Popular Photography - February 2015 USA
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HOW *<br />
YOU CAN DO IT<br />
TIMOTHY HOGAN<br />
DRINK<br />
UP!<br />
Catching stillness and<br />
motion in one frame<br />
IN THIS month’s My Project (page<br />
22), we share one of Los Angeles<br />
shooter Timothy Hogan’s most<br />
personal projects: surfboard fins.<br />
The photographs showcase this<br />
advertising pro and dedicated<br />
surfer’s ability to create colorful<br />
graphic energy from eye-grabbing<br />
board close-ups.<br />
Hogan has another uncanny<br />
ab ility: For this shot, he created<br />
in-camera effects that most<br />
photo graphers would have left<br />
to software. As he explains it: “I<br />
wanted a technique that would<br />
charge a potentially boring subject<br />
and do it entirely in-camera.”<br />
The shot started with Hogan<br />
asking how, in one picture, he could<br />
sharply capture a moving subject<br />
while also introducing motion blur.<br />
His answer? He shot the photo<br />
shown here with two different light<br />
sources, capturing the blur using<br />
42 POPULAR PHOTOGRAPHY FEBRUARY <strong>2015</strong>
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