and lifestyle gave off a vibe of<br />

freedom. Maybe I’m wrong about<br />

the freedom but I don’t give a shit<br />

about being wrong.<br />

But one of Carou’s biggest complaints<br />

was not Prince’s disrespect,<br />

but the fact that he lost his show at<br />

a Paris gallery due to Prince.<br />

For me the majority of Prince’s<br />

New Portraits were repugnant only<br />

in that they were symptomatic of<br />

one the art world's greatest crimes:<br />

body snatching. I think the term<br />

“re-voyeurize” is important to understanding<br />

how Prince snatches<br />

bodies. When a photo is placed<br />

on Instagram, it is intentional<br />

and meant to be viewed by anyone.<br />

There is nothing voyeuristic<br />

03

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