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RnOBg rmlil'fluuum[nluuuluuuun + w-
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Penning Characters Vol.2
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Vot. 2 Penning Gharacters i a t ț
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Chapter 3 Drawing Any Expression lm
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Pen Fundamentals l &ffi1 ': ,' ,i t
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l : i :r:,'i this version anticipat
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Pgn NibS The 3 Most Common Nibs: Th
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-riier drawing Normally, arhsb star
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lHiltry fu h d Taoered and Even Lin
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Assorted Uses of Heavy and Fine Lin
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2, Building up tines right from the
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Making characters Distinctive ^r /
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\__ I -\ i 1 t ; d t\ & x & I \ 3,
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itioning the Figure with a 3/4 View
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=mct Views Etfective in Manga AYa*
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A+B Shoulders raised M ^\*t//^ --i:
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Note the distance between the eye a
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4. Moderate High Angle Regular side
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,/ , I i I .t-*#F' I :e,:c-s arar,t
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Connecting the Neck and the Torso N
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Ghanges in Eye Shape for Each of th
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Back of the Head Depictions of char
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The Eyes are the Face's Key Feature
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'SiEContourLines:ProcesstorRenderin
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[-arge- Round Eyes Standard eyes Do
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ItffiErencs between Adult and Child
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Male vs. Female Faces Male and fema
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Pointers in Drawing Cute Female Cha
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Greating Adult Faces Yourfiful Char
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- Page 62 and 63: The Basics of the Human Figure Maki
- Page 64 and 65: Pointers in Thickening (Darkening)
- Page 66 and 67: Lighrsource y#l;Hiff'il::,ffiT1ili;
- Page 68 and 69: hactirxlApplication: Achieving a Se
- Page 70 and 71: faffig the Back -E srslMer blade an
- Page 72 and 73: nguishing Female Body Types Average
- Page 74 and 75: ./ tt, p, / breast size, the \ 1 Al
- Page 76 and 77: nguishing Male and Female Figures j
- Page 78 and 79: ffien Drawing Different Male Adjust
- Page 80 and 81: ff chitd -u:l/.r ,a \ chird \ /\ Nc
- Page 82 and 83: ltand G€sfures and Poses
- Page 84 and 85: Draw the foot first and then the sh
- Page 86 and 87: Waking Up Showing Gharacters Moving
- Page 88 and 89: hes SEq*ng You are not required to
- Page 90 and 91: Sample: A Jolting Wake-up \--zz
- Page 92 and 93: Drawing Any Expression I m a g i n
- Page 94 and 95: Mouth Movements: Depicting Basic Uo
- Page 96 and 97: Clme-ups of the Mouth There are occ
- Page 98 and 99: Theatrical Eyes ng the Wide open ey
- Page 100 and 101: Uses of Showing the Eyes Maintainin
- Page 102 and 103: Combining Features to Express Sampl
- Page 104 and 105: Ofiry:Tears +(E6 As tears are a liq
- Page 106 and 107: Strrrholic Representation O @ O O o
- Page 108 and 109: Dashes -1 . Used to express realiza
- Page 112 and 113: Using the Mouth to Show Emotion Lon
- Page 114 and 115: Aahll a) Yeeshl? 5) Smiling Faces A
- Page 116 and 117: Chibi (Super-deformed) Gharacters a
- Page 118 and 119: Creating Key Images and Gharacter E
- Page 120 and 121: Vehicles and Figures: Driving Scene
- Page 122 and 123: Suggesting Movement Using a Single
- Page 124 and 125: Penning Techniques Th at G reate De
- Page 126 and 127: tlater Dmpleb The key point here is
- Page 128 and 129: Artist's Profile Hikaru Hayashi '19
- Page 130 and 131: us $19.99 Vol.7: AMAZING EFFECTS Ch