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ImagineFX_Issue_148_June_2017

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This is a partly completed album artwork. On the left is an earlier Rolling Stones<br />

vinyl, utilising my painting Another Time, Another Place previously published as<br />

a poster and later as a limited edition print. It’s there so that I can keep continuity.<br />

Here’s my most recent illustration job: the first of two<br />

album cover artworks for a vinyl package featuring early<br />

US live recordings of The Rolling Stones.<br />

Thomas, our 18-year-old kitten in the kitchen<br />

– the warmest room in the house – waits for<br />

me to make my regular cups of tea.<br />

I keep a few pieces on the walls. This<br />

is the original pencil drawing of the<br />

album cover from On a Storyteller’s<br />

Night by Magnum. Over the years, the<br />

band has used 21 of my images. To<br />

date my images have appeared on<br />

over 130 record sleeves.<br />

My self-designed custom fibreglass kit – there are two other drums not shown. It<br />

must have been some time in 1984 that I decided to have it constructed. Those<br />

familiar with my work will notice that it resembles some of the drums featured in<br />

my art (Drumboogie, Encore at the End of Time, Drumtower, for example).<br />

Since 1970 all my work has been done<br />

on this old ex-government office desk<br />

that I acquired from a closing-down<br />

sale in Bristol. The drawing board is<br />

even older, to the point that I can’t<br />

remember where I got it from.<br />

The compressor is new, replacing an<br />

old faithful beast that finally gave in<br />

after 40 years of use. It was always<br />

covered in a thick layer of dust and<br />

made a sound like a nearby helicopter,<br />

but it got the job done.<br />

Photos by The Schoolhouse Studio<br />

It’s spring, and the snowdrops are<br />

everywhere in the garden. Nature<br />

inspires me. A snowdrop was behind my<br />

conceptual design for wind turbines for<br />

the green energy company Ecotricity.<br />

Sir Squeakalot (left) and Sproggle (right), two of my<br />

stop-motion models from my children’s TV series Lavender<br />

Castle with the late Gerry Anderson. They watch over my dad’s<br />

home-made model of the Flying Scotsman, which believe it or<br />

not, influenced the artwork behind it: The Heavy Metal Hero.<br />

<strong>June</strong> <strong>2017</strong><br />

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