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Reflections - cover2

Selected Writings & Artwork by Harriett Copeland Lillard

Selected Writings & Artwork by Harriett Copeland Lillard

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Mexico<br />

I wonder in my motherly way if he is getting enough to eat himself – if those pants he wears gathered around his thin waist tied with a rope are the<br />

result of hunger or simply a hand-me-down from an older brother. I wonder how much of life he knows too soon in the tiny house where he lives<br />

with a mother and uncounted brothers and sisters, what the soft brown eyes hide about the hardness of life, what resentment stands behind the<br />

deferential manner and voice? Does he go to school, does he dream, does he hope? Will life be good for this small brown, barefooted<br />

entrepreneur?<br />

The ceviche is passed around on a hard flat tortilla for the “prueba” – everyone agrees that it will do. Relief shows in the brown eyes and now<br />

comes the final negotiations – the price. Nothing is ever set, but fluctuates daily in relationship to the price of fish. Today the negotiator is<br />

scrutinizing the ratio of incongruous ingredients. There are more carrots and less fish than yesterday, so the price should be lower. The boy<br />

dismisses saying that it is indeed the same. The discussion seems interminable, but a price is finally reached; lower than he had asked, but higher<br />

than first offered. Next arrives the “pico de gallo” – cucumbers, pineapple, oranges, apples, watermelon, cantaloupe, all chopped and diced<br />

together, sprinkled with salt and left to make its own juice. We dive in with sandy fingers, each after our favorite morsels. Sand begins to collect in<br />

the juice at the bottom of the bowl. It is not a problem worthy of discussion.<br />

Long minutes slide into hours. Fragmented thoughts and bits of conversation float in and out of consciousness. Nothing is sustained for any long<br />

period of time – we just drift. There are no plans, no organization, no attempt to schedule – the day just happens, one thing flowing into the next.<br />

This is Mexico.<br />

˜<br />

66

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