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t HORE HOWT0 DRAW MANGAVoI.2: Penning Characters I Go Office Copynght @ 2002 Go 0ffice Copyright @ 2002 Graphic-sha Publishing Co., Ltd. Thrs book was first designed and published by Graphic-sha Publishing Co., Ltd. in Japan in 2002. This English edition was publisned by Graphic-sha Publishing Co., Ltd. in Japan in 2004. Artwork and Production: Kazuaki Morita, Yumiko Deguchi, Hiroko Shioda, Ushio, Takehiko Matsumoto, Production Assistant: Production Support: CwerArtwork: Hikaru Hagi Gekko, Akira Gokita, Kozue Onishi, Haruto, Hitoshi Sato, BeE, Kento Shimazaki, Rio Yagizawa Takumi Takahashi, Kozue 0nishi Julie Asakura Kazuaki Morita fulish Main T'itle Logo Design: Hideyuki Amemura Composition and Text: Heference Photography: Yasuo lmai Hikaru Hayashi, Rio Yagizawa (Go 0ffice) EElish Edition Layout: Shinichi lshioka EnglM Translation Management: Lingua friinca, lnc. (an3y-skmt@asahi-net.orjp) Phnnir€ Editor: Motofumi Nakanishi (Graphic-sha Publishing Co., Ltd.) Foreiln Language Edition Proiect Coordinator: Kumiko Sakamoto (Graphic-sha Publishing Co., Ltd.) A{ rqhb reserved. No part of this publication may be reproduced 0r used in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage ffd rebieval systems - without written permission 0f the publisher Ds!firhc Japflr h.dilhalions Trading Co., Ltd. ' -2- i Sarugaku-cho, Chiyoda-ku, Tokyo, I 01 -0064 E-rna*: id@jpho.co.jp iJF{:-: @: wrw.lptco. co.jp/ ;rs ffro,.rE: March 2004 I I sm, ,--m---r&l *e'csLrcr]I*a
Vot. 2 Penning Gharacters i a t ț ! t tt , : JT-7I,, >
Page 1 and 2: RnOBg rmlil'fluuum[nluuuluuuun + w-
Page 3: Penning Characters Vol.2
Page 7 and 8: Chapter 3 Drawing Any Expression lm
Page 9 and 10: Pen Fundamentals l &ffi1 ': ,' ,i t
Page 11 and 12: l : i :r:,'i this version anticipat
Page 13 and 14: Pgn NibS The 3 Most Common Nibs: Th
Page 15 and 16: -riier drawing Normally, arhsb star
Page 17 and 18: lHiltry fu h d Taoered and Even Lin
Page 19 and 20: Assorted Uses of Heavy and Fine Lin
Page 21 and 22: 2, Building up tines right from the
Page 23 and 24: Making characters Distinctive ^r /
Page 25 and 26: \__ I -\ i 1 t ; d t\ & x & I \ 3,
Page 27 and 28: itioning the Figure with a 3/4 View
Page 29 and 30: =mct Views Etfective in Manga AYa*
Page 31 and 32: A+B Shoulders raised M ^\*t//^ --i:
Page 34 and 35: Note the distance between the eye a
Page 36 and 37: 4. Moderate High Angle Regular side
Page 38 and 39: ,/ , I i I .t-*#F' I :e,:c-s arar,t
Page 40 and 41: Connecting the Neck and the Torso N
Page 42 and 43: Ghanges in Eye Shape for Each of th
Page 44 and 45: Back of the Head Depictions of char
Page 46 and 47: The Eyes are the Face's Key Feature
Page 48 and 49: 'SiEContourLines:ProcesstorRenderin
Page 50 and 51: [-arge- Round Eyes Standard eyes Do
Page 52 and 53: ItffiErencs between Adult and Child
Page 54 and 55:
Male vs. Female Faces Male and fema
Page 56 and 57:
Pointers in Drawing Cute Female Cha
Page 58 and 59:
Greating Adult Faces Yourfiful Char
Page 60 and 61:
a? nJ Pay attention to tlt: size of
Page 62 and 63:
The Basics of the Human Figure Maki
Page 64 and 65:
Pointers in Thickening (Darkening)
Page 66 and 67:
Lighrsource y#l;Hiff'il::,ffiT1ili;
Page 68 and 69:
hactirxlApplication: Achieving a Se
Page 70 and 71:
faffig the Back -E srslMer blade an
Page 72 and 73:
nguishing Female Body Types Average
Page 74 and 75:
./ tt, p, / breast size, the \ 1 Al
Page 76 and 77:
nguishing Male and Female Figures j
Page 78 and 79:
ffien Drawing Different Male Adjust
Page 80 and 81:
ff chitd -u:l/.r ,a \ chird \ /\ Nc
Page 82 and 83:
ltand G€sfures and Poses
Page 84 and 85:
Draw the foot first and then the sh
Page 86 and 87:
Waking Up Showing Gharacters Moving
Page 88 and 89:
hes SEq*ng You are not required to
Page 90 and 91:
Sample: A Jolting Wake-up \--zz
Page 92 and 93:
Drawing Any Expression I m a g i n
Page 94 and 95:
Mouth Movements: Depicting Basic Uo
Page 96 and 97:
Clme-ups of the Mouth There are occ
Page 98 and 99:
Theatrical Eyes ng the Wide open ey
Page 100 and 101:
Uses of Showing the Eyes Maintainin
Page 102 and 103:
Combining Features to Express Sampl
Page 104 and 105:
Ofiry:Tears +(E6 As tears are a liq
Page 106 and 107:
Strrrholic Representation O @ O O o
Page 108 and 109:
Dashes -1 . Used to express realiza
Page 110 and 111:
m-rccrnered cross mark iJ/ ;a7 h =-
Page 112 and 113:
Using the Mouth to Show Emotion Lon
Page 114 and 115:
Aahll a) Yeeshl? 5) Smiling Faces A
Page 116 and 117:
Chibi (Super-deformed) Gharacters a
Page 118 and 119:
Creating Key Images and Gharacter E
Page 120 and 121:
Vehicles and Figures: Driving Scene
Page 122 and 123:
Suggesting Movement Using a Single
Page 124 and 125:
Penning Techniques Th at G reate De
Page 126 and 127:
tlater Dmpleb The key point here is
Page 128 and 129:
Artist's Profile Hikaru Hayashi '19
Page 130 and 131:
us $19.99 Vol.7: AMAZING EFFECTS Ch
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