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chimney.<br />
This is how I got to know the data. Thanks to a mapping program written by a colleague, I<br />
could quickly place any selection of DNA sequences on a map of the Isles. As I did this I soon<br />
noticed that some DNA sequences were found in all parts of the Isles, while others were very<br />
localized. For instance, I had found one particular mDNA sequence in the clan of Tara four times in<br />
Skye, once in Lewis in the Western Isles and once in Glasgow – and nowhere else in the world.<br />
When I looked up in my records where on Skye the four people lived, I saw they came from<br />
different parts of the island. But all traced their maternal ancestry back to the Isle of Rona.<br />
Drive to the north end of Skye past the eroded cliffs and pinnacles of Trotternish, high above<br />
the sea, and Rona is the low rocky island on your right, lying 5 miles offshore. It looks as if it is<br />
connected to the longer, higher island of Raasay to the south, but it is not. A hidden sea channel<br />
separates the two islands. Rona is deserted now, but once held a few crofting families who fished<br />
in the dark blue seas. Their houses have been abandoned and only the lighthouse, white against the<br />
rocks, is visible from Skye.<br />
What must have happened on Rona to account for the unusual DNA I had found on Skye was a<br />
mutation, a slight change in the DNA of one of the ancestors. Silent, unnoticed and with no effect at<br />
all on the woman in whom this event had occurred, just one DNA base, one bead on the chain, had<br />
changed. The new sequence was unique, never seen before in the history of the world. If this<br />
woman had been childless or had only sons, it would have died with her. No one would ever know<br />
it had been created. But she must have had children, and at least one of her children must have been<br />
a girl for her mDNA to be passed on. Through this girl, or her descendants, this new sequence left<br />
the island of Rona and found a home on nearby Skye, where it still remains. From there, perhaps<br />
one of the daughters in the next generation went to live on Lewis while another travelled down to<br />
Glasgow. I cannot tell exactly when this happened, but the journeys have been recorded by the<br />
genes of the descendants. I have not found this particular sequence of DNA letters anywhere else.<br />
Nor has anyone as far as I am aware. That doesn’t mean it isn’t there in other parts of Scotland, or<br />
Ireland, or Wales, or England. Just that we haven’t found it. That is always the way, and always<br />
will be. We will never know everything there is to know about this new gene and what happened to<br />
it. We can only piece together something of its journey from the scraps of information that have both<br />
survived to the present day and that we have found in the cells of people we have tested.<br />
This is a little story of one particular gene, a new version that has changed very slightly. If we<br />
ever do come across it again in the future, we will know it has travelled from Rona. It is a<br />
fragment, like a piece of pottery or a flint tool, and just as reliant on the twin necessities of survival<br />
and discovery as any archaeological remains. This is how I would build the genetic history of the<br />
Isles, by sifting through the thousands of fragments, trying to make sense of them. I would treat them<br />
as if they were the scattered shards of broken pottery and do what I could to understand what they<br />
meant. This was the point at which I decided to become a genetic archaeologist. I would work with<br />
fragments of DNA, perfectly preserved in the bodies of descendants, to reconstruct the travels of<br />
their ancestors with the same discipline that an archaeologist would use when excavating a site.<br />
Collect, examine, record, compare, interpret. In my mind’s eye, even though they were in reality<br />
stored on my computer, I began to think of them as, literally, a pile of fragments, pottery perhaps or<br />
maybe coins. Yes, coins would be an even better metaphor. Through Chris Howgego, a friend and<br />
colleague from Oxford, I had been allowed to examine the Ashmolean Museum’s collection of