Popular Photography - February 2015 USA
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SPECIFICATIONS<br />
IMAGING: 28.2MP effective, APS-C-sized<br />
BSI CMOS sensor captures images at<br />
6480x4320 pixels with 14 bits/color in<br />
RAW mode<br />
STORAGE: SD, SDHC, SDXC (up to 64GB).<br />
Stores JPEG, SRW RAW, RAW + JPEG<br />
VIDEO: Up to 4096x2160 24fps,<br />
3840x2160 30fps, or 1920x1080 60fps<br />
in HEVC (H.265) format; built-in stereo mic,<br />
stereo minijack mic input; continuous AF;<br />
maximum clip length approximately 29<br />
min 59 sec; clean HDMI output<br />
BURST RATE: Full-sized JPEGs (Fine<br />
mode): 15 fps up to 70 shots; RAW (14-<br />
bit): 15 fps up to 25 shots when using a<br />
UHS-3 memory card<br />
AF SYSTEM: TTL Hybrid with 209<br />
contrast and 205 embedded phase<br />
(153 cross-type) focus points.<br />
Single-shot and continuous with<br />
focus tracking, face detection.<br />
SHUTTER SPEEDS: 1/8000 to 30 sec<br />
(1/3-EV increments); shutter rated to<br />
150,000 cycles<br />
METERING: TTL-metering 221 segment<br />
system using Multi-segment (evaluative),<br />
centerweighted, and spot (size of spot not<br />
specified) metering; –4 through 20 EV (at<br />
ISO 100)<br />
ISO RANGE: ISO 100–25,600<br />
(in 1/3- or 1-EV increments);<br />
expanded ISO 100–51,200<br />
FLASH: Built-in pop-up flash with TTL<br />
autoflash, GN 36 (ISO 100, feet); flash<br />
sync to 1/250 sec<br />
EVF: Fixed eye-level 2.36 million dot OLED;<br />
100% accurate; 1.04X magnification<br />
LCD: Tilting 3-in. Super AMOLED<br />
touchscreen with 1,036,000-dot<br />
resolution; five-step brightness adjustment<br />
OUTPUT: SuperSpeed USB 3.0,<br />
micro-HDMI (type D) video, stereo<br />
headphone minijack<br />
BATTERY: Rechargeable<br />
BP-1900 Li-ion, CIPA rating 500 shots<br />
SIZE/WEIGHT: 5.5x4.0x2.7 in., 1.4 lbs<br />
with card and battery<br />
STREET PRICE: $1,499, body only;<br />
$2,799, with 16–50mm f/2–2.8 S ED OIS<br />
zoom lens<br />
FOR INFO: samsung.com<br />
a big lens. The NX1’s grip is quite<br />
comfortable and positions your<br />
fingers to be close to the command<br />
wheels and shutter release.<br />
The magnesium alloy chassis<br />
feels as if it can stand up to a<br />
decent amount of abuse. A nice<br />
Since the<br />
NX1 uses<br />
the new<br />
HEVC codec<br />
to record<br />
video, be<br />
sure to<br />
update your<br />
video editing<br />
software if<br />
HEVC is<br />
supported;<br />
otherwise,<br />
transcode<br />
the video<br />
before<br />
importing it<br />
to edit.<br />
collection of dedicated buttons<br />
and dials provides access to all the<br />
most important camera settings.<br />
Taking a page from the Nikon playbook,<br />
the NX1 has a dial on the left<br />
side of the camera top for drive<br />
mode and four dedicated function<br />
buttons. A status LCD display gives<br />
the camera more of an SLR feel<br />
while providing a less cluttered<br />
view through the OLED electronic<br />
viewer. This has a super-speedy<br />
5-millisecond refresh rate, making<br />
the EVF experience seem very<br />
natural, closer to an optical finder.<br />
The NX1’s autofocus is the<br />
fastest we’ve seen of any ILC, and<br />
tracking proved reliable with all of<br />
the subjects we shot. This is in part<br />
thanks to the sensor’s read-out<br />
speed of 120 frames per second<br />
coupled with the new DRIMe V<br />
processor that Samsung says is 2.8<br />
times as fast as its previous image<br />
processor. Its AF tracking talent is<br />
quite important, since the camera<br />
can capture bursts at up to 15 fps<br />
when using a UHS Speed Class 3<br />
SD card. Plus, the buffer can hold<br />
an impressive 25 RAW shots, or up<br />
to 70 Large, Fine JPEGs.<br />
The NX1 is the first camera to<br />
take advantage of the new H.265<br />
video codec. Also known as HEVC,<br />
it offers a higher level of compression<br />
than H.264 without compromising<br />
quality, and was developed<br />
with an eye toward 4K. The NX1<br />
will record 4K or standard highdef<br />
video directly to the memory<br />
card, and it also allows output of<br />
uncompressed 8-bit 4K to an external<br />
recorder through the camera’s<br />
HDMI port. Footage we captured<br />
in both 4K and 1920x1080p looked<br />
wonderful. The NX1 can capture<br />
4K at the professional DCI<br />
standard of 4096x2160 at 24 fps<br />
as well as at the UHD standard of<br />
3840x2160 at 30 fps and 24 fps.<br />
For sports shooting (and for<br />
Samsung to show off the camera’s<br />
processing power), the NX1<br />
includes the company’s new Auto<br />
Shot mode. So far limited to tracking<br />
baseball batters, this feature<br />
places a drawing of a batter and<br />
a vertical line on the screen. Place<br />
the drawing over a real batter in<br />
your scene, and the camera will<br />
watch for the ball to enter the<br />
frame, track it, and trip the shutter<br />
just as the bat and ball converge.<br />
We didn’t have much reason to use<br />
it, but it does deliver the goods.<br />
Wi-Fi continues to be one of<br />
Samsung’s strong points. This time<br />
the company included the latest<br />
802.11ac standard, which is said<br />
to be four times the speed of the<br />
more prevalent 802.11n. It can use<br />
Bluetooth 3 to create a constant<br />
connection to your smartphone<br />
without the big power drain of<br />
keeping Wi-Fi active at all times.<br />
Then, when Wi-Fi is needed to<br />
transfer an image to your smartphone<br />
(for instance, if you have the<br />
camera set to transfer all images<br />
as they’re shot), the Wi-Fi turns<br />
on, the image is transferred, and<br />
Wi-Fi once again powers down as<br />
Bluetooth takes over.<br />
The Bottom Line<br />
It’s pretty clear that Samsung is<br />
trying to make a big statement<br />
with the NX1. The camera is outfitted<br />
with the latest standards in all<br />
areas, has the largest BSI sensor<br />
of any consumer model, boasts<br />
an extremely fast burst speed,<br />
captures 4K video even at the<br />
DCI standard typically seen only<br />
on professional camcorders, and<br />
delivers beautiful image quality.<br />
And the company continues<br />
to add premium glass to its<br />
lens lineup (see our test of the<br />
50–150mm lens on page 72) and<br />
shows no signs of stopping. If you<br />
don’t have a collection of lenses for<br />
another system, Samsung’s NX1<br />
offers a compelling option outside<br />
of the Canon and Nikon stalwarts<br />
at a price that’s appealing, especially<br />
given everything the NX1 can<br />
accomplish. —Philip Ryan<br />
POPPHOTO.COM POPULAR PHOTOGRAPHY 71