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Theatre<br />

Review:<br />

LALELEI<br />

by Susan & Vaaiga<br />

Autagavaia<br />

The production Lalelei<br />

(meaning ‘beautiful’ in<br />

its most simple Samoan<br />

interpretation) by Sau<br />

E Siva Company was a<br />

delicate, powerful and<br />

youthful expression of an<br />

ancient Polynesian story,<br />

a tale of a more universal<br />

love than Shakespeare’s<br />

Romeo and Juliet – the<br />

Samoan legend of The<br />

Turtle and The Shark.<br />

Creative director, Troy<br />

Tu’ua, with the Sau E Siva<br />

creatives (Epine Savea,<br />

Idalene Ati, Italia Hunt, Jill<br />

Karapani and Leki Bourke)<br />

brought together more<br />

than 40 Māngere and<br />

South Auckland performers,<br />

designers, musicians<br />

and technicians who<br />

performed at the Māngere<br />

Arts Centre – Ngā Tohu<br />

o Uenuku for six nights in<br />

early December 2016.<br />

In this rendition of the<br />

legend, Fonuea (Maxine<br />

Tautalafua) and her true<br />

love (Junior Finau) leave<br />

their homes in Savai'i<br />

because of the high chief<br />

Malietoa Faiga’s (Lance<br />

Leo Leone) jealous<br />

pursuit of, and desire<br />

for, Fonuea’s affection.<br />

The pair’s refuge in the<br />

village of Vaitogi in Tutuila<br />

(American Samoa) is short<br />

lived and in an ultimate<br />

sign of their everlasting<br />

commitment they are<br />

immortalised as the<br />

revered Turtle and Shark,<br />

ever after dwelling in<br />

the waters of Vaitogi.<br />

Taking the choral songs<br />

and group choreography<br />

familiar to the eyes and<br />

ears of the elders of the<br />

community, and pairing<br />

them with ballroom dance<br />

and popular ballads of the<br />

Members of Sau E Siva perform Lalelei at Māngere Arts Centre in December last year.<br />

modern generations, Lalelei<br />

re-imagined this story and<br />

these artistic expressions<br />

anew in a one-hour show.<br />

The traditional subtle<br />

smile of the Samoan<br />

tamaita’i (young women)<br />

and the graceful bounds<br />

of the Samoan taule’ale’a<br />

(young men) were gently<br />

woven together with the<br />

energy and exhilaration<br />

of today’s maturing<br />

Polyfest generation.<br />

The confident and<br />

genuinely endearing<br />

performances of the lead<br />

characters paralleled the<br />

exceptional and effortless<br />

home-grown talent of<br />

the greater ensemble.<br />

Even more stirring was<br />

the constant binding<br />

strand of Disney-level<br />

splendour and excellence<br />

in their orchestration of<br />

movement and sound.<br />

The authenticity of their<br />

efforts reaffirmed the<br />

outstanding quality they<br />

aspired to and undoubtedly<br />

attained. This authenticity<br />

helped them to uplift<br />

and uphold the honour<br />

of the story’s unifying<br />

Polynesian theme –<br />

passionate, humble and<br />

faithful love enduring<br />

against the violent rage<br />

of envious desire.<br />

Lalelei by Sau E Siva<br />

Company stands at that<br />

moment that subtly marks<br />

the changing tide where<br />

the powerful waves that<br />

have carried one way<br />

pause in the delicate<br />

brevity of time before<br />

the sea is turned and<br />

renewed in both energy<br />

and direction. This is a<br />

moment for all the people<br />

and the land that make up<br />

Māngere’s past, present<br />

and future to collectively<br />

arise, to linger in that most<br />

slight time between the<br />

slow and confident inhale<br />

and exhale – the breathing<br />

of life – knowing that the<br />

stories of our common<br />

inheritance are alive<br />

today and will live on into<br />

tomorrow. Kia Ora! Ia Ola!<br />

6

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