Burgundian Noblemen's Underclothes c1445-1475

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Figure 6.23 1465 Loyset Liédet’s Renaud de Montauban Figure 6.26 Late 15th-early 16th cent France. Book of Simple Medicine F140r Figure 6.24 Ca. 1465-70 Burges. Master of the Harley Froissart, Jean Foissart’s Chroniques. Figure 6.25 1473 Paris, Maitre Francois, St Augustine's City of God A random observation: most of the time that the points (lacing between hose and doublet) are visible the individual is engaged in some strenuous activity (like beheading someone). In the vast majority of these cases when we can see the center back point, it is undone. This makes sense as releasing the center back point makes it much easier to bend over. Another thing to point out, the points do not look to be tied with bow ties. See http://www.florentine-persona.com/tying_bows.html for how to tie them. 5. What is the shape of the codpiece? Figure 6.27 Ca. 1470-75 “Life of St. Sebastian” (Detail of three archers). In the style of Jean Canavesio and Jean Baleison. Wall painting at the chapel of Saint Sebastian, Saint-Étienne-de-Tinée, Côte d'Azur, France Figure 6.28 1471 France, Loyset Liédet, “Tree of Consanguinity” from Somme rurale de Jean Boutillier. MS Fr. 202, fol. 15v Bibliothèque Nationale, Paris Figure 6.29 Ca. 1473-5 The Justice of the Emperor Otto III: The Execution of the Innocent Man by Dirk Bouts 20
Figure 6.30 Late 15th-early 16th century, France. Book of Simple Medicine F140r Figure 6.31 1465 Loyset Liédet’s Renaud de Montauban , “the Marriage of Renaut de Montauban and Clarisse” Figure 6.32 1473 Paris, Maitre Francois, St Augustine's City of God The shape of the codpiece varies quite a bit; figure 27 looks like an un-seamed, roughly triangular flap, whereas figures 28-31 have a seam down the center and appear to be much more sports-cup-like in shape. Figure 32 has yet a different shape, being a wider triangle then figures 28-31 but having a suggestion of the shaped item that the codpiece becomes in the Tudor era. However, the most common shape depicted is similar to figures 28- 31. 6. What is the shape of the feet? Figure 6.33 <strong>1475</strong> Loyset Liédet and Pol Fruit’s Histoire du Charles Martel Figure 6.34 1447-8 Miniature, illustration from page 1 of Les Chroniques de Hainaut by Rogier van der Weyden Figure 6.35 Ca. 1450 MS76/1362. Hours of the Duchess of Bourgogne. Spectators on the river banks enjoy scenes of watertilting Figure 6.36 1465 Loyset Liédet’s Renaud de Montauban , “the Marriage of Renaut de Montauban and Clarisse” 21
Page 1 and 2: Burgundian Noblemen’s Underclothe
Page 3 and 4: The Fashionable Silhouette Figure 2
Page 5 and 6: worn outside. Since buildings did n
Page 7 and 8: *Note, half of these pictures are n
Page 9 and 10: Figure 5.8 Ca. 1454 Master of the P
Page 11 and 12: Again, let’s start with the obvio
Page 13 and 14: Arguments for the high round neckli
Page 15 and 16: Informal wear/Middle Layer Hose/Hos
Page 17 and 18: Figure 6.11 1474-79 Hans Memling, A
Page 19: http://www.personal.utulsa.edu/~mar
Page 23 and 24: Construction-wise, if you have a se
Page 25 and 26: Figure 6.47 Mid-15th century, Franc
Page 27 and 28: Figure 7.6 Figure 7.7 Ca. 1473-5 Di
Page 29 and 30: etween the neck tie and the waist t
Page 31 and 32: 9. Most illustrations obscure the b
Page 33 and 34: Figure 7.26 late 1440s-late 1460s L
Page 35 and 36: Figure 7.41 1465 Loyset Liédet, Be
Page 37 and 38: Figures 47-56 above have no visible
Page 39 and 40: Figure 7.70 Image Copyright © I. M
Page 41 and 42: Bibliography Arnold, Janet Patterns
Page 43 and 44: Figure 4.1: I’ve lost the source
Page 45 and 46: Figure 6.41: Voronova 169. Figure 6

Burgundian Noblemen's Underclothes c1445-1475

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