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Hundred Great Muslims

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272 <strong>Hundred</strong> <strong>Great</strong> <strong>Muslims</strong><br />

According to the celebrated musician Hakim Muhammad Akram Khan,<br />

the author of Maadan Mausiqi (The Treasure of"Music), ..Amir Khus-ou was<br />

considered Nayak of his time. He invented seventeen tunes of Dholak, and is<br />

looked upon as the originator of Purbi Rag (Eastern Tune) which was the<br />

favourite of Hazrat Nizamuddin Aulia" .<br />

Writing in his well-known book, The Life and Works of Amir Khusrou,<br />

Mirza Mahmood Ahmed says: "The natural inclination which Amir had for<br />

music pervades all his writings. The originality inherent in his nature revolted<br />

against the dogmatism of traditional school of Indian music. There had not been<br />

a greater artist in the history of classical music of India" .<br />

Herbert A. Poplay pays glowing tribute to the genius of Amir Khusrou<br />

when he acknowledges in his celebrated work, Music of India that Amir Khusrou<br />

was not only a renowned poet and musician but also a great soldier and statesman.<br />

The following few anecdotes pertaining to Amir Khusrou will be found of<br />

great interest:<br />

Once Amir Khusrou called on a Sufi Saint. At the door he was stopped by<br />

the durban (doorman) who would not let him in without the permission of the<br />

Saint. This very much offended and angered Amir Khusrou who, on the spur of<br />

the moment, wrote on a scrap of paper the folIowinghemistich extemporaneously:<br />

A dervish requires no doorman.<br />

The doorman delivered it to the Saint who instantaneously added to it the<br />

following hemistich:<br />

(There should be (posted) one, so that no worldly dog may intrude).<br />

This evoked a sardonic chuckle from Amir Khusrou and, at the same time,<br />

amused him. He was forthwith admitted to the presence of the Saint.<br />

It is said that on one occasion a few guests who came to dine with Amir<br />

Khusrou, were not inclined to leave long after the dinner was over. He began<br />

to be bored by their prolonged presence and wanted them to quit. Meanwhile<br />

the kettle-drum sounded the near midnight hour. Thereupon, satirically addressing<br />

the guests, he asked if they knew what it implied and before anyone of<br />

them could reply, he laughingly observed that the kettle-drum said it was time<br />

for them to depart. Simultaneously, he recited the following couplet composed<br />

impromptu in Persian chiming with the number of hours struck by the kettledrum:

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