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5. September - October 2010

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HERITAGE<br />

The Sacred Garden<br />

The Sacred Garden area, surrounded by a<br />

pond and a circular levee to protect against<br />

inundation, restricts new constructions so that<br />

its archaeological value may be preserved.<br />

Besides the Ashokan Pillar, another most famous<br />

monument is the Mayadevi temple. It has a stone<br />

relief having the Nativity scene of the Buddha,<br />

which is worshipped from the beginning of the<br />

Christian era. This nativity scene of Buddha<br />

was installed by the king Naga Malla of Western<br />

Nepal, who ruled over one of the two states which<br />

flourished from about 11th to 15th century<br />

in the Karnali zone of Nepal. It is pointed out<br />

by scholars that the temple of Mayadevi was<br />

constructed over the foundation of more than<br />

one earlier temple or stupa.<br />

At present the Mayadevi temple is the heart<br />

of all monuments of the holy site, bearing the<br />

testimony of several phases of construction<br />

over the centuries. It was reopened in 2003 on<br />

the 2547th auspicious birth anniversary of Lord<br />

Buddha and contains ruins of the earlier temple<br />

structure that date back to the 3rd to the 7th<br />

century B.C. However, this new construction<br />

and its design have not been spared of world<br />

criticism, brought about by the charge of it<br />

having negative impact on the archaeological<br />

remains, affecting the visual experience and<br />

understanding(both historic and spiritual)<br />

of such an important archaeological site 6 . In<br />

this context, Prof. Dr. Jiba Raj Pokharel, the<br />

chief architect of the new Mayadevi temple<br />

and former Dean of IOE, Pulchowk Campus,<br />

The new Mayadevi Temple, containing the ruins of<br />

the earlier 3rd to the 7th century B.C. structure, was<br />

reopened in 2003. This new construction however<br />

invited world criticism that it’s design affected the visual<br />

experience and understanding of such an important<br />

archaeological site .<br />

The entire development of the<br />

Master plan is tied together by<br />

the eternal flame and a central<br />

link comprising of a walkway and<br />

a canal, which establishes the<br />

solitude and sanctity of the Sacred<br />

Garden and offers pilgrims time and<br />

space to prepare as they approach<br />

the Sacred Garden. On either<br />

sides of the axis are the monastic<br />

enclaves, which are surrounded by<br />

a green forest. The 3 X 1 mile strips<br />

on both sides of the central strip<br />

were designated Restricted Areas.<br />

It was proposed that the concerned<br />

authorities should adapt zoning<br />

regulations for the additional 16 sq.<br />

miles area to act as a buffer zone<br />

that will assure the preservation of<br />

agricultural environment. This area<br />

would be developed for agricultural<br />

purposes and would provide food<br />

for local people and for the visitors,<br />

thus helping to raise the standard of<br />

living of the inhabitants.<br />

says that he had tried to maintain the form,<br />

texture and colour of the previous structure<br />

constructed by Keshar Shamsher (the then<br />

commanding officer for Lumbini). Moreover,<br />

Dr. Jiba Raj reiterates that recommendation of<br />

UNESCO regarding the need of paying attention<br />

to the non-intrusiveness, reversibility, shelter,<br />

visibility, focus, access, worship and authenticity<br />

has been given consideration to the extent<br />

possible in his design. Justifications for the<br />

construction were made emphasizing the living<br />

character of the site and religious sensitivity and<br />

inappropriate conditions back then. He further<br />

explains that the construction process of the<br />

The marker stone (and the Nativity sculpture)<br />

fixes the place of the Nativity of Buddha with<br />

deftness and precision and provides answers<br />

to the controversies regarding the birthplace of<br />

Lord Buddha.<br />

The Nativity sculpture inside<br />

the Mayadevi temple depicts<br />

Mayadevi with her right hand<br />

holding on to a branch of a<br />

sal-tree with a new born child<br />

standing upright on a lotus<br />

pedestal shedding an oval halo<br />

around his head, while two<br />

celestial figures pour water and<br />

lotuses from vessels of heaven<br />

as indicated by the delineation<br />

of clouds.<br />

www.spacesnepal.com 78<br />

<strong>September</strong>-<strong>October</strong> <strong>2010</strong>

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