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Popular Photography - February 2015 USA

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SPECIFICATIONS<br />

IMAGING: 28.2MP effective, APS-C-sized<br />

BSI CMOS sensor captures images at<br />

6480x4320 pixels with 14 bits/color in<br />

RAW mode<br />

STORAGE: SD, SDHC, SDXC (up to 64GB).<br />

Stores JPEG, SRW RAW, RAW + JPEG<br />

VIDEO: Up to 4096x2160 24fps,<br />

3840x2160 30fps, or 1920x1080 60fps<br />

in HEVC (H.265) format; built-in stereo mic,<br />

stereo minijack mic input; continuous AF;<br />

maximum clip length approximately 29<br />

min 59 sec; clean HDMI output<br />

BURST RATE: Full-sized JPEGs (Fine<br />

mode): 15 fps up to 70 shots; RAW (14-<br />

bit): 15 fps up to 25 shots when using a<br />

UHS-3 memory card<br />

AF SYSTEM: TTL Hybrid with 209<br />

contrast and 205 embedded phase<br />

(153 cross-type) focus points.<br />

Single-shot and continuous with<br />

focus tracking, face detection.<br />

SHUTTER SPEEDS: 1/8000 to 30 sec<br />

(1/3-EV increments); shutter rated to<br />

150,000 cycles<br />

METERING: TTL-metering 221 segment<br />

system using Multi-segment (evaluative),<br />

centerweighted, and spot (size of spot not<br />

specified) metering; –4 through 20 EV (at<br />

ISO 100)<br />

ISO RANGE: ISO 100–25,600<br />

(in 1/3- or 1-EV increments);<br />

expanded ISO 100–51,200<br />

FLASH: Built-in pop-up flash with TTL<br />

autoflash, GN 36 (ISO 100, feet); flash<br />

sync to 1/250 sec<br />

EVF: Fixed eye-level 2.36 million dot OLED;<br />

100% accurate; 1.04X magnification<br />

LCD: Tilting 3-in. Super AMOLED<br />

touchscreen with 1,036,000-dot<br />

resolution; five-step brightness adjustment<br />

OUTPUT: SuperSpeed USB 3.0,<br />

micro-HDMI (type D) video, stereo<br />

headphone minijack<br />

BATTERY: Rechargeable<br />

BP-1900 Li-ion, CIPA rating 500 shots<br />

SIZE/WEIGHT: 5.5x4.0x2.7 in., 1.4 lbs<br />

with card and battery<br />

STREET PRICE: $1,499, body only;<br />

$2,799, with 16–50mm f/2–2.8 S ED OIS<br />

zoom lens<br />

FOR INFO: samsung.com<br />

a big lens. The NX1’s grip is quite<br />

comfortable and positions your<br />

fingers to be close to the command<br />

wheels and shutter release.<br />

The magnesium alloy chassis<br />

feels as if it can stand up to a<br />

decent amount of abuse. A nice<br />

Since the<br />

NX1 uses<br />

the new<br />

HEVC codec<br />

to record<br />

video, be<br />

sure to<br />

update your<br />

video editing<br />

software if<br />

HEVC is<br />

supported;<br />

otherwise,<br />

transcode<br />

the video<br />

before<br />

importing it<br />

to edit.<br />

collection of dedicated buttons<br />

and dials provides access to all the<br />

most important camera settings.<br />

Taking a page from the Nikon playbook,<br />

the NX1 has a dial on the left<br />

side of the camera top for drive<br />

mode and four dedicated function<br />

buttons. A status LCD display gives<br />

the camera more of an SLR feel<br />

while providing a less cluttered<br />

view through the OLED electronic<br />

viewer. This has a super-speedy<br />

5-millisecond refresh rate, making<br />

the EVF experience seem very<br />

natural, closer to an optical finder.<br />

The NX1’s autofocus is the<br />

fastest we’ve seen of any ILC, and<br />

tracking proved reliable with all of<br />

the subjects we shot. This is in part<br />

thanks to the sensor’s read-out<br />

speed of 120 frames per second<br />

coupled with the new DRIMe V<br />

processor that Samsung says is 2.8<br />

times as fast as its previous image<br />

processor. Its AF tracking talent is<br />

quite important, since the camera<br />

can capture bursts at up to 15 fps<br />

when using a UHS Speed Class 3<br />

SD card. Plus, the buffer can hold<br />

an impressive 25 RAW shots, or up<br />

to 70 Large, Fine JPEGs.<br />

The NX1 is the first camera to<br />

take advantage of the new H.265<br />

video codec. Also known as HEVC,<br />

it offers a higher level of compression<br />

than H.264 without compromising<br />

quality, and was developed<br />

with an eye toward 4K. The NX1<br />

will record 4K or standard highdef<br />

video directly to the memory<br />

card, and it also allows output of<br />

uncompressed 8-bit 4K to an external<br />

recorder through the camera’s<br />

HDMI port. Footage we captured<br />

in both 4K and 1920x1080p looked<br />

wonderful. The NX1 can capture<br />

4K at the professional DCI<br />

standard of 4096x2160 at 24 fps<br />

as well as at the UHD standard of<br />

3840x2160 at 30 fps and 24 fps.<br />

For sports shooting (and for<br />

Samsung to show off the camera’s<br />

processing power), the NX1<br />

includes the company’s new Auto<br />

Shot mode. So far limited to tracking<br />

baseball batters, this feature<br />

places a drawing of a batter and<br />

a vertical line on the screen. Place<br />

the drawing over a real batter in<br />

your scene, and the camera will<br />

watch for the ball to enter the<br />

frame, track it, and trip the shutter<br />

just as the bat and ball converge.<br />

We didn’t have much reason to use<br />

it, but it does deliver the goods.<br />

Wi-Fi continues to be one of<br />

Samsung’s strong points. This time<br />

the company included the latest<br />

802.11ac standard, which is said<br />

to be four times the speed of the<br />

more prevalent 802.11n. It can use<br />

Bluetooth 3 to create a constant<br />

connection to your smartphone<br />

without the big power drain of<br />

keeping Wi-Fi active at all times.<br />

Then, when Wi-Fi is needed to<br />

transfer an image to your smartphone<br />

(for instance, if you have the<br />

camera set to transfer all images<br />

as they’re shot), the Wi-Fi turns<br />

on, the image is transferred, and<br />

Wi-Fi once again powers down as<br />

Bluetooth takes over.<br />

The Bottom Line<br />

It’s pretty clear that Samsung is<br />

trying to make a big statement<br />

with the NX1. The camera is outfitted<br />

with the latest standards in all<br />

areas, has the largest BSI sensor<br />

of any consumer model, boasts<br />

an extremely fast burst speed,<br />

captures 4K video even at the<br />

DCI standard typically seen only<br />

on professional camcorders, and<br />

delivers beautiful image quality.<br />

And the company continues<br />

to add premium glass to its<br />

lens lineup (see our test of the<br />

50–150mm lens on page 72) and<br />

shows no signs of stopping. If you<br />

don’t have a collection of lenses for<br />

another system, Samsung’s NX1<br />

offers a compelling option outside<br />

of the Canon and Nikon stalwarts<br />

at a price that’s appealing, especially<br />

given everything the NX1 can<br />

accomplish. —Philip Ryan<br />

POPPHOTO.COM POPULAR PHOTOGRAPHY 71

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