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The Basics of the Human Figure<br />
Making Etfective Use of Even and Tapered Lines<br />
re<br />
Uentuating ffe muscular<br />
-ati'e urill allow you <strong>to</strong> suggest<br />
:e nardness of the male<br />
:cd'y. so use even lines<br />
=, "r<br />
Orginnrg of \ /<br />
s'roulder blade and<br />
" 3 b0ne con<strong>to</strong>urs.<br />
\<br />
Use a tapered line for the<br />
point where the shoulder<br />
joins the neck, since it<br />
also marks the swell of<br />
the muscle.<br />
The bony shape of the elbow<br />
is discernible. Use both even<br />
and tapered lines when<br />
<strong>draw</strong>ing a male character in<br />
order <strong>to</strong> achieve a rugged,<br />
craggy appearance.<br />
While the suit jacket is<br />
roomy, undulations form<br />
owing <strong>to</strong> protrusions<br />
and recesses in the<br />
body, such as the<br />
shoulder blade, waist,<br />
and elbows.<br />
-lraw a downward, tapered<br />
re cutting ever so slightly<br />
"'*ard. This subtle <strong>to</strong>uch<br />
,,,"1, accentuate the figure's<br />
- :.rscular look, generating<br />
a sense of manliness. ln<br />
:cntrast. use smooth,<br />
Jicroken lines for a female<br />
i)<br />
::: :: .O<br />
waist{o-hip con<strong>to</strong>ur<br />
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'N<br />
),<br />
A\\<br />
,r)<br />
i<br />
N<br />
Bunching formed by the<br />
loose trouser fabric.<br />
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