275 Times February 2017
Mangere community news - 275 Times
Mangere community news - 275 Times
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Theatre<br />
Review:<br />
LALELEI<br />
by Susan & Vaaiga<br />
Autagavaia<br />
The production Lalelei<br />
(meaning ‘beautiful’ in<br />
its most simple Samoan<br />
interpretation) by Sau<br />
E Siva Company was a<br />
delicate, powerful and<br />
youthful expression of an<br />
ancient Polynesian story,<br />
a tale of a more universal<br />
love than Shakespeare’s<br />
Romeo and Juliet – the<br />
Samoan legend of The<br />
Turtle and The Shark.<br />
Creative director, Troy<br />
Tu’ua, with the Sau E Siva<br />
creatives (Epine Savea,<br />
Idalene Ati, Italia Hunt, Jill<br />
Karapani and Leki Bourke)<br />
brought together more<br />
than 40 Māngere and<br />
South Auckland performers,<br />
designers, musicians<br />
and technicians who<br />
performed at the Māngere<br />
Arts Centre – Ngā Tohu<br />
o Uenuku for six nights in<br />
early December 2016.<br />
In this rendition of the<br />
legend, Fonuea (Maxine<br />
Tautalafua) and her true<br />
love (Junior Finau) leave<br />
their homes in Savai'i<br />
because of the high chief<br />
Malietoa Faiga’s (Lance<br />
Leo Leone) jealous<br />
pursuit of, and desire<br />
for, Fonuea’s affection.<br />
The pair’s refuge in the<br />
village of Vaitogi in Tutuila<br />
(American Samoa) is short<br />
lived and in an ultimate<br />
sign of their everlasting<br />
commitment they are<br />
immortalised as the<br />
revered Turtle and Shark,<br />
ever after dwelling in<br />
the waters of Vaitogi.<br />
Taking the choral songs<br />
and group choreography<br />
familiar to the eyes and<br />
ears of the elders of the<br />
community, and pairing<br />
them with ballroom dance<br />
and popular ballads of the<br />
Members of Sau E Siva perform Lalelei at Māngere Arts Centre in December last year.<br />
modern generations, Lalelei<br />
re-imagined this story and<br />
these artistic expressions<br />
anew in a one-hour show.<br />
The traditional subtle<br />
smile of the Samoan<br />
tamaita’i (young women)<br />
and the graceful bounds<br />
of the Samoan taule’ale’a<br />
(young men) were gently<br />
woven together with the<br />
energy and exhilaration<br />
of today’s maturing<br />
Polyfest generation.<br />
The confident and<br />
genuinely endearing<br />
performances of the lead<br />
characters paralleled the<br />
exceptional and effortless<br />
home-grown talent of<br />
the greater ensemble.<br />
Even more stirring was<br />
the constant binding<br />
strand of Disney-level<br />
splendour and excellence<br />
in their orchestration of<br />
movement and sound.<br />
The authenticity of their<br />
efforts reaffirmed the<br />
outstanding quality they<br />
aspired to and undoubtedly<br />
attained. This authenticity<br />
helped them to uplift<br />
and uphold the honour<br />
of the story’s unifying<br />
Polynesian theme –<br />
passionate, humble and<br />
faithful love enduring<br />
against the violent rage<br />
of envious desire.<br />
Lalelei by Sau E Siva<br />
Company stands at that<br />
moment that subtly marks<br />
the changing tide where<br />
the powerful waves that<br />
have carried one way<br />
pause in the delicate<br />
brevity of time before<br />
the sea is turned and<br />
renewed in both energy<br />
and direction. This is a<br />
moment for all the people<br />
and the land that make up<br />
Māngere’s past, present<br />
and future to collectively<br />
arise, to linger in that most<br />
slight time between the<br />
slow and confident inhale<br />
and exhale – the breathing<br />
of life – knowing that the<br />
stories of our common<br />
inheritance are alive<br />
today and will live on into<br />
tomorrow. Kia Ora! Ia Ola!<br />
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