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5. September - October 2010

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INTERNATIONAL<br />

Credits/ Photos: Espen Grønli<br />

Grelland Motorway<br />

Service Station - By<br />

the Way Motorway<br />

Restaurant, Holmestrand<br />

Lund & Slaatto Arkitekter AS<br />

The building, based on the<br />

winning entry in a competition<br />

in 1997, is a cafeteria spanning<br />

the motorway, a part of a<br />

service stop with petrol stations<br />

on either side. The design<br />

is a conscious break with<br />

the conventional Norwegian<br />

roadside restaurants.<br />

Placing the restaurant across<br />

the road gives easy access from<br />

both sides. A concrete structure<br />

spans the road on one middleand<br />

two end supports. On this<br />

bridge, six columns support two<br />

long girders, with a series of<br />

transverse beams giving the roof<br />

its curved shape. The functional<br />

volumes are placed on this<br />

bridge as separated volumes,<br />

emphasising the sculptural<br />

qualities of the floor plate and the<br />

roof. The facades are full height<br />

glass, with an automatic exterior<br />

sunscreen shielding the building<br />

and preventing glare for passing<br />

motorists.<br />

SYMBOL AND IDENTITY<br />

Architecture presents and<br />

represents.<br />

A project can have a symbolic<br />

value already before it is<br />

realised. A building can signal<br />

a political message, create a<br />

regional identity and give a<br />

sense of belonging.<br />

The design of buildings of this<br />

character presents several<br />

challenges and forces certain<br />

conscious considerations. An<br />

obvious formal language and<br />

superficial symbolism can run<br />

counter to the development of a<br />

unified, meaningful content.<br />

The American architect Philip<br />

Johnson held Frank Gehry’s<br />

Guggenheim Museum in Bilbao<br />

to be the most significant<br />

building of the 20th century.<br />

When asked how he rated the<br />

building as a place to exhibit art,<br />

he said: “When a building is as<br />

good as this, fuck the art”.<br />

Is it right to let symbolism take<br />

precedence over functionality?<br />

How obvious does the<br />

symbolism need to be, and who<br />

can actually read it? Should<br />

architecture also be capable<br />

of reinforcing the identities of<br />

people with a different historical<br />

or cultural background?<br />

The buildings in this<br />

category represent different<br />

interpretations and solutions in<br />

response to these challenges.<br />

www.spacesnepal.com 54<br />

<strong>September</strong>-<strong>October</strong> <strong>2010</strong>

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