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Although some organizations are happy to prepare their ads in-house, most benefit from the<br />
assistance of a trained professional. Advertising agencies provide a full range of services,<br />
including basic market research, the creative development of ads, an effective range of media<br />
for ads, <strong>and</strong> negotiation with the media. Some agencies will undertake a certain amount of<br />
community service advertising, or agree to sponsor an organization <strong>and</strong> provide in-kind<br />
sponsorship in terms of ad creation or production (Dickman, 1997, p. 69). There are<br />
professional public relations companies that can organize publicity, but the charges for their<br />
services often put them beyond the reach of small organizations. So, before starting, it is<br />
important to assess how much publicity your organization can manage.<br />
Relationship Marketing<br />
As already stated, the main task of arts marketing is to motivate people to attend activities,<br />
purchase works of art <strong>and</strong> encourage them to share in artistic experiences. For most artists,<br />
therefore, the audience seems to be the core element of an artistic experience <strong>and</strong> the key source<br />
of revenue. Although this implies only one type of customer (the ‘consumer’), an audience can<br />
also be thought of as comprising the primary audiences which consist of those who attend or<br />
could attend arts events, <strong>and</strong> a secondary audience of other stakeholders such as funding bodies,<br />
sponsors etc. (Conway <strong>and</strong> Whitelock, 2005).<br />
Although consumers <strong>and</strong> governments have become more dem<strong>and</strong>ing <strong>and</strong> less loyal than ever<br />
before, they have indicated that they will continue to fund cultural <strong>and</strong> arts programs. However,<br />
they expect organizations to become financially more inventive <strong>and</strong> more able to develop <strong>and</strong><br />
maintain their own funding base, something that can be mainly achieved through sponsorships.<br />
Arts organizations have to present their sponsorship requests in a way that will not only satisfy<br />
their needs but also show the benefits for the business sponsors. The increased number <strong>and</strong><br />
variety of sponsorship opportunities have made the environment more competitive, with<br />
increasing numbers of organizations pursuing even smaller numbers of sponsors. Arts<br />
administrators all agree that the marketplace is becoming more competitive. The public is<br />
getting smaller because of the difficult current economic situation. This results in cutbacks on<br />
their cultural expenses. They can also choose from a vast number of alternatives. Organizations<br />
are developing a marketing orientation to meet these challenges <strong>and</strong> ensure they not only<br />
survive in a difficult environment, but also grow <strong>and</strong> develop, <strong>and</strong> build a long-lasting base of<br />
loyal supporters (Dickman, 1997, p. 4).<br />
Marketing planning activity is structured around the relationship approach <strong>and</strong> is directed<br />
towards a process that creates, maintains <strong>and</strong> also enhances relationships. Companies often<br />
focus on attracting customers but pay little attention to what they must do to maintain them.<br />
Nowadays, arts marketeers view the retention of customers as an important aspect. Because it<br />
is very expensive to draw new customers away from the competition (Fitzgibbon et al, 1999),<br />
it is essential that effort should be spent in this direction. While aiming to draw new<br />
audiences/customers, it is also important to hold onto their existing ones <strong>and</strong> focus on<br />
relationship marketing: