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Burgundian Noblemen's Underclothes c1445-1475

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Figure 2.5<br />

1470 frontpiece to Loyset Liédet’s Livre des fais d’Alexandre le<br />

grant, “Vasco de Lucena Presents Book to Charles the Bold of<br />

Burgundy”<br />

Figure 2.6<br />

<strong>1475</strong> Loyset Liédet and Pol Fruit’s Histoire du Charles Martel<br />

Layers and Fashion Terms<br />

Decoding <strong>Burgundian</strong> layers and levels of formality can be confusing if you’re not<br />

already familiar with the layers involved. It may help to compare the layers of a man's<br />

modern business suit to the layers in a <strong>Burgundian</strong> nobleman's formal get-up:<br />

Modern men's business wear <strong>Burgundian</strong> noble's formal attire<br />

Undershirt (optional) Shirt (not optional)<br />

Underwear (e.g. briefs or boxers) Underwear<br />

Dress shirt Doublet<br />

Dress pants Hose/hosen<br />

Suit coat Houppelande/over-gown<br />

Hat (optional, uncommon) Hat<br />

Shoes (not optional) Shoes (optional, but common)<br />

This analogy works relatively well from a formality standpoint; a fellow in a modern<br />

office may remove the jacket and tie and even roll up his sleeves, but that's decidedly less<br />

formal then wearing the full get-up, just like a <strong>Burgundian</strong> fellow may remove his overgown<br />

and belt/pouch etc. and go about in his doublet and hose to do athletic activities,<br />

but it's decidedly less formal and you wouldn’t want to wear either variation in a formal<br />

situation.<br />

The analogy does break down if you look at it from a construction standpoint; the<br />

<strong>Burgundian</strong> shirt is more similar to a modern dress shirt then to any of the other<br />

garments, while a doublet is tailored more like a suit coat. I could’ve drawn the analogy<br />

that an over-gown was like a modern overcoat but that implies something that is only<br />

4

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