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80<br />

Although some organizations are happy to prepare their ads in-house, most benefit from the<br />

assistance of a trained professional. Advertising agencies provide a full range of services,<br />

including basic market research, the creative development of ads, an effective range of media<br />

for ads, <strong>and</strong> negotiation with the media. Some agencies will undertake a certain amount of<br />

community service advertising, or agree to sponsor an organization <strong>and</strong> provide in-kind<br />

sponsorship in terms of ad creation or production (Dickman, 1997, p. 69). There are<br />

professional public relations companies that can organize publicity, but the charges for their<br />

services often put them beyond the reach of small organizations. So, before starting, it is<br />

important to assess how much publicity your organization can manage.<br />

Relationship Marketing<br />

As already stated, the main task of arts marketing is to motivate people to attend activities,<br />

purchase works of art <strong>and</strong> encourage them to share in artistic experiences. For most artists,<br />

therefore, the audience seems to be the core element of an artistic experience <strong>and</strong> the key source<br />

of revenue. Although this implies only one type of customer (the ‘consumer’), an audience can<br />

also be thought of as comprising the primary audiences which consist of those who attend or<br />

could attend arts events, <strong>and</strong> a secondary audience of other stakeholders such as funding bodies,<br />

sponsors etc. (Conway <strong>and</strong> Whitelock, 2005).<br />

Although consumers <strong>and</strong> governments have become more dem<strong>and</strong>ing <strong>and</strong> less loyal than ever<br />

before, they have indicated that they will continue to fund cultural <strong>and</strong> arts programs. However,<br />

they expect organizations to become financially more inventive <strong>and</strong> more able to develop <strong>and</strong><br />

maintain their own funding base, something that can be mainly achieved through sponsorships.<br />

Arts organizations have to present their sponsorship requests in a way that will not only satisfy<br />

their needs but also show the benefits for the business sponsors. The increased number <strong>and</strong><br />

variety of sponsorship opportunities have made the environment more competitive, with<br />

increasing numbers of organizations pursuing even smaller numbers of sponsors. Arts<br />

administrators all agree that the marketplace is becoming more competitive. The public is<br />

getting smaller because of the difficult current economic situation. This results in cutbacks on<br />

their cultural expenses. They can also choose from a vast number of alternatives. Organizations<br />

are developing a marketing orientation to meet these challenges <strong>and</strong> ensure they not only<br />

survive in a difficult environment, but also grow <strong>and</strong> develop, <strong>and</strong> build a long-lasting base of<br />

loyal supporters (Dickman, 1997, p. 4).<br />

Marketing planning activity is structured around the relationship approach <strong>and</strong> is directed<br />

towards a process that creates, maintains <strong>and</strong> also enhances relationships. Companies often<br />

focus on attracting customers but pay little attention to what they must do to maintain them.<br />

Nowadays, arts marketeers view the retention of customers as an important aspect. Because it<br />

is very expensive to draw new customers away from the competition (Fitzgibbon et al, 1999),<br />

it is essential that effort should be spent in this direction. While aiming to draw new<br />

audiences/customers, it is also important to hold onto their existing ones <strong>and</strong> focus on<br />

relationship marketing:

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